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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 56 / 44 it is the complementary color CMYK 42 / 0 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 56 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 56 / 44: CMYK 0 / 57 / 61 / 42, CMYK 0 / 51 / 53 / 35, CMYK 0 / 46 / 47 / 29, CMYK 0 / 41 / 42 / 22 and CMYK 0 / 38 / 38 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 56 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 56 / 44: CMYK 0 / 56 / 56 / 44, CMYK 0 / 64 / 65 / 51, CMYK 0 / 75 / 77 / 57, CMYK 0 / 90 / 93 / 64 and CMYK 0 / 100 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

Complementary color

CMYK 42 / 0 / 0 / 25

HEX #70C0C0

RGB 112 192 192

HSL 180, 0.39%, 0.6%

LAB 72.86, -24.47, -7.7

 

CMYK 0 / 57 / 61 / 42

HEX #943F3A

RGB 148 63 58

HSL 3.33, 0.44%, 0.4%

LAB 38.12, 35.43, 20.82

 

CMYK 0 / 51 / 53 / 35

HEX #A5514D

RGB 165 81 77

HSL 2.73, 0.36%, 0.47%

LAB 44.83, 34.2, 18.54

 

CMYK 0 / 46 / 47 / 29

HEX #B66360

RGB 182 99 96

HSL 2.09, 0.37%, 0.55%

LAB 51.51, 33.01, 16.65

 

CMYK 0 / 41 / 42 / 22

HEX #C77573

RGB 199 117 115

HSL 1.43, 0.43%, 0.62%

LAB 58.13, 31.91, 15.05

 

CMYK 0 / 38 / 38 / 15

HEX #D88786

RGB 216 135 134

HSL 0.73, 0.51%, 0.69%

LAB 64.68, 30.9, 13.65

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 0 / 64 / 65 / 51

HEX #7E2D2C

RGB 126 45 44

HSL 0.73, 0.48%, 0.33%

LAB 30.63, 35.04, 19.26

 

CMYK 0 / 75 / 77 / 57

HEX #6D1B19

RGB 109 27 25

HSL 1.43, 0.63%, 0.26%

LAB 24.02, 35.83, 22.71

 

CMYK 0 / 90 / 93 / 64

HEX #5C0906

RGB 92 9 6

HSL 2.09, 0.88%, 0.19%

LAB 17.85, 35.59, 24.87

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 0 / 47 / 56 / 45

HEX #8D4B3E

RGB 141 75 62

HSL 9.87, 0.39%, 0.4%

LAB 39.65, 26.48, 20.14

 

CMYK 0 / 38 / 56 / 45

HEX #8D583E

RGB 141 88 62

HSL 19.75, 0.39%, 0.4%

LAB 42.75, 19.03, 24.11

 

CMYK 0 / 28 / 56 / 45

HEX #8D663E

RGB 141 102 62

HSL 30.38, 0.39%, 0.4%

LAB 46.33, 10.86, 28.6

 

CMYK 0 / 18 / 56 / 45

HEX #8D733E

RGB 141 115 62

HSL 40.25, 0.39%, 0.4%

LAB 49.82, 3.33, 32.85

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 0 / 56 / 56 / 24

HEX #C25555

RGB 194 85 85

HSL 0, 0.47%, 0.55%

LAB 50.24, 43.71, 21.75

 

CMYK 0 / 56 / 56 / 4

HEX #F56C6C

RGB 245 108 108

HSL 0, 0.87%, 0.69%

LAB 62.69, 52.59, 26.31

 

CMYK 0 / 56 / 56 / 84

HEX #291212

RGB 41 18 18

HSL 0, 0.39%, 0.12%

LAB 8.55, 11.89, 4.87

 

CMYK 0 / 55 / 55 / 64

HEX #5C2929

RGB 92 41 41

HSL 0, 0.38%, 0.26%

LAB 23.74, 23.34, 11.09

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 11 / 0 / 56 / 45

HEX #7D8D3E

RGB 125 141 62

HSL 72.15, 0.39%, 0.4%

LAB 55.84, -18.08, 39.58

 

CMYK 56 / 33 / 0 / 45

HEX #3E5E8D

RGB 62 94 141

HSL 215.7, 0.39%, 0.4%

LAB 39.5, 2.93, -29.56

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 56 / 0 / 56 / 45

HEX #3E8D3E

RGB 62 141 62

HSL 120, 0.39%, 0.4%

LAB 52.31, -40.98, 34.55

 

CMYK 56 / 56 / 0 / 45

HEX #3E3E8D

RGB 62 62 141

HSL 240, 0.39%, 0.4%

LAB 30.38, 23.82, -44.09

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 11 / 0 / 56 / 45

HEX #7D8D3E

RGB 125 141 62

HSL 72.15, 0.39%, 0.4%

LAB 55.84, -18.08, 39.58

 

CMYK 56 / 0 / 0 / 45

HEX #3E8D8D

RGB 62 141 141

HSL 180, 0.39%, 0.4%

LAB 54.02, -23.93, -7.33

 

CMYK 45 / 56 / 0 / 45

HEX #4E3E8D

RGB 78 62 141

HSL 252.15, 0.39%, 0.4%

LAB 31.78, 27.49, -41.76

 

CMYK 0 / 56 / 56 / 44

HEX #8F3F3F

RGB 143 63 63

HSL 0, 0.39%, 0.4%

LAB 37.4, 33.92, 16.61

 

CMYK 28 / 0 / 56 / 45

HEX #668D3E

RGB 102 141 62

HSL 89.62, 0.39%, 0.4%

LAB 54.26, -27.5, 37.34

 

CMYK 56 / 0 / 0 / 45

HEX #3E8D8D

RGB 62 141 141

HSL 180, 0.39%, 0.4%

LAB 54.02, -23.93, -7.33

 

CMYK 28 / 56 / 0 / 45

HEX #663E8D

RGB 102 62 141

HSL 270.38, 0.39%, 0.4%

LAB 34.38, 33.74, -37.45

 

Description

Color code: CMYK 0 / 56 / 56 / 44 | qconv.com Color code: CMYK 0 / 56 / 56 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 63 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 63 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 56 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 56% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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