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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 242 146 96 it is the complementary color RGB 13 109 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 242 146 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 242 146 96: RGB 247 146 91, RGB 255 164 110, RGB 255 182 129, RGB 255 200 148 and RGB 255 218 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 242 146 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 242 146 96: RGB 242 146 96, RGB 225 128 77, RGB 208 110 58, RGB 191 92 39 and RGB 174 74 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

Complementary color

CMYK 92 / 31 / 0 / 38

HEX #0D6D9F

RGB 13 109 159

HSL 200.55, 0.85%, 0.34%

LAB 43.55, -6.58, -34.06

 

CMYK 0 / 41 / 63 / 3

HEX #F7925B

RGB 247 146 91

HSL 21.15, 0.91%, 0.66%

LAB 70.24, 33.32, 45.01

 

CMYK 0 / 36 / 57 / 0

HEX #FFA46E

RGB 255 164 110

HSL 22.34, 1%, 0.72%

LAB 75.41, 28.44, 41.73

 

CMYK 0 / 29 / 49 / 0

HEX #FFB681

RGB 255 182 129

HSL 25.24, 1%, 0.75%

LAB 79.78, 20.6, 37.4

 

CMYK 0 / 22 / 42 / 0

HEX #FFC894

RGB 255 200 148

HSL 29.16, 1%, 0.79%

LAB 84.33, 13.05, 33.47

 

CMYK 0 / 15 / 35 / 0

HEX #FFDAA7

RGB 255 218 167

HSL 34.77, 1%, 0.83%

LAB 89.01, 5.85, 29.89

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 0 / 43 / 66 / 12

HEX #E1804D

RGB 225 128 77

HSL 20.68, 0.71%, 0.59%

LAB 63.33, 33.11, 43.4

 

CMYK 0 / 47 / 72 / 18

HEX #D06E3A

RGB 208 110 58

HSL 20.8, 0.61%, 0.52%

LAB 56.95, 34.68, 45.28

 

CMYK 0 / 52 / 80 / 25

HEX #BF5C27

RGB 191 92 39

HSL 20.92, 0.66%, 0.45%

LAB 50.54, 36.41, 47.1

 

CMYK 0 / 57 / 89 / 32

HEX #AE4A14

RGB 174 74 20

HSL 21.04, 0.79%, 0.38%

LAB 44.16, 38.25, 48.45

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 0 / 30 / 61 / 5

HEX #F1A85E

RGB 241 168 94

HSL 30.2, 0.84%, 0.66%

LAB 74.52, 19.56, 48.36

 

CMYK 0 / 20 / 61 / 5

HEX #F1C05E

RGB 241 192 94

HSL 40, 0.84%, 0.66%

LAB 80.3, 6.93, 55.02

 

CMYK 0 / 10 / 61 / 5

HEX #F1D95E

RGB 241 217 94

HSL 50.2, 0.84%, 0.66%

LAB 86.57, -5.91, 62.02

 

CMYK 0 / 0 / 61 / 5

HEX #F1F15E

RGB 241 241 94

HSL 60, 0.84%, 0.66%

LAB 92.76, -17.79, 68.71

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 0 / 39 / 61 / 65

HEX #593623

RGB 89 54 35

HSL 21.11, 0.44%, 0.24%

LAB 26.4, 13.43, 18.38

 

CMYK 0 / 40 / 60 / 45

HEX #8C5438

RGB 140 84 56

HSL 20, 0.43%, 0.38%

LAB 41.53, 20.39, 26.07

 

CMYK 0 / 40 / 60 / 25

HEX #BF734C

RGB 191 115 76

HSL 20.35, 0.47%, 0.52%

LAB 55.95, 26.19, 34.06

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 32 / 0 / 61 / 5

HEX #A3F15E

RGB 163 241 94

HSL 91.84, 0.84%, 0.66%

LAB 87.73, -47.34, 61.79

 

CMYK 61 / 57 / 0 / 5

HEX #5E68F1

RGB 94 104 241

HSL 235.92, 0.84%, 0.66%

LAB 50.25, 36.67, -70.27

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 61 / 0 / 41 / 5

HEX #5EF18F

RGB 94 241 143

HSL 140, 0.84%, 0.66%

LAB 85.64, -60.23, 35.92

 

CMYK 41 / 61 / 0 / 5

HEX #8F5EF1

RGB 143 94 241

HSL 260, 0.84%, 0.66%

LAB 52.06, 51.59, -67.15

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 32 / 0 / 61 / 5

HEX #A3F15E

RGB 163 241 94

HSL 91.84, 0.84%, 0.66%

LAB 87.73, -47.34, 61.79

 

CMYK 61 / 20 / 0 / 5

HEX #5EC0F1

RGB 94 192 241

HSL 200, 0.84%, 0.66%

LAB 73.82, -14.54, -32.9

 

CMYK 28 / 61 / 0 / 5

HEX #AD5EF1

RGB 173 94 241

HSL 272.24, 0.84%, 0.66%

LAB 55.32, 58.04, -61.73

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 51 / 0 / 61 / 5

HEX #77F15E

RGB 119 241 94

HSL 109.8, 0.84%, 0.66%

LAB 85.83, -60.86, 59.14

 

CMYK 61 / 20 / 0 / 5

HEX #5EC0F1

RGB 94 192 241

HSL 200, 0.84%, 0.66%

LAB 73.82, -14.54, -32.9

 

CMYK 10 / 61 / 0 / 5

HEX #D95EF1

RGB 217 94 241

HSL 290.2, 0.84%, 0.66%

LAB 60.88, 68.17, -52.53

 

Description

Color code: RGB 242 146 96 | qconv.com Color code: RGB 242 146 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 146 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 146 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 60 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 60% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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