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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 23 15 it is the complementary color RGB 217 232 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 23 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 38 23 15: RGB 43 23 10, RGB 60 41 29, RGB 77 59 48, RGB 94 77 67 and RGB 111 95 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 23 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 38 23 15: RGB 38 23 15, RGB 21 5 0, RGB 4 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

Complementary color

CMYK 10 / 3 / 0 / 6

HEX #D9E8F0

RGB 217 232 240

HSL 200.87, 0.43%, 0.9%

LAB 91.12, -3.43, -5.59

 

CMYK 0 / 47 / 77 / 83

HEX #2B170A

RGB 43 23 10

HSL 23.64, 0.62%, 0.1%

LAB 10.17, 8.51, 11.28

 

CMYK 0 / 32 / 52 / 76

HEX #3C291D

RGB 60 41 29

HSL 23.23, 0.35%, 0.17%

LAB 18.52, 7.06, 11.37

 

CMYK 0 / 23 / 38 / 70

HEX #4D3B30

RGB 77 59 48

HSL 22.76, 0.23%, 0.25%

LAB 26.5, 6.1, 9.85

 

CMYK 0 / 18 / 29 / 63

HEX #5E4D43

RGB 94 77 67

HSL 22.22, 0.17%, 0.32%

LAB 34.18, 5.41, 8.6

 

CMYK 0 / 14 / 23 / 56

HEX #6F5F56

RGB 111 95 86

HSL 21.6, 0.13%, 0.39%

LAB 41.59, 4.87, 7.53

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 0 / 76 / 100 / 92

HEX #150500

RGB 21 5 0

HSL 14.29, 1%, 0.04%

LAB 2.42, 4.46, 3.71

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 0 / 31 / 61 / 86

HEX #24190E

RGB 36 25 14

HSL 30, 0.44%, 0.1%

LAB 9.81, 3.67, 8.81

 

CMYK 0 / 19 / 61 / 86

HEX #241D0E

RGB 36 29 14

HSL 40.91, 0.44%, 0.1%

LAB 11.17, 0.77, 10.71

 

CMYK 0 / 11 / 61 / 86

HEX #24200E

RGB 36 32 14

HSL 49.09, 0.44%, 0.1%

LAB 12.22, -1.35, 12.15

 

CMYK 0 / 0 / 61 / 86

HEX #24240E

RGB 36 36 14

HSL 60, 0.44%, 0.1%

LAB 13.64, -4.11, 14.05

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 0 / 39 / 61 / 65

HEX #593623

RGB 89 54 35

HSL 21.11, 0.44%, 0.24%

LAB 26.4, 13.43, 18.38

 

CMYK 0 / 39 / 61 / 45

HEX #8C5537

RGB 140 85 55

HSL 21.18, 0.44%, 0.38%

LAB 41.76, 19.73, 26.94

 

CMYK 0 / 39 / 61 / 25

HEX #BF744B

RGB 191 116 75

HSL 21.21, 0.48%, 0.52%

LAB 56.16, 25.56, 34.87

 

CMYK 0 / 40 / 60 / 5

HEX #F29260

RGB 242 146 96

HSL 20.55, 0.85%, 0.66%

LAB 69.67, 31.68, 41.6

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 33 / 0 / 61 / 86

HEX #18240E

RGB 24 36 14

HSL 92.73, 0.44%, 0.1%

LAB 12.53, -10.33, 12.37

 

CMYK 61 / 58 / 0 / 86

HEX #0E0F24

RGB 14 15 36

HSL 237.27, 0.44%, 0.1%

LAB 5.08, 5.56, -14.05

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 61 / 0 / 42 / 86

HEX #0E2415

RGB 14 36 21

HSL 139.09, 0.44%, 0.1%

LAB 12.02, -13.17, 7.4

 

CMYK 42 / 61 / 0 / 86

HEX #150E24

RGB 21 14 36

HSL 259.09, 0.44%, 0.1%

LAB 5.43, 8.75, -13.47

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 33 / 0 / 61 / 86

HEX #18240E

RGB 24 36 14

HSL 92.73, 0.44%, 0.1%

LAB 12.53, -10.33, 12.37

 

CMYK 61 / 19 / 0 / 86

HEX #0E1D24

RGB 14 29 36

HSL 199.09, 0.44%, 0.1%

LAB 9.79, -3.9, -6.77

 

CMYK 28 / 61 / 0 / 86

HEX #1A0E24

RGB 26 14 36

HSL 272.73, 0.44%, 0.1%

LAB 5.97, 11.13, -12.58

 

CMYK 0 / 39 / 61 / 85

HEX #26170F

RGB 38 23 15

HSL 20.87, 0.43%, 0.1%

LAB 9.48, 6.35, 7.85

 

CMYK 50 / 0 / 61 / 86

HEX #12240E

RGB 18 36 14

HSL 109.09, 0.44%, 0.1%

LAB 12.1, -13.07, 11.72

 

CMYK 61 / 19 / 0 / 86

HEX #0E1D24

RGB 14 29 36

HSL 199.09, 0.44%, 0.1%

LAB 9.79, -3.9, -6.77

 

CMYK 11 / 61 / 0 / 86

HEX #200E24

RGB 32 14 36

HSL 289.09, 0.44%, 0.1%

LAB 6.76, 13.99, -11.3

 

Description

Color code: RGB 38 23 15 | qconv.com Color code: RGB 38 23 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 23 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 23 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 61 yellow and 85 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 61% 85% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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