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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 178 27 it is the complementary color RGB 17 77 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 178 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 238 178 27: RGB 243 178 22, RGB 255 196 41, RGB 255 214 60, RGB 255 232 79 and RGB 255 250 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 178 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 238 178 27: RGB 238 178 27, RGB 221 160 8, RGB 204 142 0, RGB 187 124 0 and RGB 170 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

Complementary color

CMYK 93 / 66 / 0 / 11

HEX #114DE4

RGB 17 77 228

HSL 222.94, 0.86%, 0.48%

LAB 39.63, 41.32, -80.43

 

CMYK 0 / 27 / 91 / 5

HEX #F3B216

RGB 243 178 22

HSL 42.35, 0.9%, 0.52%

LAB 76.65, 12.26, 76.68

 

CMYK 0 / 23 / 84 / 0

HEX #FFC429

RGB 255 196 41

HSL 43.46, 1%, 0.58%

LAB 82.32, 8.37, 77.47

 

CMYK 0 / 16 / 76 / 0

HEX #FFD63C

RGB 255 214 60

HSL 47.38, 1%, 0.62%

LAB 86.84, -0.28, 75.79

 

CMYK 0 / 9 / 69 / 0

HEX #FFE84F

RGB 255 232 79

HSL 52.16, 1%, 0.65%

LAB 91.48, -8.51, 73.58

 

CMYK 0 / 2 / 62 / 0

HEX #FFFA62

RGB 255 250 98

HSL 58.09, 1%, 0.69%

LAB 96.21, -16.28, 71.1

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 0 / 28 / 96 / 13

HEX #DDA008

RGB 221 160 8

HSL 42.82, 0.93%, 0.45%

LAB 69.85, 12.12, 72.69

 

CMYK 0 / 30 / 100 / 20

HEX #CC8E00

RGB 204 142 0

HSL 41.76, 1%, 0.4%

LAB 63.49, 14.28, 68.48

 

CMYK 0 / 34 / 100 / 27

HEX #BB7C00

RGB 187 124 0

HSL 39.79, 1%, 0.37%

LAB 57.06, 16.61, 63.22

NCS® S3065-Y20R

CMYK 0 / 38 / 100 / 33

HEX #AA6A00

RGB 170 106 0

HSL 37.41, 1%, 0.33%

LAB 50.52, 19.03, 57.89

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 0 / 12 / 89 / 7

HEX #EDD11B

RGB 237 209 27

HSL 52, 0.85%, 0.52%

LAB 83.8, -6.27, 81.01

 

CMYK 3 / 0 / 89 / 7

HEX #E6ED1B

RGB 230 237 27

HSL 62, 0.85%, 0.52%

LAB 90.54, -23, 86.06

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 32 / 0 / 89 / 7

HEX #A0ED1B

RGB 160 237 27

HSL 82, 0.85%, 0.52%

LAB 86.07, -50.31, 80.58

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 0 / 26 / 88 / 87

HEX #221904

RGB 34 25 4

HSL 42, 0.79%, 0.07%

LAB 9.35, 1.34, 12.38

 

CMYK 0 / 25 / 88 / 67

HEX #55400A

RGB 85 64 10

HSL 43.2, 0.79%, 0.19%

LAB 28.43, 3.44, 33.7

 

CMYK 0 / 25 / 89 / 47

HEX #88660F

RGB 136 102 15

HSL 43.14, 0.8%, 0.3%

LAB 45.32, 5.84, 48.78

 

CMYK 0 / 25 / 89 / 27

HEX #BB8C15

RGB 187 140 21

HSL 43.01, 0.8%, 0.41%

LAB 61.11, 8.08, 62.31

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 80 / 0 / 89 / 7

HEX #30ED1B

RGB 48 237 27

HSL 114, 0.85%, 0.52%

LAB 82.53, -77.94, 76.18

 

CMYK 62 / 89 / 0 / 7

HEX #5A1BED

RGB 90 27 237

HSL 258, 0.85%, 0.52%

LAB 36.12, 72.21, -91.22

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 89 / 0 / 27 / 7

HEX #1BEDAE

RGB 27 237 174

HSL 162, 0.85%, 0.52%

LAB 83.89, -61.01, 17.57

 

CMYK 27 / 89 / 0 / 7

HEX #AE1BED

RGB 174 27 237

HSL 282, 0.85%, 0.52%

LAB 46.84, 81.04, -73.21

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 80 / 0 / 89 / 7

HEX #30ED1B

RGB 48 237 27

HSL 114, 0.85%, 0.52%

LAB 82.53, -77.94, 76.18

 

CMYK 89 / 62 / 0 / 7

HEX #1B5AED

RGB 27 90 237

HSL 222, 0.85%, 0.52%

LAB 43.74, 36.86, -78.76

 

CMYK 9 / 89 / 0 / 7

HEX #D81BED

RGB 216 27 237

HSL 294, 0.85%, 0.52%

LAB 53.49, 87.26, -62.12

 

CMYK 0 / 25 / 89 / 7

HEX #EEB21B

RGB 238 178 27

HSL 42.94, 0.86%, 0.52%

LAB 76.13, 10.2, 75.08

 

CMYK 89 / 0 / 71 / 7

HEX #1BED45

RGB 27 237 69

HSL 132, 0.85%, 0.52%

LAB 82.5, -77.43, 64.8

 

CMYK 89 / 62 / 0 / 7

HEX #1B5AED

RGB 27 90 237

HSL 222, 0.85%, 0.52%

LAB 43.74, 36.86, -78.76

 

CMYK 0 / 89 / 18 / 7

HEX #ED1BC3

RGB 237 27 195

HSL 312, 0.85%, 0.52%

LAB 54.79, 85.04, -35.9

 

Description

Color code: RGB 238 178 27 | qconv.com Color code: RGB 238 178 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 178 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 178 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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