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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 237 27 it is the complementary color RGB 60 18 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 237 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 237 27 shade: RGB 200 237 22, RGB 217 255 41, RGB 234 255 60, RGB 251 255 79 and RGB 255 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 237 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 237 27 shade: RGB 195 237 27, RGB 178 219 8, RGB 161 201 0, RGB 144 183 0 and RGB 127 165 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 237 27 shade: RGB 195 237 29, RGB 237 222 29, RGB 237 166 29, RGB 237 110 29 and RGB 237 54 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 237 27 shade: RGB 195 237 29, RGB 139 237 29, RGB 83 237 29, RGB 29 237 30 and RGB 29 237 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 237 27 shade matches the following richer shades: RGB 195 237 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 237 27 shade: RGB 195 237 29, RGB 183 217 48, RGB 171 197 68, RGB 159 177 88 and RGB 147 157 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 237 27 shade: RGB 237 167 29, RGB 237 223 29, RGB 195 237 29, RGB 140 237 29 and RGB 84 237 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 237 27 shade: RGB 138 169 14, RGB 169 207 17, RGB 195 237 29, RGB 205 240 67 and RGB 215 243 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 237 27 shade: RGB 195 237 27, RGB 29 237 112 and RGB 195 29 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 237 27 shade: RGB 195 237 27, RGB 29 195 237 and RGB 237 29 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 237 27 shade: RGB 195 237 27, RGB 29 237 112, RGB 70 29 237 and RGB 237 29 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 237 27 shade: RGB 195 237 27, RGB 29 237 174, RGB 70 29 237 and RGB 237 29 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

Complementary color

CMYK 74 / 92 / 0 / 11

HEX #3C12E4

RGB 60 18 228

HSL 252, 0.85%, 0.48%

LAB 31.79, 70.54, -93.36

 

CMYK 16 / 0 / 91 / 7

HEX #C8ED16

RGB 200 237 22

HSL 70.33, 0.86%, 0.51%

LAB 88.4, -35.26, 84.19

 

CMYK 15 / 0 / 84 / 0

HEX #D9FF29

RGB 217 255 41

HSL 70.65, 1%, 0.58%

LAB 94.5, -36.27, 86.38

 

CMYK 8 / 0 / 76 / 0

HEX #EAFF3C

RGB 234 255 60

HSL 66.46, 1%, 0.62%

LAB 95.72, -28.94, 83.26

 

CMYK 2 / 0 / 69 / 0

HEX #FBFF4F

RGB 251 255 79

HSL 61.36, 1%, 0.65%

LAB 97.06, -21.32, 78.99

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 19 / 0 / 96 / 14

HEX #B2DB08

RGB 178 219 8

HSL 71.66, 0.93%, 0.45%

LAB 81.92, -36.04, 80.01

 

CMYK 20 / 0 / 100 / 21

HEX #A1C900

RGB 161 201 0

HSL 71.94, 1%, 0.39%

LAB 75.67, -34.76, 75.52

 

CMYK 21 / 0 / 100 / 28

HEX #90B700

RGB 144 183 0

HSL 72.79, 1%, 0.36%

LAB 69.32, -33.37, 70.24

 

CMYK 23 / 0 / 100 / 35

HEX #7FA500

RGB 127 165 0

HSL 73.82, 1%, 0.32%

LAB 62.86, -31.97, 64.86

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 0 / 6 / 88 / 7

HEX #EDDE1D

RGB 237 222 29

HSL 55.67, 0.85%, 0.52%

LAB 87.16, -12.74, 83.3

 

CMYK 0 / 30 / 88 / 7

HEX #EDA61D

RGB 237 166 29

HSL 39.52, 0.85%, 0.52%

LAB 73.13, 16.14, 72.25

 

CMYK 0 / 54 / 88 / 7

HEX #ED6E1D

RGB 237 110 29

HSL 23.37, 0.85%, 0.52%

LAB 61, 45.05, 62.79

 

CMYK 0 / 77 / 88 / 7

HEX #ED361D

RGB 237 54 29

HSL 7.21, 0.85%, 0.52%

LAB 52.65, 67.39, 56.38

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 41 / 0 / 88 / 7

HEX #8BED1D

RGB 139 237 29

HSL 88.27, 0.85%, 0.52%

LAB 85.07, -57.39, 79.01

 

CMYK 65 / 0 / 88 / 7

HEX #53ED1D

RGB 83 237 29

HSL 104.42, 0.85%, 0.52%

LAB 83.18, -72.29, 76.65

 

CMYK 88 / 0 / 87 / 7

HEX #1DED1E

RGB 29 237 30

HSL 120.29, 0.85%, 0.52%

LAB 82.34, -79.6, 75.41

 

CMYK 88 / 0 / 63 / 7

HEX #1DED57

RGB 29 237 87

HSL 136.73, 0.85%, 0.52%

LAB 82.66, -75.56, 57.99

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 16 / 0 / 78 / 15

HEX #B7D930

RGB 183 217 48

HSL 72.07, 0.69%, 0.52%

LAB 81.79, -32.16, 72.72

 

CMYK 13 / 0 / 65 / 23

HEX #ABC544

RGB 171 197 68

HSL 72.09, 0.53%, 0.52%

LAB 75.46, -26.5, 59.36

 

CMYK 10 / 0 / 50 / 31

HEX #9FB158

RGB 159 177 88

HSL 72.13, 0.36%, 0.52%

LAB 69.13, -19.88, 43.05

 

CMYK 6 / 0 / 31 / 38

HEX #939D6C

RGB 147 157 108

HSL 72.24, 0.2%, 0.52%

LAB 62.84, -11.99, 24.5

 

CMYK 0 / 30 / 88 / 7

HEX #EDA71D

RGB 237 167 29

HSL 39.81, 0.85%, 0.52%

LAB 73.37, 15.61, 72.44

 

CMYK 0 / 6 / 88 / 7

HEX #EDDF1D

RGB 237 223 29

HSL 55.96, 0.85%, 0.52%

LAB 87.42, -13.24, 83.51

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 41 / 0 / 88 / 7

HEX #8CED1D

RGB 140 237 29

HSL 87.98, 0.85%, 0.52%

LAB 85.11, -57.06, 79.07

 

CMYK 65 / 0 / 88 / 7

HEX #54ED1D

RGB 84 237 29

HSL 104.13, 0.85%, 0.52%

LAB 83.2, -72.09, 76.68

 

CMYK 18 / 0 / 92 / 34

HEX #8AA90E

RGB 138 169 14

HSL 72, 0.85%, 0.36%

LAB 64.81, -29.05, 64.79

 

CMYK 18 / 0 / 92 / 19

HEX #A9CF11

RGB 169 207 17

HSL 72, 0.85%, 0.44%

LAB 77.93, -34.06, 75.69

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 15 / 0 / 72 / 6

HEX #CDF043

RGB 205 240 67

HSL 72.14, 0.85%, 0.6%

LAB 89.72, -33.19, 74.8

 

CMYK 12 / 0 / 57 / 5

HEX #D7F369

RGB 215 243 105

HSL 72.17, 0.85%, 0.68%

LAB 91.49, -28.24, 62.18

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 88 / 0 / 53 / 7

HEX #1DED70

RGB 29 237 112

HSL 143.94, 0.85%, 0.52%

LAB 82.91, -72.41, 47.23

 

CMYK 18 / 88 / 0 / 7

HEX #C31DED

RGB 195 29 237

HSL 287.88, 0.85%, 0.52%

LAB 50.21, 83.7, -67.58

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 88 / 18 / 0 / 7

HEX #1DC3ED

RGB 29 195 237

HSL 192.12, 0.85%, 0.52%

LAB 73.16, -24.87, -31.88

 

CMYK 0 / 88 / 18 / 7

HEX #ED1DC3

RGB 237 29 195

HSL 312.12, 0.85%, 0.52%

LAB 54.89, 84.76, -35.75

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 88 / 0 / 53 / 7

HEX #1DED70

RGB 29 237 112

HSL 143.94, 0.85%, 0.52%

LAB 82.91, -72.41, 47.23

 

CMYK 70 / 88 / 0 / 7

HEX #461DED

RGB 70 29 237

HSL 251.83, 0.85%, 0.52%

LAB 34.59, 70.4, -93.82

 

CMYK 0 / 88 / 35 / 7

HEX #ED1D99

RGB 237 29 153

HSL 324.23, 0.85%, 0.52%

LAB 53.15, 80.08, -13.83

 

CMYK 18 / 0 / 89 / 7

HEX #C3ED1B

RGB 195 237 27

HSL 72, 0.85%, 0.52%

LAB 88.09, -37.15, 83.07

 

CMYK 88 / 0 / 27 / 7

HEX #1DEDAE

RGB 29 237 174

HSL 161.83, 0.85%, 0.52%

LAB 83.91, -60.9, 17.59

 

CMYK 70 / 88 / 0 / 7

HEX #461DED

RGB 70 29 237

HSL 251.83, 0.85%, 0.52%

LAB 34.59, 70.4, -93.82

 

CMYK 0 / 88 / 62 / 7

HEX #ED1D5B

RGB 237 29 91

HSL 342.12, 0.85%, 0.52%

LAB 51.43, 75.28, 21.1

 

Description

Color code: RGB 195 237 27 | qconv.com Color code: RGB 195 237 27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 237 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 237 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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