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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 57 105 it is the complementary color RGB 18 198 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 57 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 57 105 shade: RGB 242 57 100, RGB 255 75 119, RGB 255 93 138, RGB 255 111 157 and RGB 255 129 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 57 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 57 105 shade: RGB 237 57 105, RGB 220 39 86, RGB 203 21 67, RGB 186 3 48 and RGB 169 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 57 105 shade: RGB 236 59 106 and RGB 236 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 57 105 shade: RGB 236 59 106, RGB 236 59 154, RGB 236 59 202, RGB 223 59 236 and RGB 175 59 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 57 105 shade matches the following richer shades: RGB 236 59 106 and RGB 254 41 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 57 105 shade: RGB 236 59 106, RGB 219 76 114, RGB 202 93 122, RGB 184 110 130 and RGB 167 128 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 57 105 shade: RGB 236 59 201, RGB 236 59 153, RGB 236 59 106, RGB 236 59 59 and RGB 236 106 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 57 105 shade: RGB 195 18 65, RGB 232 21 77, RGB 236 59 106, RGB 240 96 135 and RGB 243 134 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 57 105 shade: RGB 237 57 105, RGB 236 224 59 and RGB 59 177 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 57 105 shade: RGB 237 57 105, RGB 106 236 59 and RGB 59 106 236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 57 105 shade: RGB 237 57 105, RGB 236 224 59, RGB 59 236 189 and RGB 59 70 236

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 57 105 shade: RGB 237 57 105, RGB 195 236 59, RGB 59 236 189 and RGB 100 59 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

Complementary color

CMYK 91 / 0 / 24 / 22

HEX #12C696

RGB 18 198 150

HSL 164, 0.83%, 0.42%

LAB 71.36, -52.21, 12.67

 

CMYK 0 / 76 / 59 / 5

HEX #F23964

RGB 242 57 100

HSL 346.05, 0.88%, 0.59%

LAB 54.79, 70.77, 20.35

 

CMYK 0 / 71 / 53 / 0

HEX #FF4B77

RGB 255 75 119

HSL 345.33, 1%, 0.65%

LAB 59.55, 69.99, 15.99

 

CMYK 0 / 64 / 46 / 0

HEX #FF5D8A

RGB 255 93 138

HSL 343.33, 1%, 0.68%

LAB 62.44, 64.81, 8.99

 

CMYK 0 / 56 / 38 / 0

HEX #FF6F9D

RGB 255 111 157

HSL 340.83, 1%, 0.72%

LAB 65.8, 58.99, 2.9

 

CMYK 0 / 49 / 31 / 0

HEX #FF81B0

RGB 255 129 176

HSL 337.62, 1%, 0.75%

LAB 69.54, 52.77, -2.39

 

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

CMYK 0 / 82 / 61 / 14

HEX #DC2756

RGB 220 39 86

HSL 344.42, 0.72%, 0.51%

LAB 48.68, 68.74, 19.9

 

CMYK 0 / 90 / 67 / 20

HEX #CB1543

RGB 203 21 67

HSL 344.84, 0.81%, 0.44%

LAB 43.71, 66.83, 24.47

 

CMYK 0 / 98 / 74 / 27

HEX #BA0330

RGB 186 3 48

HSL 345.25, 0.97%, 0.37%

LAB 39.1, 63.88, 29.83

 

CMYK 0 / 100 / 83 / 34

HEX #A9001D

RGB 169 0 29

HSL 349.7, 1%, 0.33%

LAB 35.05, 59.35, 35.84

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 0 / 75 / 14 / 7

HEX #EC3BCA

RGB 236 59 202

HSL 311.53, 0.82%, 0.58%

LAB 57.29, 78.95, -36.02

 

CMYK 6 / 75 / 0 / 7

HEX #DF3BEC

RGB 223 59 236

HSL 295.59, 0.82%, 0.58%

LAB 56.95, 81.33, -55.94

 

CMYK 26 / 75 / 0 / 7

HEX #AF3BEC

RGB 175 59 236

HSL 279.32, 0.82%, 0.58%

LAB 49.86, 72.41, -67.73

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 84 / 61 / 0

HEX #FE2962

RGB 254 41 98

HSL 343.94, 0.99%, 0.58%

LAB 55.62, 77.69, 23.06

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 65 / 48 / 14

HEX #DB4C72

RGB 219 76 114

HSL 344.06, 0.67%, 0.58%

LAB 53.43, 58.54, 9.49

 

CMYK 0 / 54 / 40 / 21

HEX #CA5D7A

RGB 202 93 122

HSL 344.04, 0.51%, 0.58%

LAB 53.8, 46.17, 4.9

 

CMYK 0 / 40 / 29 / 28

HEX #B86E82

RGB 184 110 130

HSL 343.78, 0.34%, 0.58%

LAB 55.02, 31.9, 1.64

 

CMYK 0 / 23 / 17 / 35

HEX #A7808A

RGB 167 128 138

HSL 344.62, 0.18%, 0.58%

LAB 57.55, 16.63, 0.42

 

CMYK 0 / 75 / 15 / 7

HEX #EC3BC9

RGB 236 59 201

HSL 311.86, 0.82%, 0.58%

LAB 57.25, 78.82, -35.52

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B99

RGB 236 59 153

HSL 328.14, 0.82%, 0.58%

LAB 55.34, 73.05, -10.55

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 75 / 75 / 7

HEX #EC3B3B

RGB 236 59 59

HSL 0, 0.82%, 0.58%

LAB 53.25, 66.41, 42.05

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 0 / 91 / 67 / 24

HEX #C31241

RGB 195 18 65

HSL 344.07, 0.83%, 0.42%

LAB 41.87, 65.16, 23.04

 

CMYK 0 / 91 / 67 / 9

HEX #E8154D

RGB 232 21 77

HSL 344.08, 0.83%, 0.5%

LAB 49.77, 74.5, 27.25

 

CMYK 0 / 75 / 55 / 7

HEX #EC3B6A

RGB 236 59 106

HSL 344.07, 0.82%, 0.58%

LAB 54.03, 68.93, 15.55

 

CMYK 0 / 60 / 44 / 6

HEX #F06087

RGB 240 96 135

HSL 343.75, 0.83%, 0.66%

LAB 60.46, 58.64, 7.59

 

CMYK 0 / 45 / 33 / 5

HEX #F386A3

RGB 243 134 163

HSL 344.04, 0.82%, 0.74%

LAB 68.57, 44.67, 3.31

 

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

CMYK 0 / 5 / 75 / 7

HEX #ECE03B

RGB 236 224 59

HSL 55.93, 0.82%, 0.58%

LAB 87.71, -13.3, 76.3

 

CMYK 75 / 25 / 0 / 7

HEX #3BB1EC

RGB 59 177 236

HSL 200, 0.82%, 0.58%

LAB 68.34, -13.29, -38.79

 

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

CMYK 55 / 0 / 75 / 7

HEX #6AEC3B

RGB 106 236 59

HSL 104.07, 0.82%, 0.58%

LAB 83.64, -65.28, 69.81

 

CMYK 75 / 55 / 0 / 7

HEX #3B6AEC

RGB 59 106 236

HSL 224.07, 0.82%, 0.58%

LAB 48.63, 28.88, -70.19

 

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

CMYK 0 / 5 / 75 / 7

HEX #ECE03B

RGB 236 224 59

HSL 55.93, 0.82%, 0.58%

LAB 87.71, -13.3, 76.3

 

CMYK 75 / 0 / 20 / 7

HEX #3BECBD

RGB 59 236 189

HSL 164.07, 0.82%, 0.58%

LAB 84.27, -54.47, 10.34

 

CMYK 75 / 70 / 0 / 7

HEX #3B46EC

RGB 59 70 236

HSL 236.27, 0.82%, 0.58%

LAB 40.19, 50.84, -84

 

CMYK 0 / 76 / 56 / 7

HEX #ED3969

RGB 237 57 105

HSL 344, 0.83%, 0.58%

LAB 53.97, 69.73, 16.11

 

CMYK 17 / 0 / 75 / 7

HEX #C3EC3B

RGB 195 236 59

HSL 73.9, 0.82%, 0.58%

LAB 87.92, -35.66, 75.41

 

CMYK 75 / 0 / 20 / 7

HEX #3BECBD

RGB 59 236 189

HSL 164.07, 0.82%, 0.58%

LAB 84.27, -54.47, 10.34

 

CMYK 58 / 75 / 0 / 7

HEX #643BEC

RGB 100 59 236

HSL 253.9, 0.82%, 0.58%

LAB 41.05, 60.92, -82.49

 

Description

Color code: RGB 237 57 105 | qconv.com Color code: RGB 237 57 105 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 57 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 57 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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