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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3B9A it is the complementary color #13C465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3B9A shade: #F13B95, #FF4DA8, #FF5FBB, #FF71CE and #FF83E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3B9A shade: #EC3B9A, #DB2987, #CA1774, #B90561 and #A8004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3B9A shade: #EB3C9A, #EB3C6A and #EB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3B9A shade: #EB3C9A, #EB3CC9, #DE3CEB, #AF3CEB and #7F3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3B9A shade matches the following richer shades: #EB3C9A and #FD2A9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3B9A shade: #EB3C9A, #DA4D99, #C95E97, #B77096 and #A68195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3B9A shade: #DD3CEB, #EB3CCB, #EB3C9C, #EB3C6D and #EB3C3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3B9A shade: #C21371, #E71686, #EB3C9A, #EF61AD and #F387C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3B9A shade: #EC3B9A, #EBAE3C and #3CE2EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3B9A shade: #EC3B9A, #9CEB3C and #3C9CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3B9A shade: #EC3B9A, #EBAE3C, #3CEB8B and #3C79EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3B9A shade: #EC3B9A, #EBE23C, #3CEB8B and #3C44EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

Complementary color

CMYK 90 / 0 / 48 / 23

HEX #13C465

RGB 19 196 101

HSL 147.8, 0.82%, 0.42%

LAB 69.87, -61.46, 36.36

 

CMYK 0 / 76 / 38 / 5

HEX #F13B95

RGB 241 59 149

HSL 330.33, 0.87%, 0.59%

LAB 56.09, 73.9, -6.98

 

CMYK 0 / 70 / 34 / 0

HEX #FF4DA8

RGB 255 77 168

HSL 329.33, 1%, 0.65%

LAB 61.13, 73.75, -10.3

 

CMYK 0 / 63 / 27 / 0

HEX #FF5FBB

RGB 255 95 187

HSL 325.5, 1%, 0.69%

LAB 64.19, 69.25, -16.59

 

CMYK 0 / 56 / 19 / 0

HEX #FF71CE

RGB 255 113 206

HSL 320.7, 1%, 0.72%

LAB 67.67, 64.15, -22.01

 

CMYK 0 / 49 / 12 / 0

HEX #FF83E1

RGB 255 131 225

HSL 314.52, 1%, 0.76%

LAB 71.51, 58.64, -26.7

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 0 / 81 / 38 / 14

HEX #DB2987

RGB 219 41 135

HSL 328.31, 0.71%, 0.51%

LAB 49.97, 71.89, -8.17

 

CMYK 0 / 89 / 43 / 21

HEX #CA1774

RGB 202 23 116

HSL 328.83, 0.8%, 0.44%

LAB 44.84, 69.7, -4.54

 

CMYK 0 / 97 / 48 / 27

HEX #B90561

RGB 185 5 97

HSL 329.33, 0.95%, 0.37%

LAB 40.06, 66.38, -0.07

 

CMYK 0 / 100 / 54 / 34

HEX #A8004E

RGB 168 0 78

HSL 332.14, 1%, 0.33%

LAB 35.74, 61.55, 5.45

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9A

RGB 235 60 154

HSL 327.77, 0.81%, 0.58%

LAB 55.31, 72.61, -11.21

 

CMYK 0 / 74 / 55 / 8

HEX #EB3C6A

RGB 235 60 106

HSL 344.23, 0.81%, 0.58%

LAB 53.96, 68.34, 15.43

 

CMYK 0 / 74 / 74 / 8

HEX #EB3C3C

RGB 235 60 60

HSL 0, 0.81%, 0.58%

LAB 53.19, 65.84, 41.38

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9A

RGB 235 60 154

HSL 327.77, 0.81%, 0.58%

LAB 55.31, 72.61, -11.21

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CC9

RGB 235 60 201

HSL 311.66, 0.81%, 0.58%

LAB 57.18, 78.31, -35.63

 

CMYK 6 / 74 / 0 / 8

HEX #DE3CEB

RGB 222 60 235

HSL 295.54, 0.81%, 0.58%

LAB 56.84, 80.68, -55.57

 

CMYK 26 / 74 / 0 / 8

HEX #AF3CEB

RGB 175 60 235

HSL 279.43, 0.81%, 0.58%

LAB 49.91, 71.85, -67.08

 

CMYK 46 / 74 / 0 / 8

HEX #7F3CEB

RGB 127 60 235

HSL 262.97, 0.81%, 0.58%

LAB 43.86, 63.89, -77.2

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9A

RGB 235 60 154

HSL 327.77, 0.81%, 0.58%

LAB 55.31, 72.61, -11.21

 

CMYK 0 / 83 / 39 / 1

HEX #FD2A9B

RGB 253 42 155

HSL 327.87, 0.98%, 0.58%

LAB 56.98, 81.51, -8.95

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9A

RGB 235 60 154

HSL 327.77, 0.81%, 0.58%

LAB 55.31, 72.61, -11.21

 

CMYK 0 / 65 / 30 / 15

HEX #DA4D99

RGB 218 77 153

HSL 327.66, 0.66%, 0.58%

LAB 54.57, 61.95, -12.01

 

CMYK 0 / 53 / 25 / 21

HEX #C95E97

RGB 201 94 151

HSL 328.04, 0.5%, 0.58%

LAB 54.72, 48.99, -10.87

 

CMYK 0 / 39 / 18 / 28

HEX #B77096

RGB 183 112 150

HSL 327.89, 0.33%, 0.58%

LAB 55.94, 33.43, -8.7

 

CMYK 0 / 22 / 10 / 35

HEX #A68195

RGB 166 129 149

HSL 327.57, 0.17%, 0.58%

LAB 58.02, 17.58, -5.25

 

CMYK 6 / 74 / 0 / 8

HEX #DD3CEB

RGB 221 60 235

HSL 295.2, 0.81%, 0.58%

LAB 56.69, 80.48, -55.82

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9C

RGB 235 60 156

HSL 327.09, 0.81%, 0.58%

LAB 55.37, 72.82, -12.28

 

CMYK 0 / 74 / 54 / 8

HEX #EB3C6D

RGB 235 60 109

HSL 343.2, 0.81%, 0.58%

LAB 54.02, 68.56, 13.72

 

CMYK 0 / 74 / 73 / 8

HEX #EB3C3F

RGB 235 60 63

HSL 358.97, 0.81%, 0.58%

LAB 53.23, 65.95, 39.75

 

CMYK 0 / 90 / 42 / 24

HEX #C21371

RGB 194 19 113

HSL 327.77, 0.82%, 0.42%

LAB 42.95, 68.2, -5.66

 

CMYK 0 / 90 / 42 / 9

HEX #E71686

RGB 231 22 134

HSL 327.85, 0.83%, 0.5%

LAB 51.02, 78, -5.76

 

CMYK 0 / 74 / 34 / 8

HEX #EB3C9A

RGB 235 60 154

HSL 327.77, 0.81%, 0.58%

LAB 55.31, 72.61, -11.21

 

CMYK 0 / 59 / 28 / 6

HEX #EF61AD

RGB 239 97 173

HSL 327.89, 0.82%, 0.66%

LAB 61.58, 62.14, -12.76

 

CMYK 0 / 44 / 21 / 5

HEX #F387C1

RGB 243 135 193

HSL 327.78, 0.82%, 0.74%

LAB 69.64, 48.17, -11.93

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 0 / 26 / 74 / 8

HEX #EBAE3C

RGB 235 174 60

HSL 39.09, 0.81%, 0.58%

LAB 74.99, 12, 63.89

 

CMYK 74 / 4 / 0 / 8

HEX #3CE2EB

RGB 60 226 235

HSL 183.09, 0.81%, 0.58%

LAB 82.57, -37.91, -16.44

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 34 / 0 / 74 / 8

HEX #9CEB3C

RGB 156 235 60

HSL 87.09, 0.81%, 0.58%

LAB 85.41, -49.63, 71.92

 

CMYK 74 / 34 / 0 / 8

HEX #3C9CEB

RGB 60 156 235

HSL 207.09, 0.81%, 0.58%

LAB 62.28, -1.8, -47.74

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 0 / 26 / 74 / 8

HEX #EBAE3C

RGB 235 174 60

HSL 39.09, 0.81%, 0.58%

LAB 74.99, 12, 63.89

 

CMYK 74 / 0 / 41 / 8

HEX #3CEB8B

RGB 60 235 139

HSL 147.09, 0.81%, 0.58%

LAB 83.04, -64.36, 34.37

 

CMYK 74 / 49 / 0 / 8

HEX #3C79EB

RGB 60 121 235

HSL 219.09, 0.81%, 0.58%

LAB 52.55, 19.23, -63.28

 

CMYK 0 / 75 / 35 / 7

HEX #EC3B9A

RGB 236 59 154

HSL 327.8, 0.82%, 0.58%

LAB 55.37, 73.16, -11.09

 

CMYK 0 / 4 / 74 / 8

HEX #EBE23C

RGB 235 226 60

HSL 56.91, 0.81%, 0.58%

LAB 88.15, -14.66, 76.36

 

CMYK 74 / 0 / 41 / 8

HEX #3CEB8B

RGB 60 235 139

HSL 147.09, 0.81%, 0.58%

LAB 83.04, -64.36, 34.37

 

CMYK 74 / 71 / 0 / 8

HEX #3C44EB

RGB 60 68 235

HSL 237.26, 0.81%, 0.58%

LAB 39.74, 51.73, -84.18

 

Description

Color code: HEX #EC3B9A | qconv.com Color code: HEX #EC3B9A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 59 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 59 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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