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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC6A3B it is the complementary color #1395C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC6A3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC6A3B shade: #F16A36, #FF7C49, #FF8E5C, #FFA06F and #FFB282

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC6A3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC6A3B shade: #EC6A3B, #DB5828, #CA4615, #B93402 and #A82200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC6A3B shade: #EC6B3C and #EC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC6A3B shade: #EC6B3C, #EC9A3C, #ECC93C, #DFEC3C and #AFEC3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC6A3B shade matches the following richer shades: #EC6B3C and #FD632B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC6A3B shade: #EC6B3C, #DA734D, #C97B5F, #B88370 and #A68B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC6A3B shade: #EC3C6E, #EC3C3F, #EC683C, #EC973C and #ECC63C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC6A3B shade: #C24213, #E84E17, #EC6B3C, #EF8762 and #F3A487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC6A3B shade: #EC6A3B, #9DEC3C and #3C56EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC6A3B shade: #EC6A3B, #3CEC68 and #683CEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC6A3B shade: #EC6A3B, #9DEC3C, #3CC0EC and #8B3CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC6A3B shade: #EC6A3B, #68EC3C, #3CC0EC and #C03CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

Complementary color

CMYK 90 / 24 / 0 / 23

HEX #1395C4

RGB 19 149 196

HSL 195.93, 0.82%, 0.42%

LAB 57.67, -15.38, -33.28

 

CMYK 0 / 56 / 78 / 5

HEX #F16A36

RGB 241 106 54

HSL 16.68, 0.87%, 0.58%

LAB 61.02, 49.13, 52.98

 

CMYK 0 / 51 / 71 / 0

HEX #FF7C49

RGB 255 124 73

HSL 16.81, 1%, 0.64%

LAB 66.64, 46.48, 50.29

 

CMYK 0 / 44 / 64 / 0

HEX #FF8E5C

RGB 255 142 92

HSL 18.4, 1%, 0.68%

LAB 70.44, 38.55, 45

 

CMYK 0 / 37 / 56 / 0

HEX #FFA06F

RGB 255 160 111

HSL 20.42, 1%, 0.72%

LAB 74.54, 30.6, 40.13

 

CMYK 0 / 30 / 49 / 0

HEX #FFB282

RGB 255 178 130

HSL 23.04, 1%, 0.75%

LAB 78.88, 22.79, 35.71

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 0 / 60 / 82 / 14

HEX #DB5828

RGB 219 88 40

HSL 16.09, 0.71%, 0.51%

LAB 54.23, 49.01, 51.7

 

CMYK 0 / 65 / 90 / 21

HEX #CA4615

RGB 202 70 21

HSL 16.24, 0.81%, 0.44%

LAB 48.25, 50.46, 53.31

 

CMYK 0 / 72 / 99 / 27

HEX #B93402

RGB 185 52 2

HSL 16.39, 0.98%, 0.37%

LAB 42.42, 51.63, 53.83

 

CMYK 0 / 80 / 100 / 34

HEX #A82200

RGB 168 34 0

HSL 12.14, 1%, 0.33%

LAB 36.87, 52.26, 50.04

 

CMYK 0 / 55 / 75 / 7

HEX #EC6B3C

RGB 236 107 60

HSL 16.02, 0.82%, 0.58%

LAB 60.49, 47.05, 49.3

 

CMYK 0 / 75 / 75 / 7

HEX #EC3C3C

RGB 236 60 60

HSL 0, 0.82%, 0.58%

LAB 53.37, 66.13, 41.64

 

CMYK 0 / 55 / 75 / 7

HEX #EC6B3C

RGB 236 107 60

HSL 16.02, 0.82%, 0.58%

LAB 60.49, 47.05, 49.3

 

CMYK 0 / 35 / 75 / 7

HEX #EC9A3C

RGB 236 154 60

HSL 32.05, 0.82%, 0.58%

LAB 70.36, 23.02, 59.38

 

CMYK 0 / 15 / 75 / 7

HEX #ECC93C

RGB 236 201 60

HSL 48.07, 0.82%, 0.58%

LAB 81.8, -1.66, 70.45

 

CMYK 6 / 0 / 75 / 7

HEX #DFEC3C

RGB 223 236 60

HSL 64.43, 0.82%, 0.58%

LAB 89.86, -24.44, 77.6

 

CMYK 26 / 0 / 75 / 7

HEX #AFEC3C

RGB 175 236 60

HSL 80.8, 0.82%, 0.58%

LAB 86.72, -43.22, 73.53

 

CMYK 0 / 55 / 75 / 7

HEX #EC6B3C

RGB 236 107 60

HSL 16.02, 0.82%, 0.58%

LAB 60.49, 47.05, 49.3

 

CMYK 0 / 61 / 83 / 1

HEX #FD632B

RGB 253 99 43

HSL 16, 0.98%, 0.58%

LAB 61.64, 56.22, 59.13

 

CMYK 0 / 55 / 75 / 7

HEX #EC6B3C

RGB 236 107 60

HSL 16.02, 0.82%, 0.58%

LAB 60.49, 47.05, 49.3

 

CMYK 0 / 47 / 65 / 15

HEX #DA734D

RGB 218 115 77

HSL 16.17, 0.66%, 0.58%

LAB 59.62, 37.1, 38.81

 

CMYK 0 / 39 / 53 / 21

HEX #C97B5F

RGB 201 123 95

HSL 15.85, 0.5%, 0.58%

LAB 59.35, 27.47, 28.1

 

CMYK 0 / 29 / 39 / 28

HEX #B88370

RGB 184 131 112

HSL 15.83, 0.34%, 0.58%

LAB 59.52, 17.95, 18.38

 

CMYK 0 / 16 / 22 / 35

HEX #A68B81

RGB 166 139 129

HSL 16.22, 0.17%, 0.58%

LAB 60.03, 8.58, 9.14

 

CMYK 0 / 75 / 53 / 7

HEX #EC3C6E

RGB 236 60 110

HSL 342.95, 0.82%, 0.58%

LAB 54.23, 68.91, 13.43

 

CMYK 0 / 75 / 73 / 7

HEX #EC3C3F

RGB 236 60 63

HSL 358.98, 0.82%, 0.58%

LAB 53.41, 66.25, 40

 

CMYK 0 / 56 / 75 / 7

HEX #EC683C

RGB 236 104 60

HSL 15, 0.82%, 0.58%

LAB 59.94, 48.47, 48.72

 

CMYK 0 / 36 / 75 / 7

HEX #EC973C

RGB 236 151 60

HSL 31.02, 0.82%, 0.58%

LAB 69.68, 24.61, 58.7

 

CMYK 0 / 16 / 75 / 7

HEX #ECC63C

RGB 236 198 60

HSL 47.05, 0.82%, 0.58%

LAB 81.04, -0.11, 69.74

 

CMYK 0 / 66 / 90 / 24

HEX #C24213

RGB 194 66 19

HSL 16.11, 0.82%, 0.42%

LAB 46.19, 49.32, 51.87

 

CMYK 0 / 66 / 90 / 9

HEX #E84E17

RGB 232 78 23

HSL 15.79, 0.82%, 0.5%

LAB 54.73, 57.43, 59.71

 

CMYK 0 / 55 / 75 / 7

HEX #EC6B3C

RGB 236 107 60

HSL 16.02, 0.82%, 0.58%

LAB 60.49, 47.05, 49.3

 

CMYK 0 / 44 / 59 / 6

HEX #EF8762

RGB 239 135 98

HSL 15.74, 0.82%, 0.66%

LAB 66.95, 36.36, 37.11

 

CMYK 0 / 33 / 44 / 5

HEX #F3A487

RGB 243 164 135

HSL 16.11, 0.82%, 0.74%

LAB 74.42, 25.95, 26.94

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 33 / 0 / 75 / 7

HEX #9DEC3C

RGB 157 236 60

HSL 86.93, 0.82%, 0.58%

LAB 85.75, -49.7, 72.26

 

CMYK 75 / 64 / 0 / 7

HEX #3C56EC

RGB 60 86 236

HSL 231.14, 0.82%, 0.58%

LAB 43.76, 41.45, -78.13

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 75 / 0 / 56 / 7

HEX #3CEC68

RGB 60 236 104

HSL 135, 0.82%, 0.58%

LAB 82.89, -70.06, 50.97

 

CMYK 56 / 75 / 0 / 7

HEX #683CEC

RGB 104 60 236

HSL 255, 0.82%, 0.58%

LAB 41.58, 60.95, -81.59

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 33 / 0 / 75 / 7

HEX #9DEC3C

RGB 157 236 60

HSL 86.93, 0.82%, 0.58%

LAB 85.75, -49.7, 72.26

 

CMYK 75 / 19 / 0 / 7

HEX #3CC0EC

RGB 60 192 236

HSL 195, 0.82%, 0.58%

LAB 72.7, -21.08, -32.01

 

CMYK 41 / 75 / 0 / 7

HEX #8B3CEC

RGB 139 60 236

HSL 266.93, 0.82%, 0.58%

LAB 45.33, 65.97, -75.31

 

CMYK 0 / 55 / 75 / 7

HEX #EC6A3B

RGB 236 106 59

HSL 15.93, 0.82%, 0.58%

LAB 60.3, 47.48, 49.59

 

CMYK 56 / 0 / 75 / 7

HEX #68EC3C

RGB 104 236 60

HSL 105, 0.82%, 0.58%

LAB 83.58, -65.72, 69.41

 

CMYK 75 / 19 / 0 / 7

HEX #3CC0EC

RGB 60 192 236

HSL 195, 0.82%, 0.58%

LAB 72.7, -21.08, -32.01

 

CMYK 19 / 75 / 0 / 7

HEX #C03CEC

RGB 192 60 236

HSL 285, 0.82%, 0.58%

LAB 52.39, 75.14, -63.51

 

Description

Color code: HEX #EC6A3B | qconv.com Color code: HEX #EC6A3B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 106 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 106 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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