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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 236 159 117 it is the complementary color RGB 19 96 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 236 159 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 236 159 117: RGB 241 159 112, RGB 255 177 131, RGB 255 195 150, RGB 255 213 169 and RGB 255 231 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 236 159 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 236 159 117: RGB 236 159 117, RGB 219 141 98, RGB 202 123 79, RGB 185 105 60 and RGB 168 87 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

Complementary color

CMYK 86 / 30 / 0 / 46

HEX #13608A

RGB 19 96 138

HSL 201.18, 0.76%, 0.31%

LAB 38.44, -6.45, -29.51

 

CMYK 0 / 34 / 54 / 5

HEX #F19F70

RGB 241 159 112

HSL 21.86, 0.82%, 0.69%

LAB 72.67, 25.68, 36.91

 

CMYK 0 / 31 / 49 / 0

HEX #FFB183

RGB 255 177 131

HSL 22.26, 1%, 0.76%

LAB 78.66, 23.4, 34.91

 

CMYK 0 / 24 / 41 / 0

HEX #FFC396

RGB 255 195 150

HSL 25.71, 1%, 0.79%

LAB 83.17, 15.87, 30.89

 

CMYK 0 / 16 / 34 / 0

HEX #FFD5A9

RGB 255 213 169

HSL 30.7, 1%, 0.83%

LAB 87.83, 8.66, 27.26

 

CMYK 0 / 9 / 26 / 0

HEX #FFE7BC

RGB 255 231 188

HSL 38.51, 1%, 0.87%

LAB 92.59, 1.82, 23.94

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 0 / 36 / 55 / 14

HEX #DB8D62

RGB 219 141 98

HSL 21.32, 0.63%, 0.62%

LAB 65.74, 25.28, 35.06

 

CMYK 0 / 39 / 61 / 21

HEX #CA7B4F

RGB 202 123 79

HSL 21.46, 0.54%, 0.55%

LAB 59.24, 26.59, 36.76

 

CMYK 0 / 43 / 68 / 27

HEX #B9693C

RGB 185 105 60

HSL 21.6, 0.51%, 0.48%

LAB 52.67, 28.07, 38.6

 

CMYK 0 / 48 / 76 / 34

HEX #A85729

RGB 168 87 41

HSL 21.73, 0.61%, 0.41%

LAB 46.04, 29.75, 40.49

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 0 / 25 / 51 / 7

HEX #ECB173

RGB 236 177 115

HSL 30.74, 0.76%, 0.69%

LAB 76.38, 14.39, 39.9

 

CMYK 0 / 17 / 51 / 7

HEX #ECC573

RGB 236 197 115

HSL 40.66, 0.76%, 0.69%

LAB 81.29, 3.88, 45.99

 

CMYK 0 / 8 / 51 / 7

HEX #ECDA73

RGB 236 218 115

HSL 51.07, 0.76%, 0.69%

LAB 86.61, -6.89, 52.4

 

CMYK 1 / 0 / 51 / 7

HEX #EAEC73

RGB 234 236 115

HSL 60.99, 0.76%, 0.69%

LAB 91.11, -16.64, 57.66

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 0 / 31 / 50 / 87

HEX #201610

RGB 32 22 16

HSL 22.5, 0.33%, 0.09%

LAB 8.29, 3.98, 5.48

 

CMYK 0 / 33 / 51 / 67

HEX #533829

RGB 83 56 41

HSL 21.43, 0.34%, 0.24%

LAB 26.24, 9.94, 14.17

 

CMYK 0 / 33 / 51 / 47

HEX #865A42

RGB 134 90 66

HSL 21.18, 0.34%, 0.39%

LAB 42.42, 15.17, 21.15

 

CMYK 0 / 32 / 50 / 27

HEX #B97D5C

RGB 185 125 92

HSL 21.29, 0.4%, 0.54%

LAB 57.8, 19.54, 27.39

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 28 / 0 / 51 / 7

HEX #A9EC73

RGB 169 236 115

HSL 93.22, 0.76%, 0.69%

LAB 86.83, -41.09, 51.55

 

CMYK 51 / 49 / 0 / 7

HEX #7379EC

RGB 115 121 236

HSL 237.02, 0.76%, 0.69%

LAB 55.46, 28.79, -59.01

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 51 / 0 / 33 / 7

HEX #73EC9D

RGB 115 236 157

HSL 140.83, 0.76%, 0.69%

LAB 85.03, -51.2, 28.17

 

CMYK 33 / 51 / 0 / 7

HEX #9D73EC

RGB 157 115 236

HSL 260.83, 0.76%, 0.69%

LAB 57.55, 41.97, -55.47

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 28 / 0 / 51 / 7

HEX #A9EC73

RGB 169 236 115

HSL 93.22, 0.76%, 0.69%

LAB 86.83, -41.09, 51.55

 

CMYK 51 / 18 / 0 / 7

HEX #73C1EC

RGB 115 193 236

HSL 201.32, 0.76%, 0.69%

LAB 74.72, -12.4, -28.75

 

CMYK 23 / 51 / 0 / 7

HEX #B573EC

RGB 181 115 236

HSL 272.73, 0.76%, 0.69%

LAB 60.02, 48.06, -51.39

 

CMYK 0 / 33 / 50 / 7

HEX #EC9F75

RGB 236 159 117

HSL 21.18, 0.76%, 0.69%

LAB 72.17, 24.12, 33.5

 

CMYK 44 / 0 / 51 / 7

HEX #85EC73

RGB 133 236 115

HSL 111.07, 0.76%, 0.69%

LAB 85.11, -52.67, 49.06

 

CMYK 51 / 18 / 0 / 7

HEX #73C1EC

RGB 115 193 236

HSL 201.32, 0.76%, 0.69%

LAB 74.72, -12.4, -28.75

 

CMYK 8 / 51 / 0 / 7

HEX #DA73EC

RGB 218 115 236

HSL 291.07, 0.76%, 0.69%

LAB 64.34, 57.83, -44.27

 

Description

Color code: RGB 236 159 117 | qconv.com Color code: RGB 236 159 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 159 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 159 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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