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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 33 / 50 / 7 it is the complementary color CMYK 87 / 29 / 0 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 33 / 50 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 33 / 50 / 7: CMYK 0 / 34 / 53 / 5, CMYK 0 / 31 / 48 / 0, CMYK 0 / 24 / 40 / 0, CMYK 0 / 16 / 33 / 0 and CMYK 0 / 9 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 33 / 50 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 33 / 50 / 7: CMYK 0 / 33 / 50 / 7, CMYK 0 / 36 / 55 / 14, CMYK 0 / 39 / 60 / 20, CMYK 0 / 44 / 67 / 27 and CMYK 0 / 49 / 75 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

Complementary color

CMYK 87 / 29 / 0 / 47

HEX #126088

RGB 18 96 136

HSL 200.34, 0.77%, 0.3%

LAB 38.33, -7.32, -28.49

 

CMYK 0 / 34 / 53 / 5

HEX #F29F72

RGB 242 159 114

HSL 21.09, 0.83%, 0.7%

LAB 72.82, 26.24, 36.06

 

CMYK 0 / 31 / 48 / 0

HEX #FFB185

RGB 255 177 133

HSL 21.64, 1%, 0.76%

LAB 78.69, 23.59, 33.9

 

CMYK 0 / 24 / 40 / 0

HEX #FFC398

RGB 255 195 152

HSL 25.05, 1%, 0.8%

LAB 83.21, 16.08, 29.89

 

CMYK 0 / 16 / 33 / 0

HEX #FFD5AB

RGB 255 213 171

HSL 30, 1%, 0.84%

LAB 87.87, 8.9, 26.27

 

CMYK 0 / 9 / 25 / 0

HEX #FFE7BE

RGB 255 231 190

HSL 37.85, 1%, 0.87%

LAB 92.63, 2.09, 22.97

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 0 / 36 / 55 / 14

HEX #DC8D64

RGB 220 141 100

HSL 20.5, 0.63%, 0.63%

LAB 65.89, 25.85, 34.2

 

CMYK 0 / 39 / 60 / 20

HEX #CB7B51

RGB 203 123 81

HSL 20.66, 0.54%, 0.56%

LAB 59.39, 27.14, 35.91

 

CMYK 0 / 44 / 67 / 27

HEX #BA693E

RGB 186 105 62

HSL 20.81, 0.5%, 0.49%

LAB 52.83, 28.61, 37.76

 

CMYK 0 / 49 / 75 / 34

HEX #A9572B

RGB 169 87 43

HSL 20.95, 0.59%, 0.42%

LAB 46.21, 30.26, 39.7

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 0 / 25 / 50 / 7

HEX #EDB277

RGB 237 178 119

HSL 30, 0.77%, 0.7%

LAB 76.79, 14.62, 38.37

 

CMYK 0 / 16 / 50 / 7

HEX #EDC677

RGB 237 198 119

HSL 40.17, 0.77%, 0.7%

LAB 81.69, 4.12, 44.51

 

CMYK 0 / 8 / 50 / 7

HEX #EDD977

RGB 237 217 119

HSL 49.83, 0.77%, 0.7%

LAB 86.49, -5.64, 50.37

 

CMYK 0 / 0 / 50 / 7

HEX #EDED77

RGB 237 237 119

HSL 60, 0.77%, 0.7%

LAB 91.64, -15.6, 56.52

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 0 / 33 / 48 / 87

HEX #211611

RGB 33 22 17

HSL 18.75, 0.32%, 0.1%

LAB 8.46, 4.68, 5.18

 

CMYK 0 / 33 / 50 / 67

HEX #54382A

RGB 84 56 42

HSL 20, 0.33%, 0.25%

LAB 26.39, 10.54, 13.75

 

CMYK 0 / 33 / 50 / 47

HEX #875B44

RGB 135 91 68

HSL 20.6, 0.33%, 0.4%

LAB 42.84, 15.23, 20.54

 

CMYK 0 / 33 / 50 / 27

HEX #BA7D5D

RGB 186 125 93

HSL 20.65, 0.4%, 0.55%

LAB 57.94, 20.05, 27.03

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 27 / 0 / 50 / 7

HEX #AEED77

RGB 174 237 119

HSL 92.03, 0.77%, 0.7%

LAB 87.44, -39.36, 50.48

 

CMYK 50 / 46 / 0 / 7

HEX #777FED

RGB 119 127 237

HSL 235.93, 0.77%, 0.7%

LAB 57.28, 26.37, -56.63

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 50 / 0 / 33 / 7

HEX #77ED9E

RGB 119 237 158

HSL 139.83, 0.77%, 0.7%

LAB 85.48, -50.45, 28.29

 

CMYK 33 / 50 / 0 / 7

HEX #9E77ED

RGB 158 119 237

HSL 259.83, 0.77%, 0.7%

LAB 58.58, 40.24, -54.37

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 27 / 0 / 50 / 7

HEX #AEED77

RGB 174 237 119

HSL 92.03, 0.77%, 0.7%

LAB 87.44, -39.36, 50.48

 

CMYK 50 / 16 / 0 / 7

HEX #77C6ED

RGB 119 198 237

HSL 199.83, 0.77%, 0.7%

LAB 76.33, -13.87, -26.81

 

CMYK 23 / 50 / 0 / 7

HEX #B677ED

RGB 182 119 237

HSL 272.03, 0.77%, 0.7%

LAB 61, 46.41, -50.37

 

CMYK 0 / 33 / 50 / 7

HEX #ED9F77

RGB 237 159 119

HSL 20.34, 0.77%, 0.7%

LAB 72.32, 24.7, 32.64

 

CMYK 41 / 0 / 50 / 7

HEX #8BED77

RGB 139 237 119

HSL 109.83, 0.77%, 0.7%

LAB 85.7, -50.81, 47.97

 

CMYK 50 / 16 / 0 / 7

HEX #77C6ED

RGB 119 198 237

HSL 199.83, 0.77%, 0.7%

LAB 76.33, -13.87, -26.81

 

CMYK 8 / 50 / 0 / 7

HEX #D977ED

RGB 217 119 237

HSL 289.83, 0.77%, 0.7%

LAB 65.01, 55.78, -43.78

 

Description

Color code: CMYK 0 / 33 / 50 / 7 | qconv.com Color code: CMYK 0 / 33 / 50 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 159 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 159 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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