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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 131 181 it is the complementary color RGB 20 124 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 131 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 235 131 181: RGB 240 131 176, RGB 255 149 195, RGB 255 167 214, RGB 255 185 233 and RGB 255 203 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 131 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 235 131 181: RGB 235 131 181, RGB 218 113 162, RGB 201 95 143, RGB 184 77 124 and RGB 167 59 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

Complementary color

CMYK 84 / 0 / 40 / 51

HEX #147C4A

RGB 20 124 74

HSL 151.15, 0.72%, 0.28%

LAB 45.71, -40.4, 19.53

 

CMYK 0 / 45 / 27 / 6

HEX #F083B0

RGB 240 131 176

HSL 335.23, 0.78%, 0.73%

LAB 67.94, 46.83, -4.97

 

CMYK 0 / 42 / 24 / 0

HEX #FF95C3

RGB 255 149 195

HSL 333.96, 1%, 0.79%

LAB 73.99, 45.35, -6.39

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D6

RGB 255 167 214

HSL 327.95, 1%, 0.83%

LAB 78.32, 38.88, -10.37

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E9

RGB 255 185 233

HSL 318.86, 1%, 0.86%

LAB 82.83, 32.53, -13.88

 

CMYK 0 / 20 / 1 / 0

HEX #FFCBFC

RGB 255 203 252

HSL 303.46, 1%, 0.9%

LAB 87.49, 26.36, -17

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 53 / 29 / 21

HEX #C95F8F

RGB 201 95 143

HSL 332.83, 0.5%, 0.58%

LAB 54.64, 47.42, -6.29

 

CMYK 0 / 58 / 33 / 28

HEX #B84D7C

RGB 184 77 124

HSL 333.64, 0.43%, 0.51%

LAB 48.2, 48.09, -4.8

 

CMYK 0 / 65 / 37 / 35

HEX #A73B69

RGB 167 59 105

HSL 334.44, 0.48%, 0.44%

LAB 41.79, 48.56, -2.95

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 0 / 44 / 30 / 8

HEX #EB84A4

RGB 235 132 164

HSL 341.36, 0.72%, 0.72%

LAB 67.16, 43.05, 0.57

 

CMYK 0 / 44 / 37 / 8

HEX #EB8493

RGB 235 132 147

HSL 351.26, 0.72%, 0.72%

LAB 66.73, 40.98, 9.54

 

CMYK 0 / 43 / 44 / 8

HEX #EB8584

RGB 235 133 132

HSL 0.58, 0.72%, 0.72%

LAB 66.6, 38.83, 17.81

 

CMYK 0 / 36 / 44 / 8

HEX #EB9784

RGB 235 151 132

HSL 11.07, 0.72%, 0.72%

LAB 70.5, 29.42, 23.14

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 0 / 45 / 23 / 88

HEX #1F1118

RGB 31 17 24

HSL 330, 0.29%, 0.09%

LAB 6.85, 8.47, -1.94

 

CMYK 0 / 44 / 23 / 68

HEX #522E3F

RGB 82 46 63

HSL 331.67, 0.28%, 0.25%

LAB 24.02, 19.16, -3.62

 

CMYK 0 / 44 / 23 / 48

HEX #854A66

RGB 133 74 102

HSL 331.53, 0.29%, 0.41%

LAB 39.32, 28.86, -5.33

 

CMYK 0 / 44 / 23 / 28

HEX #B8678E

RGB 184 103 142

HSL 331.11, 0.36%, 0.56%

LAB 53.86, 37.41, -7.11

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 44 / 5 / 0 / 8

HEX #84DFEB

RGB 132 223 235

HSL 186.99, 0.72%, 0.72%

LAB 83.8, -24.13, -14.38

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 23 / 0 / 44 / 8

HEX #B5EB84

RGB 181 235 132

HSL 91.46, 0.72%, 0.72%

LAB 87.44, -34.5, 44.37

 

CMYK 44 / 23 / 0 / 8

HEX #84B5EB

RGB 132 181 235

HSL 211.46, 0.72%, 0.72%

LAB 72.2, -2.26, -32.03

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 0 / 13 / 44 / 8

HEX #EBCD84

RGB 235 205 132

HSL 42.52, 0.72%, 0.72%

LAB 83.44, 0.92, 40.14

 

CMYK 44 / 0 / 21 / 8

HEX #84EBB9

RGB 132 235 185

HSL 150.87, 0.72%, 0.72%

LAB 85.92, -41.19, 15.04

 

CMYK 44 / 31 / 0 / 8

HEX #84A1EB

RGB 132 161 235

HSL 223.11, 0.72%, 0.72%

LAB 66.82, 8.94, -40.39

 

CMYK 0 / 44 / 23 / 8

HEX #EB83B5

RGB 235 131 181

HSL 331.15, 0.72%, 0.72%

LAB 67.45, 45.85, -8.58

 

CMYK 1 / 0 / 44 / 8

HEX #E9EB84

RGB 233 235 132

HSL 61.17, 0.72%, 0.72%

LAB 90.96, -15.01, 49.53

 

CMYK 44 / 0 / 21 / 8

HEX #84EBB9

RGB 132 235 185

HSL 150.87, 0.72%, 0.72%

LAB 85.92, -41.19, 15.04

 

CMYK 43 / 44 / 0 / 8

HEX #8584EB

RGB 133 132 235

HSL 240.58, 0.72%, 0.72%

LAB 59.42, 26.04, -52.05

 

Description

Color code: RGB 235 131 181 | qconv.com Color code: RGB 235 131 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 131 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 131 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 23 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 23% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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