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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA71A2 it is the complementary color #258E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA71A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA71A2 shade: #DF719D, #F083B0, #FF95C3, #FFA7D6 and #FFB9E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA71A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA71A2 shade: #DA71A2, #C95F8F, #B84D7C, #A73B69 and #962956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA71A2 shade: #DA71A2, #DA7185 and #DA7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA71A2 shade: #DA71A2, #DA71BE, #D971DA, #BD71DA and #A071DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA71A2 shade matches the following richer shades: #DA71A2, #E862A1 and #F754A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA71A2 shade: #DA71A2, #CB7FA3, #BD8DA4, #AF9CA5 and #A0AAA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA71A2 shade: #DA71DA, #DA71BE, #DA71A2, #DA7186 and #DA7871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA71A2 shade: #C53377, #D1508C, #DA71A2, #E291B7 and #EBB2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA71A2 shade: #DA71A2, #DABE71 and #71CCDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA71A2 shade: #DA71A2, #A2DA71 and #71A2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA71A2 shade: #DA71A2, #DABE71, #71DAA9 and #718DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA71A2 shade: #DA71A2, #D6DA71, #71DAA9 and #7471DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

Complementary color

CMYK 74 / 0 / 35 / 44

HEX #258E5D

RGB 37 142 93

HSL 152, 0.59%, 0.35%

LAB 52.43, -41.29, 17.85

 

CMYK 0 / 49 / 30 / 13

HEX #DF719D

RGB 223 113 157

HSL 336, 0.63%, 0.66%

LAB 61.6, 47.64, -3.79

 

CMYK 0 / 45 / 27 / 6

HEX #F083B0

RGB 240 131 176

HSL 335.23, 0.78%, 0.73%

LAB 67.94, 46.83, -4.97

 

CMYK 0 / 42 / 24 / 0

HEX #FF95C3

RGB 255 149 195

HSL 333.96, 1%, 0.79%

LAB 73.99, 45.35, -6.39

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D6

RGB 255 167 214

HSL 327.95, 1%, 0.83%

LAB 78.32, 38.88, -10.37

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E9

RGB 255 185 233

HSL 318.86, 1%, 0.86%

LAB 82.83, 32.53, -13.88

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 53 / 29 / 21

HEX #C95F8F

RGB 201 95 143

HSL 332.83, 0.5%, 0.58%

LAB 54.64, 47.42, -6.29

 

CMYK 0 / 58 / 33 / 28

HEX #B84D7C

RGB 184 77 124

HSL 333.64, 0.43%, 0.51%

LAB 48.2, 48.09, -4.8

 

CMYK 0 / 65 / 37 / 35

HEX #A73B69

RGB 167 59 105

HSL 334.44, 0.48%, 0.44%

LAB 41.79, 48.56, -2.95

 

CMYK 0 / 73 / 43 / 41

HEX #962956

RGB 150 41 86

HSL 335.23, 0.57%, 0.37%

LAB 35.48, 48.6, -0.56

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 48 / 39 / 15

HEX #DA7185

RGB 218 113 133

HSL 348.57, 0.59%, 0.65%

LAB 60.26, 43.02, 8.01

 

CMYK 0 / 48 / 48 / 15

HEX #DA7171

RGB 218 113 113

HSL 0, 0.59%, 0.65%

LAB 59.81, 40.94, 18.9

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 48 / 13 / 15

HEX #DA71BE

RGB 218 113 190

HSL 316, 0.59%, 0.65%

LAB 62.03, 50.8, -22.07

 

CMYK 0 / 48 / 0 / 15

HEX #D971DA

RGB 217 113 218

HSL 299.43, 0.59%, 0.65%

LAB 63.03, 55.23, -36.31

 

CMYK 13 / 48 / 0 / 15

HEX #BD71DA

RGB 189 113 218

HSL 283.43, 0.59%, 0.65%

LAB 59.61, 47.37, -41.92

 

CMYK 27 / 48 / 0 / 15

HEX #A071DA

RGB 160 113 218

HSL 266.86, 0.59%, 0.65%

LAB 56.43, 39.42, -47.14

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 58 / 31 / 9

HEX #E862A1

RGB 232 98 161

HSL 331.79, 0.74%, 0.65%

LAB 60.31, 58.12, -7.86

 

CMYK 0 / 66 / 35 / 3

HEX #F754A0

RGB 247 84 160

HSL 332.02, 0.91%, 0.65%

LAB 60.47, 68.19, -6.78

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 37 / 20 / 20

HEX #CB7FA3

RGB 203 127 163

HSL 331.58, 0.42%, 0.65%

LAB 62.1, 34.36, -6.76

 

CMYK 0 / 25 / 13 / 26

HEX #BD8DA4

RGB 189 141 164

HSL 331.25, 0.27%, 0.65%

LAB 63.79, 21.84, -5

 

CMYK 0 / 11 / 6 / 31

HEX #AF9CA5

RGB 175 156 165

HSL 331.58, 0.11%, 0.65%

LAB 66.22, 8.57, -2.14

 

CMYK 6 / 0 / 2 / 33

HEX #A0AAA6

RGB 160 170 166

HSL 156, 0.06%, 0.65%

LAB 68.73, -4.29, 0.83

 

CMYK 0 / 48 / 0 / 15

HEX #DA71DA

RGB 218 113 218

HSL 300, 0.59%, 0.65%

LAB 63.16, 55.51, -36.1

 

CMYK 0 / 48 / 13 / 15

HEX #DA71BE

RGB 218 113 190

HSL 316, 0.59%, 0.65%

LAB 62.03, 50.8, -22.07

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 48 / 39 / 15

HEX #DA7186

RGB 218 113 134

HSL 348, 0.59%, 0.65%

LAB 60.28, 43.13, 7.47

 

CMYK 0 / 45 / 48 / 15

HEX #DA7871

RGB 218 120 113

HSL 4, 0.59%, 0.65%

LAB 61.25, 37.34, 20.86

 

CMYK 0 / 74 / 40 / 23

HEX #C53377

RGB 197 51 119

HSL 332.05, 0.59%, 0.49%

LAB 46.41, 61.87, -4.18

 

CMYK 0 / 62 / 33 / 18

HEX #D1508C

RGB 209 80 140

HSL 332.09, 0.58%, 0.57%

LAB 53.15, 56.51, -6.6

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 36 / 19 / 11

HEX #E291B7

RGB 226 145 183

HSL 331.85, 0.58%, 0.73%

LAB 69.35, 35.82, -6.99

 

CMYK 0 / 24 / 13 / 8

HEX #EBB2CD

RGB 235 178 205

HSL 331.58, 0.59%, 0.81%

LAB 78.41, 24.82, -5.57

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 13 / 48 / 15

HEX #DABE71

RGB 218 190 113

HSL 44, 0.59%, 0.65%

LAB 77.83, 0.01, 42.34

 

CMYK 48 / 6 / 0 / 15

HEX #71CCDA

RGB 113 204 218

HSL 188, 0.59%, 0.65%

LAB 77.14, -23.48, -15.39

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 26 / 0 / 48 / 15

HEX #A2DA71

RGB 162 218 113

HSL 92, 0.59%, 0.65%

LAB 81.3, -35.7, 45.7

 

CMYK 48 / 26 / 0 / 15

HEX #71A2DA

RGB 113 162 218

HSL 212, 0.59%, 0.65%

LAB 65.29, -1.16, -33.49

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 0 / 13 / 48 / 15

HEX #DABE71

RGB 218 190 113

HSL 44, 0.59%, 0.65%

LAB 77.83, 0.01, 42.34

 

CMYK 48 / 0 / 22 / 15

HEX #71DAA9

RGB 113 218 169

HSL 152, 0.59%, 0.65%

LAB 79.91, -41.71, 14.87

 

CMYK 48 / 35 / 0 / 15

HEX #718DDA

RGB 113 141 218

HSL 224, 0.59%, 0.65%

LAB 59.55, 10.94, -42.47

 

CMYK 0 / 48 / 26 / 15

HEX #DA71A2

RGB 218 113 162

HSL 332, 0.59%, 0.65%

LAB 61.07, 46.65, -7.52

 

CMYK 2 / 0 / 48 / 15

HEX #D6DA71

RGB 214 218 113

HSL 62.29, 0.59%, 0.65%

LAB 84.81, -15.89, 50.77

 

CMYK 48 / 0 / 22 / 15

HEX #71DAA9

RGB 113 218 169

HSL 152, 0.59%, 0.65%

LAB 79.91, -41.71, 14.87

 

CMYK 47 / 48 / 0 / 15

HEX #7471DA

RGB 116 113 218

HSL 241.71, 0.59%, 0.65%

LAB 52.49, 28.36, -53.65

 

Description

Color code: HEX #DA71A2 | qconv.com Color code: HEX #DA71A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 113 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 113 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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