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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 78 0 it is the complementary color RGB 26 177 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 78 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 229 78 0: RGB 234 78 0, RGB 251 96 14, RGB 255 114 33, RGB 255 132 52 and RGB 255 150 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 78 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 229 78 0: RGB 229 78 0, RGB 212 60 0, RGB 195 42 0, RGB 178 24 0 and RGB 161 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

Complementary color

CMYK 90 / 31 / 0 / 0

HEX #1AB1FF

RGB 26 177 255

HSL 200.44, 1%, 0.55%

LAB 68.67, -9.32, -48.63

 

CMYK 0 / 67 / 100 / 8

HEX #EA4E00

RGB 234 78 0

HSL 20, 1%, 0.46%

LAB 55.01, 57.86, 65.62

 

CMYK 0 / 62 / 94 / 2

HEX #FB600E

RGB 251 96 14

HSL 20.76, 0.97%, 0.52%

LAB 60.7, 56.32, 67.61

 

CMYK 0 / 55 / 87 / 0

HEX #FF7221

RGB 255 114 33

HSL 21.89, 1%, 0.56%

LAB 64.49, 49.95, 65.37

 

CMYK 0 / 48 / 80 / 0

HEX #FF8434

RGB 255 132 52

HSL 23.65, 1%, 0.6%

LAB 68.03, 41.73, 61.3

 

CMYK 0 / 41 / 72 / 0

HEX #FF9647

RGB 255 150 71

HSL 25.76, 1%, 0.64%

LAB 71.91, 33.35, 56.88

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 0 / 72 / 100 / 17

HEX #D43C00

RGB 212 60 0

HSL 16.98, 1%, 0.42%

LAB 48.55, 57.48, 60.25

 

CMYK 0 / 78 / 100 / 24

HEX #C32A00

RGB 195 42 0

HSL 12.92, 1%, 0.38%

LAB 43.15, 58.12, 55.93

 

CMYK 0 / 87 / 100 / 30

HEX #B21800

RGB 178 24 0

HSL 8.09, 1%, 0.35%

LAB 38.05, 57.75, 51.76

 

CMYK 0 / 96 / 100 / 37

HEX #A10600

RGB 161 6 0

HSL 2.24, 1%, 0.32%

LAB 33.37, 55.99, 47.38

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 0 / 50 / 100 / 10

HEX #E57200

RGB 229 114 0

HSL 29.87, 1%, 0.45%

LAB 60.51, 39.63, 68.21

Pantone® 152 C

CMYK 0 / 33 / 100 / 10

HEX #E59900

RGB 229 153 0

HSL 40.09, 1%, 0.45%

LAB 69.07, 19.24, 73.6

 

CMYK 0 / 17 / 100 / 10

HEX #E5BF00

RGB 229 191 0

HSL 50.04, 1%, 0.45%

LAB 78.41, -0.81, 80

 

CMYK 0 / 0 / 100 / 10

HEX #E5E500

RGB 229 229 0

HSL 60, 1%, 0.45%

LAB 88.3, -19.87, 87.1

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 0 / 64 / 100 / 90

HEX #190900

RGB 25 9 0

HSL 21.6, 1%, 0.05%

LAB 3.63, 4.77, 5.53

 

CMYK 0 / 66 / 100 / 70

HEX #4C1A00

RGB 76 26 0

HSL 20.53, 1%, 0.15%

LAB 16.87, 22.25, 25.33

 

CMYK 0 / 66 / 100 / 50

HEX #7F2B00

RGB 127 43 0

HSL 20.31, 1%, 0.25%

LAB 30.01, 34.67, 41.76

 

CMYK 0 / 66 / 100 / 30

HEX #B23D00

RGB 178 61 0

HSL 20.56, 1%, 0.35%

LAB 42.46, 45.54, 53.77

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 53 / 0 / 100 / 10

HEX #6BE500

RGB 107 229 0

HSL 91.97, 1%, 0.45%

LAB 81.38, -64.53, 78.81

 

CMYK 100 / 93 / 0 / 10

HEX #000FE5

RGB 0 15 229

HSL 236.07, 1%, 0.45%

LAB 29.41, 70.29, -97.97

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 100 / 0 / 67 / 10

HEX #00E54C

RGB 0 229 76

HSL 139.91, 1%, 0.45%

LAB 79.93, -75.64, 59.4

 

CMYK 67 / 100 / 0 / 10

HEX #4C00E5

RGB 76 0 229

HSL 259.91, 1%, 0.45%

LAB 32.24, 74.45, -93.15

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 53 / 0 / 100 / 10

HEX #6BE500

RGB 107 229 0

HSL 91.97, 1%, 0.45%

LAB 81.38, -64.53, 78.81

 

CMYK 100 / 34 / 0 / 10

HEX #0098E5

RGB 0 152 229

HSL 200.17, 1%, 0.45%

LAB 59.99, -5.61, -48.1

 

CMYK 47 / 100 / 0 / 10

HEX #7A00E5

RGB 122 0 229

HSL 271.97, 1%, 0.45%

LAB 37.47, 77.3, -84.32

 

CMYK 0 / 66 / 100 / 10

HEX #E54E00

RGB 229 78 0

HSL 20.44, 1%, 0.45%

LAB 54.14, 56.18, 64.7

 

CMYK 83 / 0 / 100 / 10

HEX #26E500

RGB 38 229 0

HSL 110.04, 1%, 0.45%

LAB 79.87, -77.33, 76.97

 

CMYK 100 / 34 / 0 / 10

HEX #0098E5

RGB 0 152 229

HSL 200.17, 1%, 0.45%

LAB 59.99, -5.61, -48.1

 

CMYK 17 / 100 / 0 / 10

HEX #BF00E5

RGB 191 0 229

HSL 290.04, 1%, 0.45%

LAB 47.92, 84.99, -66.8

 

Description

Color code: RGB 229 78 0 | qconv.com Color code: RGB 229 78 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 78 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 78 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 100 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 100% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Short Term Loans UK ...
Link: https://www.satsumaloans.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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