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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone Pantone 152 C it is the complementary color Pantone 2727 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color Pantone 152 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the Pantone 152 C shade: Pantone 716 C, Pantone 1495 C, Pantone 1375 C, Pantone 1365 C and Pantone 135 C
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color Pantone 152 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the Pantone 152 C shade: Pantone 152 C, Pantone 717 C, Pantone 1525 C, Pantone 1525 C and Pantone 1955 C
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the Pantone 152 C shade: Pantone 152 C, Pantone 1665 C and Pantone 185 C
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the Pantone 152 C shade: Pantone 152 C, Pantone 124 C, Pantone 396 C, Pantone 375 C and Pantone 375 C
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The Pantone 152 C shade matches the following richer shades: Pantone 152 C
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the Pantone 152 C shade: Pantone 152 C, Pantone 1385 C, Pantone 7511 C, Pantone 7572 C and Pantone 7525 C
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the Pantone 152 C shade: Pantone 185 C, Pantone 1665 C, Pantone 152 C, Pantone 124 C and Pantone 396 C
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the Pantone 152 C shade: Pantone 1535 C, Pantone 718 C, Pantone 152 C, Pantone 151 C and Pantone 1375 C
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the Pantone 152 C shade: Pantone 152 C, Pantone 802 C and Pantone Blue 072 C
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the Pantone 152 C shade: Pantone 152 C, Pantone 7480 C and Pantone 266 C
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the Pantone 152 C shade: Pantone 152 C, Pantone 802 C, Pantone 285 C and Pantone 2592 C
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the Pantone 152 C shade: Pantone 152 C, Pantone 354 C, Pantone 285 C and Pantone Rhodamine Re
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
Complementary color
HSL 213.37, 0.75%, 0.54%
LAB 53.27, 10.87, -57.09
Lighter colors
HSL 30.26, 1%, 0.46%
LAB 62.04, 39.59, 69.5
HSL 30.4, 1%, 0.55%
LAB 70.17, 35.61, 71.18
HSL 34.47, 1%, 0.55%
LAB 73.41, 27.86, 73.86
HSL 35.6, 1%, 0.64%
LAB 78.92, 17.31, 63.26
HSL 39.52, 1%, 0.67%
LAB 83.1, 9.24, 61.23
Darker colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 26.32, 1%, 0.42%
LAB 53.84, 43.38, 63.01
HSL 23.03, 1%, 0.36%
LAB 45.39, 43.6, 55.98
HSL 23.03, 1%, 0.36%
LAB 45.39, 43.6, 55.98
HSL 342.05, 0.74%, 0.31%
LAB 29.97, 48.87, 10.95
Warmer colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 17.58, 0.96%, 0.44%
LAB 51.11, 57.16, 61.11
HSL 348.68, 1%, 0.45%
LAB 47.84, 74.22, 44.75
Colder colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 43.59, 1%, 0.46%
LAB 73.7, 12.37, 76.98
HSL 59.73, 1%, 0.44%
LAB 86.66, -19.12, 85.76
HSL 77.86, 1%, 0.42%
LAB 79.14, -44.82, 77.91
HSL 77.86, 1%, 0.42%
LAB 79.14, -44.82, 77.91
Richer colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
Paler colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 33.8, 1%, 0.42%
LAB 59.51, 30.02, 66.45
HSL 32.96, 0.63%, 0.44%
LAB 55.5, 18.54, 50.62
HSL 28.85, 0.56%, 0.46%
LAB 54.26, 21.35, 44.79
HSL 21.6, 0.32%, 0.46%
LAB 49.18, 15.9, 22.83
Analogue colors
HSL 348.68, 1%, 0.45%
LAB 47.84, 74.22, 44.75
HSL 17.58, 0.96%, 0.44%
LAB 51.11, 57.16, 61.11
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 43.59, 1%, 0.46%
LAB 73.7, 12.37, 76.98
HSL 59.73, 1%, 0.44%
LAB 86.66, -19.12, 85.76
Monochromatic colors
HSL 25.4, 0.86%, 0.31%
LAB 38.86, 30.1, 45.6
HSL 24.32, 1%, 0.37%
LAB 47.31, 42.67, 57.47
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 30.59, 1%, 0.5%
LAB 67.45, 41.84, 74.26
HSL 34.47, 1%, 0.55%
LAB 73.41, 27.86, 73.86
Partial complementary colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 111.53, 0.67%, 0.51%
LAB 75.76, -67.32, 66.44
HSL 243.92, 0.93%, 0.32%
LAB 18.99, 54.05, -74
Triadic colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 154.87, 1%, 0.37%
LAB 68.32, -58.8, 29.24
HSL 266.77, 0.52%, 0.49%
LAB 38.87, 51.07, -58.9
Rectangular (tetradic) colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 111.53, 0.67%, 0.51%
LAB 75.76, -67.32, 66.44
HSL 206.8, 1%, 0.4%
LAB 47.61, 8.39, -54.9
HSL 288.75, 0.65%, 0.43%
LAB 40.79, 65.24, -51.43
Square colors
HSL 29.87, 1%, 0.45%
LAB 60.51, 39.63, 68.21
HSL 141.69, 1%, 0.35%
LAB 63.19, -61.58, 45.96
HSL 206.8, 1%, 0.4%
LAB 47.61, 8.39, -54.9
HSL 319.47, 1%, 0.44%
LAB 49.83, 80.42, -18.5
Description
With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 114 green and none blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 100 yellow and 10 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
40% - 婴儿床推荐_婴儿床品牌_好孩子婴儿床_婴...
Link: http://blog.litongxuan.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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CMYK to RAL®
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CMYK to HKS®
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CMYK to PANTONE®
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HEX to RAL®
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HEX to HKS®
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HEX to PANTONE®
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HEX to Sherwin Williams®
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HEX to NCS®
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RAL® to RGB
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RAL® to CMYK
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
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HKS® to RGB
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HKS® to CMYK
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HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
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Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
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NCS® to RAL®
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NCS® to HKS®
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NCS® to PANTONE®
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NCS® to Sherwin Williams®
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