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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 221 152 it is the complementary color RGB 30 34 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 221 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 225 221 152: RGB 230 221 147, RGB 247 239 166, RGB 255 255 185, RGB 255 255 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 221 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 225 221 152: RGB 225 221 152, RGB 208 203 133, RGB 191 185 114, RGB 174 167 95 and RGB 157 149 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

Complementary color

CMYK 71 / 67 / 0 / 60

HEX #1E2267

RGB 30 34 103

HSL 236.71, 0.55%, 0.26%

LAB 17.46, 23.01, -41.07

 

CMYK 0 / 4 / 36 / 10

HEX #E6DD93

RGB 230 221 147

HSL 53.49, 0.62%, 0.74%

LAB 87.31, -7.62, 37.46

 

CMYK 0 / 3 / 33 / 3

HEX #F7EFA6

RGB 247 239 166

HSL 54.07, 0.84%, 0.81%

LAB 93.56, -7.96, 36.34

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 0 / 2 / 36 / 18

HEX #D0CB85

RGB 208 203 133

HSL 56, 0.44%, 0.67%

LAB 80.64, -8.64, 35.57

 

CMYK 0 / 3 / 40 / 25

HEX #BFB972

RGB 191 185 114

HSL 55.32, 0.38%, 0.6%

LAB 74.18, -8.27, 36.75

 

CMYK 0 / 4 / 45 / 32

HEX #AEA75F

RGB 174 167 95

HSL 54.68, 0.33%, 0.53%

LAB 67.62, -7.82, 37.98

 

CMYK 0 / 5 / 52 / 38

HEX #9D954C

RGB 157 149 76

HSL 54.07, 0.35%, 0.46%

LAB 60.94, -7.26, 39.23

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 4 / 0 / 32 / 12

HEX #D9E198

RGB 217 225 152

HSL 66.58, 0.55%, 0.74%

LAB 87.42, -14, 34.88

 

CMYK 9 / 0 / 32 / 12

HEX #CDE198

RGB 205 225 152

HSL 76.44, 0.55%, 0.74%

LAB 86.55, -18.5, 33.58

 

CMYK 14 / 0 / 32 / 12

HEX #C1E198

RGB 193 225 152

HSL 86.3, 0.55%, 0.74%

LAB 85.73, -22.9, 32.34

 

CMYK 20 / 0 / 32 / 12

HEX #B5E198

RGB 181 225 152

HSL 96.16, 0.55%, 0.74%

LAB 84.97, -27.18, 31.19

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 0 / 0 / 33 / 92

HEX #15150E

RGB 21 21 14

HSL 60, 0.2%, 0.07%

LAB 6.57, -1.42, 3.87

 

CMYK 0 / 1 / 32 / 72

HEX #484731

RGB 72 71 49

HSL 57.39, 0.19%, 0.24%

LAB 29.68, -3.73, 13.42

 

CMYK 0 / 2 / 33 / 52

HEX #7B7953

RGB 123 121 83

HSL 57, 0.19%, 0.4%

LAB 50.11, -5.65, 21.16

 

CMYK 0 / 2 / 32 / 32

HEX #AEAB76

RGB 174 171 118

HSL 56.79, 0.26%, 0.57%

LAB 69.06, -7.29, 27.74

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 32 / 0 / 28 / 12

HEX #98E1A1

RGB 152 225 161

HSL 127.4, 0.55%, 0.74%

LAB 83.49, -35.42, 24.29

 

CMYK 15 / 32 / 0 / 12

HEX #BF98E1

RGB 191 152 225

HSL 272.05, 0.55%, 0.74%

LAB 68.73, 28.22, -31.57

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 32 / 0 / 2 / 12

HEX #98E1DC

RGB 152 225 220

HSL 175.89, 0.55%, 0.74%

LAB 84.84, -23.65, -4.79

 

CMYK 2 / 32 / 0 / 12

HEX #DC98E1

RGB 220 152 225

HSL 295.89, 0.55%, 0.74%

LAB 71.63, 37.26, -26.86

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 32 / 0 / 28 / 12

HEX #98E1A1

RGB 152 225 161

HSL 127.4, 0.55%, 0.74%

LAB 83.49, -35.42, 24.29

 

CMYK 32 / 30 / 0 / 12

HEX #989DE1

RGB 152 157 225

HSL 235.89, 0.55%, 0.74%

LAB 66.69, 13.83, -34.99

 

CMYK 0 / 32 / 4 / 12

HEX #E198D7

RGB 225 152 215

HSL 308.22, 0.55%, 0.74%

LAB 71.81, 37.03, -21.05

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD98

RGB 225 221 152

HSL 56.71, 0.55%, 0.74%

LAB 86.99, -8.96, 34.43

 

CMYK 32 / 0 / 19 / 12

HEX #98E1B7

RGB 152 225 183

HSL 145.48, 0.55%, 0.74%

LAB 83.94, -31.43, 13.42

 

CMYK 32 / 30 / 0 / 12

HEX #989DE1

RGB 152 157 225

HSL 235.89, 0.55%, 0.74%

LAB 66.69, 13.83, -34.99

 

CMYK 0 / 32 / 14 / 12

HEX #E198C1

RGB 225 152 193

HSL 326.3, 0.55%, 0.74%

LAB 71.09, 33.31, -9.98

 

Description

Color code: RGB 225 221 152 | qconv.com Color code: RGB 225 221 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 221 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 221 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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