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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 40 / 25 it is the complementary color CMYK 54 / 51 / 0 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 40 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 40 / 25: CMYK 0 / 5 / 44 / 23, CMYK 0 / 4 / 39 / 16, CMYK 0 / 3 / 36 / 10, CMYK 0 / 3 / 32 / 3 and CMYK 0 / 0 / 27 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 40 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 40 / 25: CMYK 0 / 3 / 40 / 25, CMYK 0 / 3 / 45 / 32, CMYK 0 / 4 / 51 / 38, CMYK 0 / 6 / 59 / 45 and CMYK 0 / 7 / 68 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

Complementary color

CMYK 54 / 51 / 0 / 45

HEX #40458C

RGB 64 69 140

HSL 236.05, 0.37%, 0.4%

LAB 32.35, 19.3, -40.3

 

CMYK 0 / 5 / 44 / 23

HEX #C4BA6E

RGB 196 186 110

HSL 53.02, 0.42%, 0.6%

LAB 74.81, -7.18, 39.68

 

CMYK 0 / 4 / 39 / 16

HEX #D5CC81

RGB 213 204 129

HSL 53.57, 0.5%, 0.67%

LAB 81.25, -7.63, 38.47

 

CMYK 0 / 3 / 36 / 10

HEX #E6DE94

RGB 230 222 148

HSL 54.15, 0.62%, 0.74%

LAB 87.58, -8.01, 37.31

 

CMYK 0 / 3 / 32 / 3

HEX #F7F0A7

RGB 247 240 167

HSL 54.75, 0.83%, 0.81%

LAB 93.83, -8.34, 36.19

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 0 / 3 / 45 / 32

HEX #AEA860

RGB 174 168 96

HSL 55.38, 0.33%, 0.53%

LAB 67.91, -8.24, 37.82

 

CMYK 0 / 4 / 51 / 38

HEX #9D964D

RGB 157 150 77

HSL 54.75, 0.34%, 0.46%

LAB 61.23, -7.71, 39.06

 

CMYK 0 / 6 / 59 / 45

HEX #8C843A

RGB 140 132 58

HSL 54.15, 0.41%, 0.39%

LAB 54.43, -7.03, 40.27

 

CMYK 0 / 7 / 68 / 52

HEX #7B7227

RGB 123 114 39

HSL 53.57, 0.52%, 0.32%

LAB 47.48, -6.16, 41.26

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 4 / 0 / 39 / 25

HEX #B7BE73

RGB 183 190 115

HSL 65.6, 0.37%, 0.6%

LAB 74.91, -13.94, 37.03

 

CMYK 11 / 0 / 39 / 25

HEX #AABE73

RGB 170 190 115

HSL 76, 0.37%, 0.6%

LAB 73.94, -19.05, 35.6

 

CMYK 17 / 0 / 39 / 25

HEX #9EBE73

RGB 158 190 115

HSL 85.6, 0.37%, 0.6%

LAB 73.11, -23.65, 34.37

 

CMYK 24 / 0 / 39 / 25

HEX #91BE73

RGB 145 190 115

HSL 96, 0.37%, 0.6%

LAB 72.28, -28.46, 33.14

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 0 / 2 / 40 / 5

HEX #F2EC92

RGB 242 236 146

HSL 56.25, 0.79%, 0.76%

LAB 92.11, -10.6, 44.31

 

CMYK 0 / 3 / 39 / 85

HEX #262517

RGB 38 37 23

HSL 56, 0.25%, 0.12%

LAB 14.38, -2.41, 9.52

 

CMYK 0 / 2 / 39 / 65

HEX #595736

RGB 89 87 54

HSL 56.57, 0.24%, 0.28%

LAB 36.38, -4.89, 19.48

 

CMYK 0 / 3 / 40 / 45

HEX #8C8854

RGB 140 136 84

HSL 55.71, 0.25%, 0.44%

LAB 55.91, -6.64, 28.45

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 39 / 0 / 34 / 25

HEX #73BE7D

RGB 115 190 125

HSL 128, 0.37%, 0.6%

LAB 70.84, -36.98, 25.7

 

CMYK 18 / 39 / 0 / 25

HEX #9B73BE

RGB 155 115 190

HSL 272, 0.37%, 0.6%

LAB 55.02, 30.27, -33.5

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 39 / 0 / 3 / 25

HEX #73BEB9

RGB 115 190 185

HSL 176, 0.37%, 0.6%

LAB 72.21, -24.45, -4.82

 

CMYK 3 / 39 / 0 / 25

HEX #B973BE

RGB 185 115 190

HSL 296, 0.37%, 0.6%

LAB 58.31, 39.53, -28.12

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 39 / 0 / 34 / 25

HEX #73BE7D

RGB 115 190 125

HSL 128, 0.37%, 0.6%

LAB 70.84, -36.98, 25.7

 

CMYK 39 / 37 / 0 / 25

HEX #7378BE

RGB 115 120 190

HSL 236, 0.37%, 0.6%

LAB 52.72, 15.71, -37.35

 

CMYK 0 / 39 / 5 / 25

HEX #BE73B4

RGB 190 115 180

HSL 308, 0.37%, 0.6%

LAB 58.51, 39.26, -22.06

 

CMYK 0 / 3 / 40 / 25

HEX #BFBA73

RGB 191 186 115

HSL 56.05, 0.37%, 0.6%

LAB 74.47, -8.68, 36.6

 

CMYK 39 / 0 / 23 / 25

HEX #73BE93

RGB 115 190 147

HSL 145.6, 0.37%, 0.6%

LAB 71.27, -32.91, 14.51

 

CMYK 39 / 37 / 0 / 25

HEX #7378BE

RGB 115 120 190

HSL 236, 0.37%, 0.6%

LAB 52.72, 15.71, -37.35

 

CMYK 0 / 39 / 17 / 25

HEX #BE739E

RGB 190 115 158

HSL 325.6, 0.37%, 0.6%

LAB 57.73, 35.52, -10.58

 

Description

Color code: CMYK 0 / 3 / 40 / 25 | qconv.com Color code: CMYK 0 / 3 / 40 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 186 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 186 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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