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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 212 201 it is the complementary color RGB 33 43 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 212 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 212 201: RGB 227 212 196, RGB 244 230 215, RGB 255 248 234, RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 212 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 212 201: RGB 222 212 201, RGB 205 194 182, RGB 188 176 163, RGB 171 158 144 and RGB 154 140 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

Complementary color

CMYK 39 / 20 / 0 / 79

HEX #212B36

RGB 33 43 54

HSL 211.43, 0.24%, 0.17%

LAB 17.07, -0.99, -8.47

 

CMYK 0 / 7 / 14 / 11

HEX #E3D4C4

RGB 227 212 196

HSL 30.97, 0.36%, 0.83%

LAB 85.71, 2.54, 9.77

 

CMYK 0 / 6 / 12 / 4

HEX #F4E6D7

RGB 244 230 215

HSL 31.03, 0.57%, 0.9%

LAB 92.01, 2.29, 9

 

CMYK 0 / 3 / 8 / 0

HEX #FFF8EA

RGB 255 248 234

HSL 40, 1%, 0.96%

LAB 97.77, -0.01, 7.54

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 0 / 5 / 11 / 20

HEX #CDC2B6

RGB 205 194 182

HSL 31.3, 0.19%, 0.76%

LAB 79.01, 1.8, 7.4

 

CMYK 0 / 6 / 13 / 26

HEX #BCB0A3

RGB 188 176 163

HSL 31.2, 0.16%, 0.69%

LAB 72.49, 2.06, 8.19

 

CMYK 0 / 8 / 16 / 33

HEX #AB9E90

RGB 171 158 144

HSL 31.11, 0.14%, 0.62%

LAB 65.85, 2.34, 9.02

 

CMYK 0 / 9 / 19 / 40

HEX #9A8C7D

RGB 154 140 125

HSL 31.03, 0.13%, 0.55%

LAB 59.07, 2.67, 9.91

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 0 / 3 / 9 / 13

HEX #DED7C9

RGB 222 215 201

HSL 40, 0.24%, 0.83%

LAB 86.18, 0.01, 7.75

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 0 / 0 / 9 / 13

HEX #DDDEC9

RGB 221 222 201

HSL 62.86, 0.24%, 0.83%

LAB 87.89, -3.95, 10.18

 

CMYK 2 / 0 / 9 / 13

HEX #DADEC9

RGB 218 222 201

HSL 71.43, 0.24%, 0.83%

LAB 87.66, -5, 9.83

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 0 / 6 / 11 / 93

HEX #121110

RGB 18 17 16

HSL 30, 0.06%, 0.07%

LAB 5.12, 0.19, 0.66

 

CMYK 0 / 4 / 10 / 73

HEX #45423E

RGB 69 66 62

HSL 34.29, 0.05%, 0.26%

LAB 28.14, 0.43, 2.88

 

CMYK 0 / 4 / 9 / 53

HEX #78736D

RGB 120 115 109

HSL 32.73, 0.05%, 0.45%

LAB 48.71, 0.77, 4

 

CMYK 0 / 5 / 9 / 33

HEX #ABA39B

RGB 171 163 155

HSL 30, 0.09%, 0.64%

LAB 67.44, 1.46, 5.18

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 7 / 0 / 9 / 13

HEX #CFDEC9

RGB 207 222 201

HSL 102.86, 0.24%, 0.83%

LAB 86.86, -8.82, 8.58

 

CMYK 9 / 9 / 0 / 13

HEX #CBC9DE

RGB 203 201 222

HSL 245.71, 0.24%, 0.83%

LAB 81.7, 4.68, -10.16

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 9 / 0 / 5 / 13

HEX #C9DED3

RGB 201 222 211

HSL 148.57, 0.24%, 0.83%

LAB 86.68, -9.05, 3

 

CMYK 5 / 9 / 0 / 13

HEX #D3C9DE

RGB 211 201 222

HSL 268.57, 0.24%, 0.83%

LAB 82.32, 7.33, -9.16

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 7 / 0 / 9 / 13

HEX #CFDEC9

RGB 207 222 201

HSL 102.86, 0.24%, 0.83%

LAB 86.86, -8.82, 8.58

 

CMYK 9 / 5 / 0 / 13

HEX #C9D3DE

RGB 201 211 222

HSL 211.43, 0.24%, 0.83%

LAB 84.11, -1.25, -6.59

 

CMYK 3 / 9 / 0 / 13

HEX #D8C9DE

RGB 216 201 222

HSL 282.86, 0.24%, 0.83%

LAB 82.72, 9, -8.52

 

CMYK 0 / 5 / 9 / 13

HEX #DED4C9

RGB 222 212 201

HSL 31.43, 0.24%, 0.83%

LAB 85.42, 1.57, 6.65

 

CMYK 9 / 0 / 9 / 13

HEX #C9DEC9

RGB 201 222 201

HSL 120, 0.24%, 0.83%

LAB 86.44, -10.86, 7.92

 

CMYK 9 / 5 / 0 / 13

HEX #C9D3DE

RGB 201 211 222

HSL 211.43, 0.24%, 0.83%

LAB 84.11, -1.25, -6.59

 

CMYK 0 / 9 / 0 / 13

HEX #DEC9DD

RGB 222 201 221

HSL 302.86, 0.24%, 0.83%

LAB 83.19, 10.84, -7.24

 

Description

Color code: RGB 222 212 201 | qconv.com Color code: RGB 222 212 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 212 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 212 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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