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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEDAC9 it is the complementary color #212536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEDAC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DEDAC9: #E3DAC4, #F4ECD7, #FFFEEA, #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEDAC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DEDAC9: #DEDAC9, #CDC8B6, #BCB6A3, #ABA490 and #9A927D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

Complementary color

CMYK 39 / 31 / 0 / 79

HEX #212536

RGB 33 37 54

HSL 228.57, 0.24%, 0.17%

LAB 15.02, 3.27, -11.62

 

CMYK 0 / 4 / 14 / 11

HEX #E3DAC4

RGB 227 218 196

HSL 42.58, 0.36%, 0.83%

LAB 87.22, -0.57, 11.92

 

CMYK 0 / 3 / 12 / 4

HEX #F4ECD7

RGB 244 236 215

HSL 43.45, 0.57%, 0.9%

LAB 93.51, -0.78, 11.13

 

CMYK 0 / 0 / 8 / 0

HEX #FFFEEA

RGB 255 254 234

HSL 57.14, 1%, 0.96%

LAB 99.25, -3.03, 9.67

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 0 / 2 / 11 / 20

HEX #CDC8B6

RGB 205 200 182

HSL 46.96, 0.19%, 0.76%

LAB 80.55, -1.36, 9.61

 

CMYK 0 / 3 / 13 / 26

HEX #BCB6A3

RGB 188 182 163

HSL 45.6, 0.16%, 0.69%

LAB 74.06, -1.16, 10.43

 

CMYK 0 / 4 / 16 / 33

HEX #ABA490

RGB 171 164 144

HSL 44.44, 0.14%, 0.62%

LAB 67.44, -0.93, 11.29

 

CMYK 0 / 5 / 19 / 40

HEX #9A927D

RGB 154 146 125

HSL 43.45, 0.13%, 0.55%

LAB 60.7, -0.68, 12.2

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 0 / 0 / 9 / 13

HEX #DEDDC9

RGB 222 221 201

HSL 57.14, 0.24%, 0.83%

LAB 87.71, -3.09, 9.93

 

CMYK 1 / 0 / 9 / 13

HEX #DBDEC9

RGB 219 222 201

HSL 68.57, 0.24%, 0.83%

LAB 87.74, -4.65, 9.95

 

CMYK 3 / 0 / 9 / 13

HEX #D7DEC9

RGB 215 222 201

HSL 80, 0.24%, 0.83%

LAB 87.44, -6.05, 9.48

 

CMYK 5 / 0 / 9 / 13

HEX #D4DEC9

RGB 212 222 201

HSL 88.57, 0.24%, 0.83%

LAB 87.22, -7.09, 9.14

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 0 / 0 / 11 / 93

HEX #121210

RGB 18 18 16

HSL 60, 0.06%, 0.07%

LAB 5.41, -0.4, 1.08

 

CMYK 0 / 1 / 10 / 73

HEX #45443E

RGB 69 68 62

HSL 51.43, 0.05%, 0.26%

LAB 28.77, -0.85, 3.78

 

CMYK 0 / 2 / 9 / 53

HEX #78766D

RGB 120 118 109

HSL 49.09, 0.05%, 0.45%

LAB 49.56, -0.97, 5.22

 

CMYK 0 / 2 / 9 / 33

HEX #ABA89B

RGB 171 168 155

HSL 48.75, 0.09%, 0.64%

LAB 68.77, -1.26, 7.09

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 9 / 0 / 9 / 13

HEX #C9DEC9

RGB 201 222 201

HSL 120, 0.24%, 0.83%

LAB 86.44, -10.86, 7.92

 

CMYK 6 / 9 / 0 / 13

HEX #D1C9DE

RGB 209 201 222

HSL 262.86, 0.24%, 0.83%

LAB 82.16, 6.67, -9.42

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 9 / 0 / 2 / 13

HEX #C9DED9

RGB 201 222 217

HSL 165.71, 0.24%, 0.83%

LAB 86.83, -7.92, 0.06

 

CMYK 2 / 9 / 0 / 13

HEX #D9C9DE

RGB 217 201 222

HSL 285.71, 0.24%, 0.83%

LAB 82.81, 9.34, -8.39

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 9 / 0 / 9 / 13

HEX #C9DEC9

RGB 201 222 201

HSL 120, 0.24%, 0.83%

LAB 86.44, -10.86, 7.92

 

CMYK 9 / 8 / 0 / 13

HEX #C9CDDE

RGB 201 205 222

HSL 228.57, 0.24%, 0.83%

LAB 82.57, 1.91, -8.88

 

CMYK 0 / 9 / 0 / 13

HEX #DEC9DE

RGB 222 201 222

HSL 300, 0.24%, 0.83%

LAB 83.22, 11.02, -7.74

 

CMYK 0 / 2 / 9 / 13

HEX #DEDAC9

RGB 222 218 201

HSL 48.57, 0.24%, 0.83%

LAB 86.94, -1.54, 8.84

 

CMYK 9 / 0 / 7 / 13

HEX #C9DECF

RGB 201 222 207

HSL 137.14, 0.24%, 0.83%

LAB 86.59, -9.78, 4.97

 

CMYK 9 / 8 / 0 / 13

HEX #C9CDDE

RGB 201 205 222

HSL 228.57, 0.24%, 0.83%

LAB 82.57, 1.91, -8.88

 

CMYK 0 / 9 / 3 / 13

HEX #DEC9D7

RGB 222 201 215

HSL 320, 0.24%, 0.83%

LAB 83.02, 9.76, -4.28

 

Description

Color code: HEX #DEDAC9 | qconv.com Color code: HEX #DEDAC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 218 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 218 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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