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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 79 134 it is the complementary color RGB 36 176 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 79 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 79 134: RGB 224 79 129, RGB 241 97 148, RGB 255 115 167, RGB 255 133 186 and RGB 255 151 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 79 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 79 134: RGB 219 79 134, RGB 202 61 115, RGB 185 43 96, RGB 168 25 77 and RGB 151 7 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

Complementary color

CMYK 80 / 0 / 31 / 31

HEX #24B079

RGB 36 176 121

HSL 156.43, 0.66%, 0.42%

LAB 64, -48.92, 18.17

 

CMYK 0 / 65 / 42 / 12

HEX #E04F81

RGB 224 79 129

HSL 339.31, 0.7%, 0.59%

LAB 55.1, 60.26, 3.06

 

CMYK 0 / 60 / 39 / 5

HEX #F16194

RGB 241 97 148

HSL 338.75, 0.84%, 0.66%

LAB 61.12, 59.84, 1.02

 

CMYK 0 / 55 / 35 / 0

HEX #FF73A7

RGB 255 115 167

HSL 337.71, 1%, 0.73%

LAB 66.76, 58.29, -1.39

 

CMYK 0 / 48 / 27 / 0

HEX #FF85BA

RGB 255 133 186

HSL 333.93, 1%, 0.76%

LAB 70.58, 52.1, -6.45

 

CMYK 0 / 41 / 20 / 0

HEX #FF97CD

RGB 255 151 205

HSL 328.85, 1%, 0.8%

LAB 74.7, 45.76, -10.85

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 70 / 43 / 21

HEX #CA3D73

RGB 202 61 115

HSL 337.02, 0.57%, 0.52%

LAB 48.43, 59.37, 1.33

 

CMYK 0 / 77 / 48 / 27

HEX #B92B60

RGB 185 43 96

HSL 337.61, 0.62%, 0.45%

LAB 42.59, 58.95, 4.23

 

CMYK 0 / 85 / 54 / 34

HEX #A8194D

RGB 168 25 77

HSL 338.18, 0.74%, 0.38%

LAB 37.03, 57.66, 7.93

 

CMYK 0 / 95 / 62 / 41

HEX #97073A

RGB 151 7 58

HSL 338.75, 0.91%, 0.31%

LAB 31.89, 55.11, 12.69

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 65 / 61 / 15

HEX #DA4D56

RGB 218 77 86

HSL 356.17, 0.66%, 0.58%

LAB 52.82, 55.64, 25.28

 

CMYK 0 / 58 / 65 / 15

HEX #DA5B4D

RGB 218 91 77

HSL 5.96, 0.66%, 0.58%

LAB 54.99, 48.91, 33.22

 

CMYK 0 / 48 / 65 / 15

HEX #DA724D

RGB 218 114 77

HSL 15.74, 0.66%, 0.58%

LAB 59.41, 37.61, 38.56

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 67 / 40 / 94

HEX #0F0509

RGB 15 5 9

HSL 336, 0.5%, 0.04%

LAB 2.08, 3.36, -0.53

 

CMYK 0 / 64 / 39 / 74

HEX #421828

RGB 66 24 40

HSL 337.14, 0.47%, 0.18%

LAB 15.3, 22.33, -0.76

 

CMYK 0 / 64 / 38 / 54

HEX #752A48

RGB 117 42 72

HSL 336, 0.47%, 0.31%

LAB 29.17, 35.97, -1.38

 

CMYK 0 / 64 / 39 / 34

HEX #A83D67

RGB 168 61 103

HSL 336.45, 0.47%, 0.45%

LAB 42.22, 47.76, -1.06

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 65 / 13 / 0 / 15

HEX #4DBEDA

RGB 77 190 218

HSL 191.91, 0.66%, 0.58%

LAB 71.87, -23.37, -23.48

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 39 / 0 / 65 / 15

HEX #85DA4D

RGB 133 218 77

HSL 96.17, 0.66%, 0.58%

LAB 79.42, -49.26, 59.28

 

CMYK 65 / 39 / 0 / 15

HEX #4D85DA

RGB 77 133 218

HSL 216.17, 0.66%, 0.58%

LAB 55.5, 8.3, -49

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 65 / 0 / 26 / 15

HEX #4DDAA2

RGB 77 218 162

HSL 156.17, 0.66%, 0.58%

LAB 78.65, -50.79, 16.64

 

CMYK 65 / 52 / 0 / 15

HEX #4D69DA

RGB 77 105 218

HSL 228.09, 0.66%, 0.58%

LAB 47.93, 25.57, -61.11

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 6 / 0 / 65 / 15

HEX #CCDA4D

RGB 204 218 77

HSL 65.96, 0.66%, 0.58%

LAB 83.71, -22.67, 65.13

 

CMYK 65 / 0 / 26 / 15

HEX #4DDAA2

RGB 77 218 162

HSL 156.17, 0.66%, 0.58%

LAB 78.65, -50.79, 16.64

 

CMYK 58 / 65 / 0 / 15

HEX #5B4DDA

RGB 91 77 218

HSL 245.96, 0.66%, 0.58%

LAB 42.14, 44.89, -70.47

 

Description

Color code: RGB 219 79 134 | qconv.com Color code: RGB 219 79 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 79 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 79 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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