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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4D6E it is the complementary color #25B291. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4D6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4D6E shade: #DF4D69, #F05F7C, #FF718F, #FF83A2 and #FF95B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4D6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4D6E shade: #DA4D6E, #C93B5B, #B82948, #A71735 and #960522

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4D6E shade: #DA4D6E and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4D6E shade: #DA4D6E, #DA4D94, #DA4DBA, #D44DDA and #AE4DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4D6E shade matches the following richer shades: #DA4D6E, #EB3B65 and #FD2A5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4D6E shade: #DA4D6E, #C95E77, #B76F80, #A68189 and #959293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4D6E shade: #DA4DBB, #DA4D96, #DA4D70, #DA4F4D and #DA754D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4D6E shade: #B12445, #D32B52, #DA4D6E, #E16F8A and #E891A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4D6E shade: #DA4D6E, #DAD34D and #4DA9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4D6E shade: #DA4D6E, #70DA4D and #4D70DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4D6E shade: #DA4D6E, #DAD34D, #4DDAB7 and #4D54DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4D6E shade: #DA4D6E, #B7DA4D, #4DDAB7 and #704DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

Complementary color

CMYK 79 / 0 / 19 / 30

HEX #25B291

RGB 37 178 145

HSL 165.96, 0.66%, 0.42%

LAB 65.18, -43.89, 6.65

 

CMYK 0 / 65 / 53 / 13

HEX #DF4D69

RGB 223 77 105

HSL 348.49, 0.7%, 0.59%

LAB 54.04, 58.62, 15.81

 

CMYK 0 / 60 / 48 / 6

HEX #F05F7C

RGB 240 95 124

HSL 348, 0.83%, 0.66%

LAB 60.04, 58.06, 13.38

 

CMYK 0 / 56 / 44 / 0

HEX #FF718F

RGB 255 113 143

HSL 347.32, 1%, 0.72%

LAB 65.79, 56.66, 10.87

 

CMYK 0 / 49 / 36 / 0

HEX #FF83A2

RGB 255 131 162

HSL 345, 1%, 0.76%

LAB 69.54, 50.15, 5.48

 

CMYK 0 / 42 / 29 / 0

HEX #FF95B5

RGB 255 149 181

HSL 341.89, 1%, 0.79%

LAB 73.6, 43.47, 0.78

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 71 / 55 / 21

HEX #C93B5B

RGB 201 59 91

HSL 346.48, 0.57%, 0.51%

LAB 47.37, 57.73, 14.46

 

CMYK 0 / 78 / 61 / 28

HEX #B82948

RGB 184 41 72

HSL 346.99, 0.64%, 0.44%

LAB 41.6, 57.45, 17.88

 

CMYK 0 / 86 / 68 / 35

HEX #A71735

RGB 167 23 53

HSL 347.5, 0.76%, 0.37%

LAB 36.15, 56.3, 22.16

 

CMYK 0 / 97 / 77 / 41

HEX #960522

RGB 150 5 34

HSL 348, 0.94%, 0.3%

LAB 31.13, 53.93, 27.4

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 65 / 32 / 15

HEX #DA4D94

RGB 218 77 148

HSL 329.79, 0.66%, 0.58%

LAB 54.4, 61.36, -9.32

 

CMYK 0 / 65 / 15 / 15

HEX #DA4DBA

RGB 218 77 186

HSL 313.62, 0.66%, 0.58%

LAB 55.85, 66.36, -29.3

 

CMYK 3 / 65 / 0 / 15

HEX #D44DDA

RGB 212 77 218

HSL 297.45, 0.66%, 0.58%

LAB 56.45, 69.93, -46.7

 

CMYK 20 / 65 / 0 / 15

HEX #AE4DDA

RGB 174 77 218

HSL 281.28, 0.66%, 0.58%

LAB 51.12, 61.29, -55.52

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 75 / 57 / 8

HEX #EB3B65

RGB 235 59 101

HSL 345.68, 0.81%, 0.58%

LAB 53.74, 68.3, 18.12

 

CMYK 0 / 83 / 64 / 1

HEX #FD2A5B

RGB 253 42 91

HSL 346.07, 0.98%, 0.58%

LAB 55.37, 76.86, 26.86

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 53 / 41 / 21

HEX #C95E77

RGB 201 94 119

HSL 345.98, 0.5%, 0.58%

LAB 53.77, 45.01, 6.6

 

CMYK 0 / 39 / 30 / 28

HEX #B76F80

RGB 183 111 128

HSL 345.83, 0.33%, 0.58%

LAB 55.07, 30.71, 2.86

 

CMYK 0 / 22 / 17 / 35

HEX #A68189

RGB 166 129 137

HSL 347.03, 0.17%, 0.58%

LAB 57.67, 15.52, 1.16

 

CMYK 0 / 2 / 1 / 42

HEX #959293

RGB 149 146 147

HSL 340, 0.01%, 0.58%

LAB 60.83, 1.29, -0.15

 

CMYK 0 / 65 / 14 / 15

HEX #DA4DBB

RGB 218 77 187

HSL 313.19, 0.66%, 0.58%

LAB 55.89, 66.5, -29.81

 

CMYK 0 / 65 / 31 / 15

HEX #DA4D96

RGB 218 77 150

HSL 328.94, 0.66%, 0.58%

LAB 54.46, 61.59, -10.4

 

CMYK 0 / 65 / 49 / 15

HEX #DA4D70

RGB 218 77 112

HSL 345.11, 0.66%, 0.58%

LAB 53.37, 57.65, 10.57

 

CMYK 0 / 64 / 65 / 15

HEX #DA4F4D

RGB 218 79 77

HSL 0.85, 0.66%, 0.58%

LAB 52.99, 54.24, 30.74

 

CMYK 0 / 46 / 65 / 15

HEX #DA754D

RGB 218 117 77

HSL 17.02, 0.66%, 0.58%

LAB 60.04, 36.07, 39.3

 

CMYK 0 / 80 / 61 / 31

HEX #B12445

RGB 177 36 69

HSL 345.96, 0.66%, 0.42%

LAB 39.65, 56.73, 16.92

 

CMYK 0 / 80 / 61 / 17

HEX #D32B52

RGB 211 43 82

HSL 346.07, 0.66%, 0.5%

LAB 47.22, 65.09, 20.09

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 51 / 39 / 12

HEX #E16F8A

RGB 225 111 138

HSL 345.79, 0.66%, 0.66%

LAB 60.97, 47.02, 6.27

 

CMYK 0 / 38 / 28 / 9

HEX #E891A6

RGB 232 145 166

HSL 345.52, 0.65%, 0.74%

LAB 69.58, 35.51, 2.93

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 3 / 65 / 15

HEX #DAD34D

RGB 218 211 77

HSL 57.02, 0.66%, 0.58%

LAB 82.93, -13.46, 64.65

 

CMYK 65 / 22 / 0 / 15

HEX #4DA9DA

RGB 77 169 218

HSL 200.85, 0.66%, 0.58%

LAB 65.76, -12.35, -32.88

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 49 / 0 / 65 / 15

HEX #70DA4D

RGB 112 218 77

HSL 105.11, 0.66%, 0.58%

LAB 78.53, -55.72, 58.06

 

CMYK 65 / 49 / 0 / 15

HEX #4D70DA

RGB 77 112 218

HSL 225.11, 0.66%, 0.58%

LAB 49.77, 21.2, -58.15

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 0 / 3 / 65 / 15

HEX #DAD34D

RGB 218 211 77

HSL 57.02, 0.66%, 0.58%

LAB 82.93, -13.46, 64.65

 

CMYK 65 / 0 / 16 / 15

HEX #4DDAB7

RGB 77 218 183

HSL 165.11, 0.66%, 0.58%

LAB 79.12, -45.98, 6.17

 

CMYK 65 / 61 / 0 / 15

HEX #4D54DA

RGB 77 84 218

HSL 237.02, 0.66%, 0.58%

LAB 42.73, 38.6, -69.55

 

CMYK 0 / 65 / 50 / 15

HEX #DA4D6E

RGB 218 77 110

HSL 345.96, 0.66%, 0.58%

LAB 53.32, 57.47, 11.7

 

CMYK 16 / 0 / 65 / 15

HEX #B7DA4D

RGB 183 218 77

HSL 74.89, 0.66%, 0.58%

LAB 82.24, -31.07, 63.13

 

CMYK 65 / 0 / 16 / 15

HEX #4DDAB7

RGB 77 218 183

HSL 165.11, 0.66%, 0.58%

LAB 79.12, -45.98, 6.17

 

CMYK 49 / 65 / 0 / 15

HEX #704DDA

RGB 112 77 218

HSL 254.89, 0.66%, 0.58%

LAB 43.97, 48.48, -67.43

 

Description

Color code: HEX #DA4D6E | qconv.com Color code: HEX #DA4D6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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