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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 204 150 it is the complementary color RGB 39 51 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 204 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 204 150: RGB 221 204 145, RGB 238 222 164, RGB 255 240 183, RGB 255 255 202 and RGB 255 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 204 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 204 150: RGB 216 204 150, RGB 199 186 131, RGB 182 168 112, RGB 165 150 93 and RGB 148 132 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

Complementary color

CMYK 63 / 51 / 0 / 59

HEX #273369

RGB 39 51 105

HSL 229.09, 0.46%, 0.28%

LAB 23.06, 13.44, -33.26

 

CMYK 0 / 8 / 34 / 13

HEX #DDCC91

RGB 221 204 145

HSL 46.58, 0.53%, 0.72%

LAB 82.16, -2.66, 31.59

 

CMYK 0 / 7 / 31 / 7

HEX #EEDEA4

RGB 238 222 164

HSL 47.03, 0.69%, 0.79%

LAB 88.5, -3.04, 30.48

 

CMYK 0 / 6 / 28 / 0

HEX #FFF0B7

RGB 255 240 183

HSL 47.5, 1%, 0.86%

LAB 94.74, -3.38, 29.43

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 0 / 7 / 34 / 22

HEX #C7BA83

RGB 199 186 131

HSL 48.53, 0.38%, 0.65%

LAB 75.39, -3.61, 29.59

 

CMYK 0 / 8 / 38 / 29

HEX #B6A870

RGB 182 168 112

HSL 48, 0.32%, 0.58%

LAB 68.84, -3.19, 30.77

 

CMYK 0 / 9 / 44 / 35

HEX #A5965D

RGB 165 150 93

HSL 47.5, 0.29%, 0.51%

LAB 62.17, -2.68, 32.02

 

CMYK 0 / 11 / 50 / 42

HEX #94844A

RGB 148 132 74

HSL 47.03, 0.33%, 0.44%

LAB 55.37, -2.05, 33.33

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 0 / 0 / 31 / 15

HEX #D8D796

RGB 216 215 150

HSL 59.09, 0.46%, 0.72%

LAB 84.69, -9.61, 32.28

 

CMYK 5 / 0 / 31 / 15

HEX #CED896

RGB 206 216 150

HSL 69.09, 0.46%, 0.72%

LAB 84.19, -13.91, 31.48

 

CMYK 10 / 0 / 31 / 15

HEX #C3D896

RGB 195 216 150

HSL 79.09, 0.46%, 0.72%

LAB 83.4, -18.02, 30.28

 

CMYK 15 / 0 / 31 / 15

HEX #B8D896

RGB 184 216 150

HSL 89.09, 0.46%, 0.72%

LAB 82.65, -22.05, 29.15

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 0 / 8 / 33 / 95

HEX #0C0B08

RGB 12 11 8

HSL 45, 0.2%, 0.04%

LAB 3.03, -0.14, 1.24

 

CMYK 0 / 5 / 30 / 75

HEX #3F3C2C

RGB 63 60 44

HSL 50.53, 0.18%, 0.21%

LAB 25.17, -1.81, 10.38

 

CMYK 0 / 5 / 31 / 55

HEX #726C4F

RGB 114 108 79

HSL 49.71, 0.18%, 0.38%

LAB 45.45, -2.63, 17.11

 

CMYK 0 / 5 / 30 / 35

HEX #A59C73

RGB 165 156 115

HSL 49.2, 0.22%, 0.55%

LAB 64.17, -3.26, 22.7

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 31 / 0 / 30 / 15

HEX #96D897

RGB 150 216 151

HSL 120.91, 0.46%, 0.72%

LAB 80.64, -33.57, 25.58

 

CMYK 18 / 31 / 0 / 15

HEX #B296D8

RGB 178 150 216

HSL 265.45, 0.46%, 0.72%

LAB 66.7, 23.35, -29.83

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 31 / 0 / 6 / 15

HEX #96D8CC

RGB 150 216 204

HSL 169.09, 0.46%, 0.72%

LAB 81.81, -23.35, -0.76

 

CMYK 6 / 31 / 0 / 15

HEX #CC96D8

RGB 204 150 216

HSL 289.09, 0.46%, 0.72%

LAB 69.19, 31.54, -25.79

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 31 / 0 / 30 / 15

HEX #96D897

RGB 150 216 151

HSL 120.91, 0.46%, 0.72%

LAB 80.64, -33.57, 25.58

 

CMYK 31 / 25 / 0 / 15

HEX #96A2D8

RGB 150 162 216

HSL 229.09, 0.46%, 0.72%

LAB 67.49, 8.13, -28.8

 

CMYK 0 / 31 / 0 / 15

HEX #D896D7

RGB 216 150 215

HSL 300.91, 0.46%, 0.72%

LAB 70.4, 35.19, -23.28

 

CMYK 0 / 6 / 31 / 15

HEX #D8CC96

RGB 216 204 150

HSL 49.09, 0.46%, 0.72%

LAB 81.83, -3.98, 28.47

 

CMYK 31 / 0 / 21 / 15

HEX #96D8AB

RGB 150 216 171

HSL 139.09, 0.46%, 0.72%

LAB 81.04, -30.05, 15.64

 

CMYK 31 / 25 / 0 / 15

HEX #96A2D8

RGB 150 162 216

HSL 229.09, 0.46%, 0.72%

LAB 67.49, 8.13, -28.8

 

CMYK 0 / 31 / 10 / 15

HEX #D896C3

RGB 216 150 195

HSL 319.09, 0.46%, 0.72%

LAB 69.72, 31.64, -13.24

 

Description

Color code: RGB 216 204 150 | qconv.com Color code: RGB 216 204 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 204 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 204 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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