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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 21 / 15 it is the complementary color CMYK 0 / 64 / 20 / 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 21 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 0 / 21 / 15: CMYK 29 / 0 / 24 / 15, CMYK 27 / 0 / 21 / 8, CMYK 25 / 0 / 19 / 1, CMYK 19 / 0 / 13 / 0 and CMYK 13 / 0 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 21 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 0 / 21 / 15: CMYK 31 / 0 / 21 / 15, CMYK 33 / 0 / 24 / 22, CMYK 36 / 0 / 27 / 29, CMYK 39 / 0 / 30 / 36 and CMYK 43 / 0 / 34 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

Complementary color

CMYK 0 / 64 / 20 / 59

HEX #692654

RGB 105 38 84

HSL 318.81, 0.47%, 0.28%

LAB 26.82, 35.64, -13.07

 

CMYK 29 / 0 / 24 / 15

HEX #9BD9A6

RGB 155 217 166

HSL 130.65, 0.45%, 0.73%

LAB 81.48, -29.87, 18.93

 

CMYK 27 / 0 / 21 / 8

HEX #ACEBB9

RGB 172 235 185

HSL 132.38, 0.61%, 0.8%

LAB 87.82, -29.64, 17.99

 

CMYK 25 / 0 / 19 / 1

HEX #BDFDCC

RGB 189 253 204

HSL 134.06, 0.94%, 0.87%

LAB 94.07, -29.42, 17.09

 

CMYK 19 / 0 / 13 / 0

HEX #CEFFDF

RGB 206 255 223

HSL 140.82, 1%, 0.9%

LAB 95.98, -21.61, 10.19

 

CMYK 13 / 0 / 5 / 0

HEX #DFFFF2

RGB 223 255 242

HSL 155.63, 1%, 0.94%

LAB 97.48, -12.72, 2.72

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 33 / 0 / 24 / 22

HEX #85C798

RGB 133 199 152

HSL 137.27, 0.37%, 0.65%

LAB 74.89, -30.79, 17.01

 

CMYK 36 / 0 / 27 / 29

HEX #74B585

RGB 116 181 133

HSL 135.69, 0.31%, 0.58%

LAB 68.35, -31.06, 18.04

 

CMYK 39 / 0 / 30 / 36

HEX #63A372

RGB 99 163 114

HSL 134.06, 0.26%, 0.51%

LAB 61.71, -31.34, 19.16

 

CMYK 43 / 0 / 34 / 43

HEX #52915F

RGB 82 145 95

HSL 132.38, 0.28%, 0.45%

LAB 54.94, -31.6, 20.38

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 31 / 0 / 17 / 15

HEX #96D9B5

RGB 150 217 181

HSL 147.76, 0.47%, 0.72%

LAB 81.54, -28.62, 11.06

 

CMYK 31 / 0 / 12 / 15

HEX #96D9C0

RGB 150 217 192

HSL 157.61, 0.47%, 0.72%

LAB 81.79, -26.4, 5.59

 

CMYK 31 / 0 / 6 / 15

HEX #96D9CB

RGB 150 217 203

HSL 167.46, 0.47%, 0.72%

LAB 82.07, -24.06, 0.14

 

CMYK 31 / 0 / 1 / 15

HEX #96D9D6

RGB 150 217 214

HSL 177.31, 0.47%, 0.72%

LAB 82.36, -21.61, -5.28

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 31 / 0 / 23 / 95

HEX #090D0A

RGB 9 13 10

HSL 135, 0.18%, 0.04%

LAB 3.32, -1.57, 0.84

 

CMYK 31 / 0 / 22 / 75

HEX #2C4032

RGB 44 64 50

HSL 138, 0.19%, 0.21%

LAB 25.05, -11.44, 6.05

 

CMYK 31 / 0 / 21 / 55

HEX #4F735B

RGB 79 115 91

HSL 140, 0.19%, 0.38%

LAB 45.19, -18.31, 9.25

 

CMYK 31 / 0 / 21 / 35

HEX #73A683

RGB 115 166 131

HSL 138.82, 0.22%, 0.55%

LAB 63.8, -24.45, 12.8

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 31 / 16 / 0 / 15

HEX #96B7D9

RGB 150 183 217

HSL 210.45, 0.47%, 0.72%

LAB 73.13, -3.23, -20.72

 

CMYK 0 / 31 / 28 / 15

HEX #D9969C

RGB 217 150 156

HSL 354.63, 0.47%, 0.72%

LAB 68.73, 26, 7.05

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 22 / 31 / 0 / 15

HEX #AA96D9

RGB 170 150 217

HSL 257.91, 0.47%, 0.72%

LAB 66.03, 21.12, -31.47

 

CMYK 0 / 22 / 31 / 15

HEX #D9AA96

RGB 217 170 150

HSL 17.91, 0.47%, 0.72%

LAB 73.35, 14.4, 16.9

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 31 / 16 / 0 / 15

HEX #96B7D9

RGB 150 183 217

HSL 210.45, 0.47%, 0.72%

LAB 73.13, -3.23, -20.72

 

CMYK 0 / 31 / 9 / 15

HEX #D996C5

RGB 217 150 197

HSL 317.91, 0.47%, 0.72%

LAB 69.89, 32.32, -14.08

 

CMYK 0 / 16 / 31 / 15

HEX #D9B796

RGB 217 183 150

HSL 29.55, 0.47%, 0.72%

LAB 76.57, 7.43, 21.34

 

CMYK 31 / 0 / 21 / 15

HEX #96D9AB

RGB 150 217 171

HSL 138.81, 0.47%, 0.72%

LAB 81.32, -30.53, 16.03

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 0 / 31 / 9 / 15

HEX #D996C5

RGB 217 150 197

HSL 317.91, 0.47%, 0.72%

LAB 69.89, 32.32, -14.08

 

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

 

Description

Color code: CMYK 31 / 0 / 21 / 15 | qconv.com Color code: CMYK 31 / 0 / 21 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 217 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 217 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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