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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 95 35 it is the complementary color RGB 40 160 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 95 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 215 95 35: RGB 220 95 30, RGB 237 113 49, RGB 254 131 68, RGB 255 149 87 and RGB 255 167 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 95 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 215 95 35: RGB 215 95 35, RGB 198 77 16, RGB 181 59 0, RGB 164 41 0 and RGB 147 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

Complementary color

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 0 / 57 / 86 / 14

HEX #DC5F1E

RGB 220 95 30

HSL 20.53, 0.76%, 0.49%

LAB 55.58, 45.86, 57.04

 

CMYK 0 / 52 / 79 / 7

HEX #ED7131

RGB 237 113 49

HSL 20.43, 0.84%, 0.56%

LAB 61.69, 44.12, 55.69

 

CMYK 0 / 48 / 73 / 0

HEX #FE8344

RGB 254 131 68

HSL 20.32, 0.99%, 0.63%

LAB 67.81, 42.45, 53.93

 

CMYK 0 / 42 / 66 / 0

HEX #FF9557

RGB 255 149 87

HSL 22.14, 1%, 0.67%

LAB 71.85, 34.68, 49.17

 

CMYK 0 / 35 / 58 / 0

HEX #FFA76A

RGB 255 167 106

HSL 24.56, 1%, 0.71%

LAB 76.03, 26.58, 44.54

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 0 / 61 / 92 / 22

HEX #C64D10

RGB 198 77 16

HSL 20.11, 0.85%, 0.42%

LAB 48.7, 45.85, 54.96

 

CMYK 0 / 67 / 100 / 29

HEX #B53B00

RGB 181 59 0

HSL 19.56, 1%, 0.35%

LAB 42.69, 47.46, 54.19

 

CMYK 0 / 75 / 100 / 36

HEX #A42900

RGB 164 41 0

HSL 15, 1%, 0.32%

LAB 36.89, 48.7, 49.58

 

CMYK 0 / 84 / 100 / 42

HEX #931700

RGB 147 23 0

HSL 9.39, 1%, 0.29%

LAB 31.38, 48.93, 44.59

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 0 / 42 / 84 / 16

HEX #D67C22

RGB 214 124 34

HSL 30, 0.73%, 0.49%

LAB 60.63, 28.86, 59.46

 

CMYK 0 / 28 / 84 / 16

HEX #D69A22

RGB 214 154 34

HSL 40, 0.73%, 0.49%

LAB 67.67, 12.73, 65.41

 

CMYK 0 / 14 / 84 / 16

HEX #D6B822

RGB 214 184 34

HSL 50, 0.73%, 0.49%

LAB 75.26, -3.2, 71.76

 

CMYK 0 / 0 / 84 / 16

HEX #D6D622

RGB 214 214 34

HSL 60, 0.73%, 0.49%

LAB 83.18, -18.39, 78.33

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 0 / 55 / 82 / 96

HEX #0B0502

RGB 11 5 2

HSL 20, 0.69%, 0.03%

LAB 1.66, 1.16, 1.69

 

CMYK 0 / 56 / 84 / 76

HEX #3E1B0A

RGB 62 27 10

HSL 19.62, 0.72%, 0.14%

LAB 14.57, 15.6, 17.79

 

CMYK 0 / 56 / 84 / 56

HEX #713212

RGB 113 50 18

HSL 20.21, 0.73%, 0.26%

LAB 28.99, 25.73, 32.17

 

CMYK 0 / 56 / 84 / 36

HEX #A4481B

RGB 164 72 27

HSL 19.71, 0.72%, 0.37%

LAB 42.16, 35.49, 43.21

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 45 / 0 / 84 / 16

HEX #76D622

RGB 118 214 34

HSL 92, 0.73%, 0.49%

LAB 77.32, -55.09, 71

 

CMYK 84 / 79 / 0 / 16

HEX #222ED6

RGB 34 46 214

HSL 236, 0.73%, 0.49%

LAB 32.14, 55.11, -84.76

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 84 / 0 / 56 / 16

HEX #22D65E

RGB 34 214 94

HSL 140, 0.73%, 0.49%

LAB 75.6, -67.26, 46.79

 

CMYK 56 / 84 / 0 / 16

HEX #5E22D6

RGB 94 34 214

HSL 260, 0.73%, 0.49%

LAB 34.76, 64.71, -80.3

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 45 / 0 / 84 / 16

HEX #76D622

RGB 118 214 34

HSL 92, 0.73%, 0.49%

LAB 77.32, -55.09, 71

 

CMYK 84 / 28 / 0 / 16

HEX #229AD6

RGB 34 154 214

HSL 200, 0.73%, 0.49%

LAB 60.16, -10.72, -39.47

 

CMYK 39 / 84 / 0 / 16

HEX #8222D6

RGB 130 34 214

HSL 272, 0.73%, 0.49%

LAB 39.15, 68.9, -72.92

 

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 70 / 0 / 84 / 16

HEX #40D622

RGB 64 214 34

HSL 110, 0.73%, 0.49%

LAB 75.64, -68.55, 68.87

 

CMYK 84 / 28 / 0 / 16

HEX #229AD6

RGB 34 154 214

HSL 200, 0.73%, 0.49%

LAB 60.16, -10.72, -39.47

 

CMYK 14 / 84 / 0 / 16

HEX #B822D6

RGB 184 34 214

HSL 290, 0.73%, 0.49%

LAB 47.22, 77.05, -59.43

 

Description

Color code: RGB 215 95 35 | qconv.com Color code: RGB 215 95 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 95 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 95 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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