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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 160 220 it is the complementary color RGB 215 95 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 160 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 160 220: RGB 45 160 215, RGB 62 178 234, RGB 79 196 253, RGB 96 214 255 and RGB 113 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 160 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 160 220: RGB 40 160 220, RGB 23 142 201, RGB 6 124 182, RGB 0 106 163 and RGB 0 88 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

Complementary color

CMYK 0 / 56 / 84 / 16

HEX #D75F23

RGB 215 95 35

HSL 20, 0.72%, 0.49%

LAB 54.82, 44.11, 54.13

 

CMYK 79 / 26 / 0 / 16

HEX #2DA0D7

RGB 45 160 215

HSL 199.41, 0.68%, 0.51%

LAB 62.17, -12.72, -36.87

 

CMYK 74 / 24 / 0 / 8

HEX #3EB2EA

RGB 62 178 234

HSL 199.53, 0.8%, 0.58%

LAB 68.61, -14.14, -37.26

 

CMYK 69 / 23 / 0 / 1

HEX #4FC4FD

RGB 79 196 253

HSL 199.66, 0.98%, 0.65%

LAB 74.97, -15.27, -37.62

 

CMYK 62 / 16 / 0 / 0

HEX #60D6FF

RGB 96 214 255

HSL 195.47, 1%, 0.69%

LAB 80.63, -21.33, -29.92

 

CMYK 56 / 9 / 0 / 0

HEX #71E8FF

RGB 113 232 255

HSL 189.72, 1%, 0.72%

LAB 86.23, -27.25, -21.33

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 89 / 29 / 0 / 21

HEX #178EC9

RGB 23 142 201

HSL 199.89, 0.79%, 0.44%

LAB 55.83, -9.43, -38.98

 

CMYK 97 / 32 / 0 / 29

HEX #067CB6

RGB 6 124 182

HSL 199.77, 0.94%, 0.37%

LAB 49.29, -6.93, -38.44

 

CMYK 100 / 35 / 0 / 36

HEX #006AA3

RGB 0 106 163

HSL 200.98, 1%, 0.32%

LAB 42.69, -3.8, -37.78

 

CMYK 100 / 39 / 0 / 44

HEX #005890

RGB 0 88 144

HSL 203.33, 1%, 0.28%

LAB 35.97, -0.21, -37.08

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 82 / 41 / 0 / 14

HEX #2882DC

RGB 40 130 220

HSL 210, 0.72%, 0.51%

LAB 53.58, 6.03, -53.24

 

CMYK 82 / 55 / 0 / 14

HEX #2864DC

RGB 40 100 220

HSL 220, 0.72%, 0.51%

LAB 45.27, 24.91, -66.64

 

CMYK 82 / 68 / 0 / 14

HEX #2846DC

RGB 40 70 220

HSL 230, 0.72%, 0.51%

LAB 37.84, 43.91, -78.79

 

CMYK 82 / 82 / 0 / 14

HEX #2828DC

RGB 40 40 220

HSL 240, 0.72%, 0.51%

LAB 32.11, 60.09, -88.27

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 81 / 25 / 0 / 94

HEX #030C10

RGB 3 12 16

HSL 198.46, 0.68%, 0.04%

LAB 2.89, -1.69, -2.72

 

CMYK 82 / 27 / 0 / 74

HEX #0C3143

RGB 12 49 67

HSL 199.64, 0.7%, 0.15%

LAB 18.71, -5.79, -15

 

CMYK 82 / 27 / 0 / 54

HEX #155676

RGB 21 86 118

HSL 199.79, 0.7%, 0.27%

LAB 34.24, -7.89, -23.84

 

CMYK 82 / 27 / 0 / 34

HEX #1F7BA9

RGB 31 123 169

HSL 200, 0.69%, 0.39%

LAB 48.66, -9.67, -31.87

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 38 / 82 / 0 / 14

HEX #8828DC

RGB 136 40 220

HSL 272, 0.72%, 0.51%

LAB 41.09, 69.22, -73.16

 

CMYK 0 / 5 / 82 / 14

HEX #DCD028

RGB 220 208 40

HSL 56, 0.72%, 0.51%

LAB 82.1, -12.71, 76.22

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 0 / 82 / 27 / 14

HEX #DC28A0

RGB 220 40 160

HSL 320, 0.72%, 0.51%

LAB 51, 75.02, -21.54

 

CMYK 27 / 0 / 82 / 14

HEX #A0DC28

RGB 160 220 40

HSL 80, 0.72%, 0.51%

LAB 81.19, -42.75, 73.78

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 38 / 82 / 0 / 14

HEX #8828DC

RGB 136 40 220

HSL 272, 0.72%, 0.51%

LAB 41.09, 69.22, -73.16

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 44 / 0 / 82 / 14

HEX #7CDC28

RGB 124 220 40

HSL 92, 0.72%, 0.51%

LAB 79.4, -55.27, 71.51

 

CMYK 82 / 27 / 0 / 14

HEX #28A0DC

RGB 40 160 220

HSL 200, 0.72%, 0.51%

LAB 62.3, -11.44, -39.44

 

CMYK 14 / 82 / 0 / 14

HEX #BE28DC

RGB 190 40 220

HSL 290, 0.72%, 0.51%

LAB 49.05, 77.71, -59.87

 

CMYK 0 / 55 / 82 / 14

HEX #DC6428

RGB 220 100 40

HSL 20, 0.72%, 0.51%

LAB 56.57, 43.72, 53.9

 

CMYK 68 / 0 / 82 / 14

HEX #46DC28

RGB 70 220 40

HSL 110, 0.72%, 0.51%

LAB 77.66, -69.05, 69.29

 

Description

Color code: RGB 40 160 220 | qconv.com Color code: RGB 40 160 220 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 160 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 160 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 27 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 27% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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