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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 29 55 it is the complementary color RGB 46 226 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 29 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 29 55: RGB 214 29 50, RGB 231 47 69, RGB 248 65 88, RGB 255 83 107 and RGB 255 101 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 29 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 29 55: RGB 209 29 55, RGB 192 11 36, RGB 175 0 17, RGB 158 0 0 and RGB 141 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

Complementary color

CMYK 80 / 0 / 12 / 11

HEX #2EE2C8

RGB 46 226 200

HSL 171.33, 0.76%, 0.53%

LAB 81.37, -48.96, 0.33

 

CMYK 0 / 86 / 77 / 16

HEX #D61D32

RGB 214 29 50

HSL 353.19, 0.76%, 0.48%

LAB 46.18, 67.59, 38.19

 

CMYK 0 / 80 / 70 / 9

HEX #E72F45

RGB 231 47 69

HSL 352.83, 0.79%, 0.55%

LAB 51.21, 68.83, 33.76

 

CMYK 0 / 74 / 65 / 3

HEX #F84158

RGB 248 65 88

HSL 352.46, 0.93%, 0.61%

LAB 56.53, 69.31, 29.92

 

CMYK 0 / 67 / 58 / 0

HEX #FF536B

RGB 255 83 107

HSL 351.63, 1%, 0.66%

LAB 60.34, 66.28, 24.07

 

CMYK 0 / 60 / 51 / 0

HEX #FF657E

RGB 255 101 126

HSL 350.26, 1%, 0.7%

LAB 63.4, 60.45, 17.26

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 0 / 94 / 81 / 25

HEX #C00B24

RGB 192 11 36

HSL 351.71, 0.89%, 0.4%

LAB 40.53, 64.15, 38.9

 

CMYK 0 / 100 / 90 / 31

HEX #AF0011

RGB 175 0 17

HSL 354.17, 1%, 0.34%

LAB 36.28, 60.61, 43.73

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 0 / 85 / 87 / 18

HEX #D21F1C

RGB 210 31 28

HSL 0.99, 0.76%, 0.47%

LAB 45.31, 65.54, 48.78

 

CMYK 0 / 70 / 87 / 18

HEX #D23E1C

RGB 210 62 28

HSL 11.21, 0.76%, 0.47%

LAB 48.55, 56.47, 51.42

 

CMYK 0 / 56 / 87 / 18

HEX #D25C1C

RGB 210 92 28

HSL 21.1, 0.76%, 0.47%

LAB 53.43, 43.49, 55.37

 

CMYK 0 / 42 / 87 / 18

HEX #D27A1C

RGB 210 122 28

HSL 30.99, 0.76%, 0.47%

LAB 59.62, 28.1, 60.39

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 0 / 80 / 80 / 98

HEX #050101

RGB 5 1 1

HSL 0, 0.67%, 0.01%

LAB 0.51, 1.05, 0.37

 

CMYK 0 / 86 / 73 / 78

HEX #38080F

RGB 56 8 15

HSL 351.25, 0.75%, 0.13%

LAB 9.39, 23.92, 8.19

 

CMYK 0 / 86 / 74 / 58

HEX #6B0F1C

RGB 107 15 28

HSL 351.52, 0.75%, 0.24%

LAB 22.13, 39.53, 18.39

 

CMYK 0 / 86 / 73 / 38

HEX #9E162A

RGB 158 22 42

HSL 351.18, 0.76%, 0.35%

LAB 34, 53.49, 26.1

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 4 / 0 / 87 / 18

HEX #C9D21C

RGB 201 210 28

HSL 62.97, 0.76%, 0.47%

LAB 81.07, -22.05, 77.39

 

CMYK 87 / 39 / 0 / 18

HEX #1C80D2

RGB 28 128 210

HSL 207.03, 0.76%, 0.47%

LAB 52.22, 2.51, -49.79

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 73 / 0 / 87 / 18

HEX #38D21C

RGB 56 210 28

HSL 110.77, 0.76%, 0.47%

LAB 74.2, -68.92, 68.84

 

CMYK 87 / 73 / 0 / 18

HEX #1C38D2

RGB 28 56 210

HSL 230.77, 0.76%, 0.47%

LAB 33.41, 48.07, -80.36

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 4 / 0 / 87 / 18

HEX #C9D21C

RGB 201 210 28

HSL 62.97, 0.76%, 0.47%

LAB 81.07, -22.05, 77.39

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 82 / 87 / 0 / 18

HEX #251CD2

RGB 37 28 210

HSL 242.97, 0.76%, 0.47%

LAB 29.1, 61.96, -87.5

 

CMYK 0 / 86 / 74 / 18

HEX #D11D37

RGB 209 29 55

HSL 351.33, 0.76%, 0.47%

LAB 45.23, 66.45, 33.92

 

CMYK 30 / 0 / 87 / 18

HEX #93D21C

RGB 147 210 28

HSL 80.77, 0.76%, 0.47%

LAB 77.51, -43.68, 72.99

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 56 / 87 / 0 / 18

HEX #5C1CD2

RGB 92 28 210

HSL 261.1, 0.76%, 0.47%

LAB 33.48, 65.45, -80.11

 

Description

Color code: RGB 209 29 55 | qconv.com Color code: RGB 209 29 55 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 29 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 29 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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