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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD2B7 it is the complementary color #E32D48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD2B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD2B7 shade: #21D2B2, #32E4C5, #43F6D8, #54FFEB and #65FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD2B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD2B7 shade: #1CD2B7, #0BC0A4, #00AE91, #009C7E and #008A6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD2B7 shade: #1CD2B7, #1CD286, #1CD255, #1CD224 and #46D21C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD2B7 shade: #1CD2B7, #1CBCD2, #1C8BD2, #1C5AD2 and #1C29D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD2B7 shade matches the following richer shades: #1CD2B7 and #09E6C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD2B7 shade: #1CD2B7, #30BFAA, #43AC9C, #56988E and #6A8581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD2B7 shade: #1CD256, #1CD287, #1CD2B7, #1CBDD2 and #1C8DD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD2B7 shade: #128A78, #17AE98, #1CD2B7, #35E3C9 and #59E8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD2B7 shade: #1CD2B7, #251CD2 and #D26E1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD2B7 shade: #1CD2B7, #B71CD2 and #D2B71C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD2B7 shade: #1CD2B7, #251CD2, #D21C38 and #C9D21C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD2B7 shade: #1CD2B7, #5C1CD2, #D21C38 and #93D21C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

Complementary color

CMYK 0 / 80 / 68 / 11

HEX #E32D48

RGB 227 45 72

HSL 351.1, 0.76%, 0.53%

LAB 50.31, 68.39, 30.71

 

CMYK 84 / 0 / 15 / 18

HEX #21D2B2

RGB 33 210 178

HSL 169.15, 0.73%, 0.48%

LAB 75.84, -49.09, 4.02

 

CMYK 78 / 0 / 14 / 11

HEX #32E4C5

RGB 50 228 197

HSL 169.55, 0.77%, 0.55%

LAB 81.94, -50.2, 2.76

 

CMYK 73 / 0 / 12 / 4

HEX #43F6D8

RGB 67 246 216

HSL 169.94, 0.91%, 0.61%

LAB 88, -51.03, 1.61

 

CMYK 67 / 0 / 8 / 0

HEX #54FFEB

RGB 84 255 235

HSL 172.98, 1%, 0.66%

LAB 91.42, -47.84, -3.23

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFE

RGB 101 255 254

HSL 179.61, 1%, 0.7%

LAB 92.33, -40.37, -11.68

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 94 / 0 / 15 / 25

HEX #0BC0A4

RGB 11 192 164

HSL 170.72, 0.89%, 0.4%

LAB 69.79, -46.51, 2.82

 

CMYK 100 / 0 / 17 / 32

HEX #00AE91

RGB 0 174 145

HSL 170, 1%, 0.34%

LAB 63.6, -44.5, 4.33

 

CMYK 100 / 0 / 19 / 39

HEX #009C7E

RGB 0 156 126

HSL 168.46, 1%, 0.31%

LAB 57.35, -42.09, 6

 

CMYK 100 / 0 / 22 / 46

HEX #008A6B

RGB 0 138 107

HSL 166.52, 1%, 0.27%

LAB 50.97, -39.62, 7.75

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 87 / 0 / 36 / 18

HEX #1CD286

RGB 28 210 134

HSL 154.95, 0.76%, 0.47%

LAB 74.86, -59.64, 25.99

 

CMYK 87 / 0 / 60 / 18

HEX #1CD255

RGB 28 210 85

HSL 138.79, 0.76%, 0.47%

LAB 74.19, -67.67, 49.21

 

CMYK 87 / 0 / 83 / 18

HEX #1CD224

RGB 28 210 36

HSL 122.64, 0.76%, 0.47%

LAB 73.85, -71.93, 66.57

 

CMYK 67 / 0 / 87 / 18

HEX #46D21C

RGB 70 210 28

HSL 106.15, 0.76%, 0.47%

LAB 74.5, -66.4, 69.22

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 87 / 10 / 0 / 18

HEX #1CBCD2

RGB 28 188 210

HSL 187.25, 0.76%, 0.47%

LAB 70.08, -30.25, -21.93

 

CMYK 87 / 34 / 0 / 18

HEX #1C8BD2

RGB 28 139 210

HSL 203.41, 0.76%, 0.47%

LAB 55.45, -4.04, -44.66

 

CMYK 87 / 57 / 0 / 18

HEX #1C5AD2

RGB 28 90 210

HSL 219.56, 0.76%, 0.47%

LAB 41.55, 26.67, -66.99

 

CMYK 87 / 80 / 0 / 18

HEX #1C29D2

RGB 28 41 210

HSL 235.71, 0.76%, 0.47%

LAB 30.61, 56.09, -85.01

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 96 / 0 / 14 / 10

HEX #09E6C5

RGB 9 230 197

HSL 171.04, 0.92%, 0.47%

LAB 82.21, -53.4, 3.1

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 75 / 0 / 11 / 25

HEX #30BFAA

RGB 48 191 170

HSL 171.19, 0.6%, 0.47%

LAB 70.03, -41.71, -0.07

 

CMYK 61 / 0 / 9 / 33

HEX #43AC9C

RGB 67 172 156

HSL 170.86, 0.44%, 0.47%

LAB 64.24, -33.98, -0.75

 

CMYK 43 / 0 / 7 / 40

HEX #56988E

RGB 86 152 142

HSL 170.91, 0.28%, 0.47%

LAB 58.4, -23.56, -1.33

 

CMYK 20 / 0 / 3 / 48

HEX #6A8581

RGB 106 133 129

HSL 171.11, 0.11%, 0.47%

LAB 53.41, -10.5, -1.04

 

CMYK 87 / 0 / 59 / 18

HEX #1CD256

RGB 28 210 86

HSL 139.12, 0.76%, 0.47%

LAB 74.2, -67.55, 48.78

 

CMYK 87 / 0 / 36 / 18

HEX #1CD287

RGB 28 210 135

HSL 155.27, 0.76%, 0.47%

LAB 74.88, -59.44, 25.5

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 87 / 10 / 0 / 18

HEX #1CBDD2

RGB 28 189 210

HSL 186.92, 0.76%, 0.47%

LAB 70.38, -30.74, -21.47

 

CMYK 87 / 33 / 0 / 18

HEX #1C8DD2

RGB 28 141 210

HSL 202.75, 0.76%, 0.47%

LAB 56.04, -5.21, -43.73

 

CMYK 87 / 0 / 13 / 46

HEX #128A78

RGB 18 138 120

HSL 171, 0.77%, 0.31%

LAB 51.45, -34.94, 0.94

 

CMYK 87 / 0 / 13 / 32

HEX #17AE98

RGB 23 174 152

HSL 171.26, 0.77%, 0.39%

LAB 63.93, -41.52, 0.94

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 77 / 0 / 11 / 11

HEX #35E3C9

RGB 53 227 201

HSL 171.03, 0.76%, 0.55%

LAB 81.79, -48.45, 0.43

 

CMYK 62 / 0 / 9 / 9

HEX #59E8D3

RGB 89 232 211

HSL 171.19, 0.76%, 0.63%

LAB 84.25, -43.17, -1.18

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 82 / 87 / 0 / 18

HEX #251CD2

RGB 37 28 210

HSL 242.97, 0.76%, 0.47%

LAB 29.1, 61.96, -87.5

 

CMYK 0 / 48 / 87 / 18

HEX #D26E1C

RGB 210 110 28

HSL 27.03, 0.76%, 0.47%

LAB 57.01, 34.43, 58.28

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 13 / 87 / 0 / 18

HEX #B71CD2

RGB 183 28 210

HSL 291.1, 0.76%, 0.47%

LAB 46.38, 77.42, -58.5

 

CMYK 0 / 13 / 87 / 18

HEX #D2B71C

RGB 210 183 28

HSL 51.1, 0.76%, 0.47%

LAB 74.61, -4.57, 72.48

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 82 / 87 / 0 / 18

HEX #251CD2

RGB 37 28 210

HSL 242.97, 0.76%, 0.47%

LAB 29.1, 61.96, -87.5

 

CMYK 0 / 87 / 73 / 18

HEX #D21C38

RGB 210 28 56

HSL 350.77, 0.76%, 0.47%

LAB 45.38, 66.95, 33.55

 

CMYK 4 / 0 / 87 / 18

HEX #C9D21C

RGB 201 210 28

HSL 62.97, 0.76%, 0.47%

LAB 81.07, -22.05, 77.39

 

CMYK 87 / 0 / 13 / 18

HEX #1CD2B7

RGB 28 210 183

HSL 171.1, 0.76%, 0.47%

LAB 75.92, -48.11, 1.44

 

CMYK 56 / 87 / 0 / 18

HEX #5C1CD2

RGB 92 28 210

HSL 261.1, 0.76%, 0.47%

LAB 33.48, 65.45, -80.11

 

CMYK 0 / 87 / 73 / 18

HEX #D21C38

RGB 210 28 56

HSL 350.77, 0.76%, 0.47%

LAB 45.38, 66.95, 33.55

 

CMYK 30 / 0 / 87 / 18

HEX #93D21C

RGB 147 210 28

HSL 80.77, 0.76%, 0.47%

LAB 77.51, -43.68, 72.99

 

Description

Color code: HEX #1CD2B7 | qconv.com Color code: HEX #1CD2B7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 210 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 210 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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