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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 117 195 it is the complementary color RGB 47 138 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 117 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 208 117 195: RGB 213 117 190, RGB 230 135 209, RGB 247 153 228, RGB 255 171 247 and RGB 255 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 117 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 208 117 195: RGB 208 117 195, RGB 191 99 176, RGB 174 81 157, RGB 157 63 138 and RGB 140 45 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

Complementary color

CMYK 66 / 0 / 57 / 46

HEX #2F8A3C

RGB 47 138 60

HSL 128.57, 0.49%, 0.36%

LAB 50.81, -43.76, 33.65

 

CMYK 0 / 45 / 11 / 16

HEX #D575BE

RGB 213 117 190

HSL 314.38, 0.53%, 0.65%

LAB 62.16, 47.24, -21.92

 

CMYK 0 / 41 / 9 / 10

HEX #E687D1

RGB 230 135 209

HSL 313.26, 0.66%, 0.72%

LAB 68.57, 46.5, -22.6

 

CMYK 0 / 38 / 8 / 3

HEX #F799E4

RGB 247 153 228

HSL 312.13, 0.85%, 0.78%

LAB 74.92, 45.76, -23.2

 

CMYK 0 / 33 / 3 / 0

HEX #FFABF7

RGB 255 171 247

HSL 305.71, 1%, 0.84%

LAB 80.24, 42.23, -25.31

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 48 / 8 / 25

HEX #BF63B0

RGB 191 99 176

HSL 309.78, 0.42%, 0.57%

LAB 55.21, 47.24, -24.82

 

CMYK 0 / 53 / 10 / 32

HEX #AE519D

RGB 174 81 157

HSL 310.97, 0.36%, 0.5%

LAB 48.66, 47.88, -24

 

CMYK 0 / 60 / 12 / 38

HEX #9D3F8A

RGB 157 63 138

HSL 312.13, 0.43%, 0.43%

LAB 42.09, 48.34, -22.96

 

CMYK 0 / 68 / 15 / 45

HEX #8C2D77

RGB 140 45 119

HSL 313.26, 0.51%, 0.36%

LAB 35.57, 48.44, -21.57

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 43 / 13 / 18

HEX #D076B5

RGB 208 118 181

HSL 318, 0.49%, 0.64%

LAB 61.4, 43.66, -18.03

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 43 / 27 / 18

HEX #D07697

RGB 208 118 151

HSL 338, 0.49%, 0.64%

LAB 60.43, 39.16, -2.29

 

CMYK 0 / 43 / 35 / 18

HEX #D07688

RGB 208 118 136

HSL 348, 0.49%, 0.64%

LAB 60.02, 37.2, 5.76

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 50 / 0 / 98

HEX #040204

RGB 4 2 4

HSL 300, 0.33%, 0.01%

LAB 0.7, 0.8, -0.57

 

CMYK 0 / 44 / 5 / 78

HEX #371F34

RGB 55 31 52

HSL 307.5, 0.28%, 0.17%

LAB 15.7, 15.66, -8.95

 

CMYK 0 / 43 / 7 / 58

HEX #6A3C63

RGB 106 60 99

HSL 309.13, 0.28%, 0.33%

LAB 32.25, 26.58, -14.47

 

CMYK 0 / 44 / 6 / 38

HEX #9D5893

RGB 157 88 147

HSL 308.7, 0.28%, 0.48%

LAB 47.31, 37.17, -20.33

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 29 / 43 / 18

HEX #D09476

RGB 208 148 118

HSL 20, 0.49%, 0.64%

LAB 66.44, 18.94, 24.84

 

CMYK 43 / 0 / 12 / 18

HEX #76D0B8

RGB 118 208 184

HSL 164, 0.49%, 0.64%

LAB 77.53, -32.64, 3.52

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 6 / 0 / 43 / 18

HEX #C4D076

RGB 196 208 118

HSL 68, 0.49%, 0.64%

LAB 80.83, -17.55, 43.17

 

CMYK 43 / 6 / 0 / 18

HEX #76C4D0

RGB 118 196 208

HSL 188, 0.49%, 0.64%

LAB 74.75, -20.92, -13.54

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 29 / 43 / 18

HEX #D09476

RGB 208 148 118

HSL 20, 0.49%, 0.64%

LAB 66.44, 18.94, 24.84

 

CMYK 43 / 0 / 38 / 18

HEX #76D082

RGB 118 208 130

HSL 128, 0.49%, 0.64%

LAB 76.42, -43.23, 30.54

 

CMYK 43 / 14 / 0 / 18

HEX #76B2D0

RGB 118 178 208

HSL 200, 0.49%, 0.64%

LAB 69.64, -11.54, -21.26

 

CMYK 0 / 44 / 6 / 18

HEX #D075C3

RGB 208 117 195

HSL 308.57, 0.49%, 0.64%

LAB 61.72, 46.53, -25.49

 

CMYK 0 / 16 / 43 / 18

HEX #D0AF76

RGB 208 175 118

HSL 38, 0.49%, 0.64%

LAB 73.14, 4.35, 33.64

 

CMYK 43 / 0 / 38 / 18

HEX #76D082

RGB 118 208 130

HSL 128, 0.49%, 0.64%

LAB 76.42, -43.23, 30.54

 

CMYK 43 / 27 / 0 / 18

HEX #7697D0

RGB 118 151 208

HSL 218, 0.49%, 0.64%

LAB 62.12, 3.43, -32.84

 

Description

Color code: RGB 208 117 195 | qconv.com Color code: RGB 208 117 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 117 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 117 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 6 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 6% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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