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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 118 166 it is the complementary color RGB 47 137 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 118 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 208 118 166: RGB 213 118 161, RGB 230 136 180, RGB 247 154 199, RGB 255 172 218 and RGB 255 190 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 118 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 208 118 166: RGB 208 118 166, RGB 191 100 147, RGB 174 82 128, RGB 157 64 109 and RGB 140 46 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

Complementary color

CMYK 66 / 0 / 35 / 46

HEX #2F8959

RGB 47 137 89

HSL 148, 0.49%, 0.36%

LAB 50.94, -38.25, 18.13

 

CMYK 0 / 45 / 24 / 16

HEX #D576A1

RGB 213 118 161

HSL 332.84, 0.53%, 0.65%

LAB 61.37, 42.28, -6.56

 

CMYK 0 / 41 / 22 / 10

HEX #E688B4

RGB 230 136 180

HSL 331.91, 0.65%, 0.72%

LAB 67.82, 41.47, -7.53

 

CMYK 0 / 38 / 19 / 3

HEX #F79AC7

RGB 247 154 199

HSL 330.97, 0.85%, 0.79%

LAB 74.2, 40.67, -8.4

 

CMYK 0 / 33 / 15 / 0

HEX #FFACDA

RGB 255 172 218

HSL 326.75, 1%, 0.84%

LAB 79.52, 36.9, -10.75

 

CMYK 0 / 25 / 7 / 0

HEX #FFBEED

RGB 255 190 237

HSL 316.62, 1%, 0.87%

LAB 84.07, 30.58, -14.16

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 48 / 23 / 25

HEX #BF6493

RGB 191 100 147

HSL 329.01, 0.42%, 0.57%

LAB 54.34, 42.12, -9.24

 

CMYK 0 / 53 / 26 / 32

HEX #AE5280

RGB 174 82 128

HSL 330, 0.36%, 0.5%

LAB 47.74, 42.89, -8.06

 

CMYK 0 / 59 / 31 / 38

HEX #9D406D

RGB 157 64 109

HSL 330.97, 0.42%, 0.43%

LAB 41.12, 43.55, -6.61

 

CMYK 0 / 67 / 36 / 45

HEX #8C2E5A

RGB 140 46 90

HSL 331.91, 0.51%, 0.36%

LAB 34.53, 43.94, -4.73

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 43 / 27 / 18

HEX #D07697

RGB 208 118 151

HSL 338, 0.49%, 0.64%

LAB 60.43, 39.16, -2.29

 

CMYK 0 / 43 / 35 / 18

HEX #D07688

RGB 208 118 136

HSL 348, 0.49%, 0.64%

LAB 60.02, 37.2, 5.76

 

CMYK 0 / 43 / 42 / 18

HEX #D07679

RGB 208 118 121

HSL 358, 0.49%, 0.64%

LAB 59.66, 35.45, 13.89

 

CMYK 0 / 38 / 43 / 18

HEX #D08276

RGB 208 130 118

HSL 8, 0.49%, 0.64%

LAB 62.24, 28.71, 19.16

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 50 / 25 / 98

HEX #040203

RGB 4 2 3

HSL 330, 0.33%, 0.01%

LAB 0.68, 0.66, -0.19

 

CMYK 0 / 44 / 20 / 78

HEX #371F2C

RGB 55 31 44

HSL 327.5, 0.28%, 0.17%

LAB 15.35, 13.96, -3.77

 

CMYK 0 / 43 / 20 / 58

HEX #6A3C55

RGB 106 60 85

HSL 327.39, 0.28%, 0.33%

LAB 31.7, 23.98, -6.32

 

CMYK 0 / 43 / 20 / 38

HEX #9D597D

RGB 157 89 125

HSL 328.24, 0.28%, 0.48%

LAB 46.7, 32.86, -8.06

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 14 / 43 / 18

HEX #D0B276

RGB 208 178 118

HSL 40, 0.49%, 0.64%

LAB 73.91, 2.75, 34.63

 

CMYK 43 / 3 / 0 / 18

HEX #76CAD0

RGB 118 202 208

HSL 184, 0.49%, 0.64%

LAB 76.46, -23.93, -10.98

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 20 / 0 / 43 / 18

HEX #A6D076

RGB 166 208 118

HSL 88, 0.49%, 0.64%

LAB 78.77, -29, 40.16

 

CMYK 43 / 20 / 0 / 18

HEX #76A6D0

RGB 118 166 208

HSL 208, 0.49%, 0.64%

LAB 66.27, -5.01, -26.42

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 14 / 43 / 18

HEX #D0B276

RGB 208 178 118

HSL 40, 0.49%, 0.64%

LAB 73.91, 2.75, 34.63

 

CMYK 43 / 0 / 23 / 18

HEX #76D0A0

RGB 118 208 160

HSL 148, 0.49%, 0.64%

LAB 76.98, -37.78, 15.56

 

CMYK 43 / 29 / 0 / 18

HEX #7694D0

RGB 118 148 208

HSL 220, 0.49%, 0.64%

LAB 61.29, 5.16, -34.12

 

CMYK 0 / 43 / 20 / 18

HEX #D076A6

RGB 208 118 166

HSL 328, 0.49%, 0.64%

LAB 60.89, 41.32, -10.22

 

CMYK 0 / 1 / 43 / 18

HEX #D0CD76

RGB 208 205 118

HSL 58, 0.49%, 0.64%

LAB 80.95, -11.29, 43.53

 

CMYK 43 / 0 / 23 / 18

HEX #76D0A0

RGB 118 208 160

HSL 148, 0.49%, 0.64%

LAB 76.98, -37.78, 15.56

 

CMYK 43 / 42 / 0 / 18

HEX #7679D0

RGB 118 121 208

HSL 238, 0.49%, 0.64%

LAB 54.11, 21.09, -45.4

 

Description

Color code: RGB 208 118 166 | qconv.com Color code: RGB 208 118 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 118 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 118 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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