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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 94 140 it is the complementary color RGB 50 161 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 94 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 205 94 140: RGB 210 94 135, RGB 227 112 154, RGB 244 130 173, RGB 255 148 192 and RGB 255 166 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 94 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 205 94 140: RGB 205 94 140, RGB 188 76 121, RGB 171 58 102, RGB 154 40 83 and RGB 137 22 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

Complementary color

CMYK 69 / 0 / 29 / 37

HEX #32A173

RGB 50 161 115

HSL 155.14, 0.53%, 0.41%

LAB 59.35, -42.21, 15.09

 

CMYK 0 / 55 / 36 / 18

HEX #D25E87

RGB 210 94 135

HSL 338.79, 0.56%, 0.6%

LAB 55.54, 49.87, -0.11

 

CMYK 0 / 51 / 32 / 11

HEX #E3709A

RGB 227 112 154

HSL 338.09, 0.67%, 0.66%

LAB 61.87, 49.09, -1.6

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 42 / 25 / 0

HEX #FF94C0

RGB 255 148 192

HSL 335.33, 1%, 0.79%

LAB 73.7, 45.44, -5.16

 

CMYK 0 / 35 / 17 / 0

HEX #FFA6D3

RGB 255 166 211

HSL 329.66, 1%, 0.83%

LAB 78.01, 38.94, -9.19

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 0 / 60 / 36 / 26

HEX #BC4C79

RGB 188 76 121

HSL 335.89, 0.46%, 0.52%

LAB 48.56, 49.48, -2.39

 

CMYK 0 / 66 / 40 / 33

HEX #AB3A66

RGB 171 58 102

HSL 336.64, 0.49%, 0.45%

LAB 42.22, 49.9, -0.37

 

CMYK 0 / 74 / 46 / 40

HEX #9A2853

RGB 154 40 83

HSL 337.37, 0.59%, 0.38%

LAB 36.01, 49.86, 2.23

 

CMYK 0 / 84 / 53 / 46

HEX #891640

RGB 137 22 64

HSL 338.09, 0.72%, 0.31%

LAB 30.06, 48.95, 5.71

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 0 / 54 / 40 / 20

HEX #CD5F7A

RGB 205 95 122

HSL 345.27, 0.52%, 0.59%

LAB 54.63, 46.23, 6.14

 

CMYK 0 / 54 / 49 / 20

HEX #CD5F68

RGB 205 95 104

HSL 355.09, 0.52%, 0.59%

LAB 54.2, 44.41, 16.16

 

CMYK 0 / 49 / 54 / 20

HEX #CD685F

RGB 205 104 95

HSL 4.91, 0.52%, 0.59%

LAB 55.79, 39.08, 23.55

 

CMYK 0 / 40 / 54 / 20

HEX #CD7A5F

RGB 205 122 95

HSL 14.73, 0.52%, 0.59%

LAB 59.64, 29.61, 28.57

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 0 / 54 / 31 / 80

HEX #341824

RGB 52 24 36

HSL 334.29, 0.37%, 0.15%

LAB 12.68, 15.83, -1.99

 

CMYK 0 / 54 / 32 / 60

HEX #672F46

RGB 103 47 70

HSL 335.36, 0.37%, 0.29%

LAB 27.73, 27.99, -2.45

 

CMYK 0 / 54 / 32 / 40

HEX #9A4769

RGB 154 71 105

HSL 335.42, 0.37%, 0.44%

LAB 41.84, 38.51, -3.11

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 0 / 12 / 54 / 20

HEX #CDB55F

RGB 205 181 95

HSL 46.91, 0.52%, 0.59%

LAB 74.1, -2.24, 46.47

 

CMYK 54 / 10 / 0 / 20

HEX #5FB9CD

RGB 95 185 205

HSL 190.91, 0.52%, 0.59%

LAB 70.55, -21.33, -18.33

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 31 / 0 / 54 / 20

HEX #8DCD5F

RGB 141 205 95

HSL 94.91, 0.52%, 0.59%

LAB 76.16, -39.27, 47.79

 

CMYK 54 / 31 / 0 / 20

HEX #5F8DCD

RGB 95 141 205

HSL 214.91, 0.52%, 0.59%

LAB 57.93, 2.81, -37.78

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 0 / 12 / 54 / 20

HEX #CDB55F

RGB 205 181 95

HSL 46.91, 0.52%, 0.59%

LAB 74.1, -2.24, 46.47

 

CMYK 54 / 0 / 22 / 20

HEX #5FCD9F

RGB 95 205 159

HSL 154.91, 0.52%, 0.59%

LAB 75.2, -42.37, 13.47

 

CMYK 54 / 42 / 0 / 20

HEX #5F77CD

RGB 95 119 205

HSL 226.91, 0.52%, 0.59%

LAB 51.88, 15.98, -47.35

 

CMYK 0 / 54 / 32 / 20

HEX #CD5E8C

RGB 205 94 140

HSL 335.14, 0.53%, 0.59%

LAB 54.95, 48.83, -4.01

 

CMYK 4 / 0 / 54 / 20

HEX #C4CD5F

RGB 196 205 95

HSL 64.91, 0.52%, 0.59%

LAB 79.74, -18.24, 52.88

 

CMYK 54 / 0 / 22 / 20

HEX #5FCD9F

RGB 95 205 159

HSL 154.91, 0.52%, 0.59%

LAB 75.2, -42.37, 13.47

 

CMYK 49 / 54 / 0 / 20

HEX #685FCD

RGB 104 95 205

HSL 244.91, 0.52%, 0.59%

LAB 46.36, 32.62, -56.14

 

Description

Color code: RGB 205 94 140 | qconv.com Color code: RGB 205 94 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 94 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 94 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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