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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F482AD it is the complementary color #0B7D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F482AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F482AD: #F982A8, #FF94BB, #FFA6CE, #FFB8E1 and #FFCAF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F482AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F482AD: #F482AD, #E3709A, #D25E87, #C14C74 and #B03A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

Complementary color

CMYK 91 / 0 / 34 / 51

HEX #0B7D52

RGB 11 125 82

HSL 157.37, 0.84%, 0.27%

LAB 46.11, -39.85, 15.45

 

CMYK 0 / 48 / 33 / 2

HEX #F982A8

RGB 249 130 168

HSL 340.84, 0.91%, 0.74%

LAB 68.7, 49.32, 0.79

 

CMYK 0 / 42 / 27 / 0

HEX #FF94BB

RGB 255 148 187

HSL 338.13, 1%, 0.79%

LAB 73.56, 44.77, -2.6

 

CMYK 0 / 35 / 19 / 0

HEX #FFA6CE

RGB 255 166 206

HSL 333.03, 1%, 0.83%

LAB 77.87, 38.2, -6.68

 

CMYK 0 / 28 / 12 / 0

HEX #FFB8E1

RGB 255 184 225

HSL 325.35, 1%, 0.86%

LAB 82.37, 31.74, -10.28

 

CMYK 0 / 21 / 4 / 0

HEX #FFCAF4

RGB 255 202 244

HSL 312.45, 1%, 0.9%

LAB 87.01, 25.47, -13.47

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 51 / 32 / 11

HEX #E3709A

RGB 227 112 154

HSL 338.09, 0.67%, 0.66%

LAB 61.87, 49.09, -1.6

 

CMYK 0 / 55 / 36 / 18

HEX #D25E87

RGB 210 94 135

HSL 338.79, 0.56%, 0.6%

LAB 55.54, 49.87, -0.11

 

CMYK 0 / 61 / 40 / 24

HEX #C14C74

RGB 193 76 116

HSL 339.49, 0.49%, 0.53%

LAB 49.21, 50.53, 1.68

 

CMYK 0 / 67 / 45 / 31

HEX #B03A61

RGB 176 58 97

HSL 340.17, 0.5%, 0.46%

LAB 42.94, 50.94, 3.89

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 47 / 37 / 5

HEX #F38099

RGB 243 128 153

HSL 346.96, 0.83%, 0.73%

LAB 67.12, 46.5, 6.86

 

CMYK 0 / 47 / 45 / 5

HEX #F38086

RGB 243 128 134

HSL 356.87, 0.83%, 0.73%

LAB 66.68, 44.48, 16.96

 

CMYK 0 / 42 / 47 / 5

HEX #F38D80

RGB 243 141 128

HSL 6.78, 0.83%, 0.73%

LAB 69.23, 37.29, 23.79

 

CMYK 0 / 34 / 47 / 5

HEX #F3A180

RGB 243 161 128

HSL 17.22, 0.83%, 0.73%

LAB 73.61, 26.84, 29.64

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 48 / 30 / 84

HEX #28151C

RGB 40 21 28

HSL 337.89, 0.31%, 0.12%

LAB 9.57, 10.95, -0.84

 

CMYK 0 / 47 / 29 / 64

HEX #5B3041

RGB 91 48 65

HSL 336.28, 0.31%, 0.27%

LAB 25.92, 21.93, -2.01

 

CMYK 0 / 46 / 29 / 44

HEX #8E4C65

RGB 142 76 101

HSL 337.27, 0.3%, 0.43%

LAB 40.99, 30.93, -2.09

 

CMYK 0 / 47 / 29 / 24

HEX #C16789

RGB 193 103 137

HSL 337.33, 0.42%, 0.58%

LAB 54.91, 39.84, -2.49

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 9 / 47 / 5

HEX #F3DE80

RGB 243 222 128

HSL 49.04, 0.83%, 0.73%

LAB 88.38, -4.97, 48.46

 

CMYK 47 / 10 / 0 / 5

HEX #80DAF3

RGB 128 218 243

HSL 193.04, 0.83%, 0.73%

LAB 82.49, -20.48, -20.61

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 29 / 0 / 47 / 5

HEX #ACF380

RGB 172 243 128

HSL 97.04, 0.83%, 0.73%

LAB 89.13, -41.69, 48.28

 

CMYK 47 / 29 / 0 / 5

HEX #80ACF3

RGB 128 172 243

HSL 217.04, 0.83%, 0.73%

LAB 69.87, 4.04, -40.01

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 0 / 9 / 47 / 5

HEX #F3DE80

RGB 243 222 128

HSL 49.04, 0.83%, 0.73%

LAB 88.38, -4.97, 48.46

 

CMYK 47 / 0 / 18 / 5

HEX #80F3C7

RGB 128 243 199

HSL 157.04, 0.83%, 0.73%

LAB 88.36, -42.83, 11.19

 

CMYK 47 / 39 / 0 / 5

HEX #8095F3

RGB 128 149 243

HSL 229.04, 0.83%, 0.73%

LAB 63.8, 17.22, -49.55

 

CMYK 0 / 47 / 29 / 4

HEX #F482AD

RGB 244 130 173

HSL 337.37, 0.84%, 0.73%

LAB 68.18, 48.27, -2.87

 

CMYK 5 / 0 / 47 / 5

HEX #E6F380

RGB 230 243 128

HSL 66.78, 0.83%, 0.73%

LAB 92.79, -20.45, 53.59

 

CMYK 47 / 0 / 18 / 5

HEX #80F3C7

RGB 128 243 199

HSL 157.04, 0.83%, 0.73%

LAB 88.36, -42.83, 11.19

 

CMYK 42 / 47 / 0 / 5

HEX #8D80F3

RGB 141 128 243

HSL 246.78, 0.83%, 0.73%

LAB 59.5, 32.54, -56.32

 

Description

Color code: HEX #F482AD | qconv.com Color code: HEX #F482AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 130 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 130 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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