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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 178 83 it is the complementary color RGB 51 77 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 178 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 178 83: RGB 209 178 78, RGB 226 196 97, RGB 243 214 116, RGB 255 232 135 and RGB 255 250 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 178 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 178 83: RGB 204 178 83, RGB 187 160 64, RGB 170 142 45, RGB 153 124 26 and RGB 136 106 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

Complementary color

CMYK 70 / 55 / 0 / 33

HEX #334DAC

RGB 51 77 172

HSL 227.11, 0.54%, 0.44%

LAB 35.97, 23.06, -53.84

 

CMYK 0 / 15 / 63 / 18

HEX #D1B24E

RGB 209 178 78

HSL 45.8, 0.59%, 0.56%

LAB 73.51, -0.24, 53.92

 

CMYK 0 / 13 / 57 / 11

HEX #E2C461

RGB 226 196 97

HSL 46.05, 0.69%, 0.63%

LAB 79.9, -1.16, 52.79

 

CMYK 0 / 12 / 52 / 5

HEX #F3D674

RGB 243 214 116

HSL 46.3, 0.84%, 0.7%

LAB 86.21, -1.95, 51.6

 

CMYK 0 / 9 / 47 / 0

HEX #FFE887

RGB 255 232 135

HSL 48.5, 1%, 0.76%

LAB 92.01, -4.61, 49.77

 

CMYK 0 / 2 / 40 / 0

HEX #FFFA9A

RGB 255 250 154

HSL 57.03, 1%, 0.8%

LAB 96.81, -11.68, 46.58

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 0 / 16 / 74 / 33

HEX #AA8E2D

RGB 170 142 45

HSL 46.56, 0.58%, 0.42%

LAB 59.96, 0.14, 52.83

 

CMYK 0 / 19 / 83 / 40

HEX #997C1A

RGB 153 124 26

HSL 46.3, 0.71%, 0.35%

LAB 53.24, 1.58, 52.89

 

CMYK 0 / 22 / 95 / 47

HEX #886A07

RGB 136 106 7

HSL 46.05, 0.9%, 0.28%

LAB 46.39, 3.34, 51.53

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 0 / 3 / 60 / 20

HEX #CBC552

RGB 203 197 82

HSL 57.02, 0.54%, 0.56%

LAB 78.02, -12.34, 56.94

 

CMYK 7 / 0 / 60 / 20

HEX #BDCB52

RGB 189 203 82

HSL 66.94, 0.54%, 0.56%

LAB 78.54, -21.12, 57.2

 

CMYK 17 / 0 / 60 / 20

HEX #A9CB52

RGB 169 203 82

HSL 76.86, 0.54%, 0.56%

LAB 77.13, -29.13, 55.25

 

CMYK 27 / 0 / 60 / 20

HEX #94CB52

RGB 148 203 82

HSL 87.27, 0.54%, 0.56%

LAB 75.83, -37.14, 53.44

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 12 / 59 / 80

HEX #332D15

RGB 51 45 21

HSL 48, 0.42%, 0.14%

LAB 18.52, -1.3, 16.42

 

CMYK 0 / 13 / 59 / 60

HEX #66592A

RGB 102 89 42

HSL 47, 0.42%, 0.28%

LAB 38.09, -1.34, 28.78

 

CMYK 0 / 12 / 59 / 40

HEX #99863E

RGB 153 134 62

HSL 47.47, 0.42%, 0.42%

LAB 56.26, -2.01, 40.69

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 59 / 0 / 60 / 20

HEX #54CB52

RGB 84 203 82

HSL 119.01, 0.54%, 0.56%

LAB 73.03, -56.95, 49.5

 

CMYK 37 / 60 / 0 / 20

HEX #8052CB

RGB 128 82 203

HSL 262.81, 0.54%, 0.56%

LAB 45.55, 44.93, -56.19

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 60 / 0 / 13 / 20

HEX #52CBB1

RGB 82 203 177

HSL 167.11, 0.54%, 0.56%

LAB 74.62, -40.01, 2.91

 

CMYK 13 / 60 / 0 / 20

HEX #B152CB

RGB 177 82 203

HSL 287.11, 0.54%, 0.56%

LAB 51.49, 56.67, -46.34

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 59 / 0 / 60 / 20

HEX #54CB52

RGB 84 203 82

HSL 119.01, 0.54%, 0.56%

LAB 73.03, -56.95, 49.5

 

CMYK 60 / 47 / 0 / 20

HEX #526CCB

RGB 82 108 203

HSL 227.11, 0.54%, 0.56%

LAB 48.05, 19.45, -52.36

 

CMYK 1 / 60 / 0 / 20

HEX #C952CB

RGB 201 82 203

HSL 299.01, 0.54%, 0.56%

LAB 54.83, 62.67, -40.84

 

CMYK 0 / 13 / 59 / 20

HEX #CCB253

RGB 204 178 83

HSL 47.11, 0.54%, 0.56%

LAB 73.09, -2.02, 51.02

 

CMYK 60 / 0 / 43 / 20

HEX #52CB74

RGB 82 203 116

HSL 136.86, 0.54%, 0.56%

LAB 73.39, -52.67, 33.51

 

CMYK 60 / 47 / 0 / 20

HEX #526CCB

RGB 82 108 203

HSL 227.11, 0.54%, 0.56%

LAB 48.05, 19.45, -52.36

 

CMYK 0 / 60 / 17 / 20

HEX #CB52A9

RGB 203 82 169

HSL 316.86, 0.54%, 0.56%

LAB 53.6, 57.74, -23.09

 

Description

Color code: RGB 204 178 83 | qconv.com Color code: RGB 204 178 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 178 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 178 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 59 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 59% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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