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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 160 64 it is the complementary color RGB 68 95 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 160 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 160 64: RGB 192 160 59, RGB 209 178 78, RGB 226 196 97, RGB 243 214 116 and RGB 255 232 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 160 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 160 64: RGB 187 160 64, RGB 170 142 45, RGB 153 124 26, RGB 136 106 7 and RGB 119 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

Complementary color

CMYK 64 / 50 / 0 / 25

HEX #445FBF

RGB 68 95 191

HSL 226.83, 0.49%, 0.51%

LAB 43.03, 20.96, -53.55

 

CMYK 0 / 17 / 69 / 25

HEX #C0A03B

RGB 192 160 59

HSL 45.56, 0.53%, 0.49%

LAB 67.02, 0.86, 54.86

 

CMYK 0 / 15 / 63 / 18

HEX #D1B24E

RGB 209 178 78

HSL 45.8, 0.59%, 0.56%

LAB 73.51, -0.24, 53.92

 

CMYK 0 / 13 / 57 / 11

HEX #E2C461

RGB 226 196 97

HSL 46.05, 0.69%, 0.63%

LAB 79.9, -1.16, 52.79

 

CMYK 0 / 12 / 52 / 5

HEX #F3D674

RGB 243 214 116

HSL 46.3, 0.84%, 0.7%

LAB 86.21, -1.95, 51.6

 

CMYK 0 / 9 / 47 / 0

HEX #FFE887

RGB 255 232 135

HSL 48.5, 1%, 0.76%

LAB 92.01, -4.61, 49.77

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 0 / 16 / 74 / 33

HEX #AA8E2D

RGB 170 142 45

HSL 46.56, 0.58%, 0.42%

LAB 59.96, 0.14, 52.83

 

CMYK 0 / 19 / 83 / 40

HEX #997C1A

RGB 153 124 26

HSL 46.3, 0.71%, 0.35%

LAB 53.24, 1.58, 52.89

 

CMYK 0 / 22 / 95 / 47

HEX #886A07

RGB 136 106 7

HSL 46.05, 0.9%, 0.28%

LAB 46.39, 3.34, 51.53

 

CMYK 0 / 26 / 100 / 53

HEX #775800

RGB 119 88 0

HSL 44.37, 1%, 0.23%

LAB 39.41, 5.53, 47.39

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 0 / 4 / 66 / 27

HEX #BAB23F

RGB 186 178 63

HSL 56.1, 0.49%, 0.49%

LAB 71.31, -11.03, 57.44

 

CMYK 7 / 0 / 66 / 27

HEX #ADBA3F

RGB 173 186 63

HSL 66.34, 0.49%, 0.49%

LAB 72.47, -20.61, 58.31

 

CMYK 18 / 0 / 66 / 27

HEX #99BA3F

RGB 153 186 63

HSL 76.1, 0.49%, 0.49%

LAB 71.04, -28.83, 56.38

 

CMYK 28 / 0 / 66 / 27

HEX #85BA3F

RGB 133 186 63

HSL 85.85, 0.49%, 0.49%

LAB 69.8, -36.62, 54.69

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 0 / 14 / 66 / 7

HEX #EECC51

RGB 238 204 81

HSL 47.01, 0.82%, 0.63%

LAB 82.89, -1.33, 63.51

 

CMYK 0 / 15 / 65 / 87

HEX #221D0C

RGB 34 29 12

HSL 46.36, 0.48%, 0.09%

LAB 10.89, -0.6, 11.24

 

CMYK 0 / 14 / 66 / 67

HEX #55491D

RGB 85 73 29

HSL 47.14, 0.49%, 0.22%

LAB 31.31, -1.04, 27.62

 

CMYK 0 / 15 / 65 / 47

HEX #88742F

RGB 136 116 47

HSL 46.52, 0.49%, 0.36%

LAB 49.41, -0.72, 39.94

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 64 / 0 / 66 / 27

HEX #43BA3F

RGB 67 186 63

HSL 118.05, 0.49%, 0.49%

LAB 67.03, -56.71, 50.9

 

CMYK 42 / 66 / 0 / 27

HEX #6C3FBA

RGB 108 63 186

HSL 261.95, 0.49%, 0.49%

LAB 38.36, 46.45, -58.03

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 66 / 0 / 16 / 27

HEX #3FBA9D

RGB 63 186 157

HSL 165.85, 0.49%, 0.49%

LAB 68.47, -40.78, 4.83

 

CMYK 16 / 66 / 0 / 27

HEX #9D3FBA

RGB 157 63 186

HSL 285.85, 0.49%, 0.49%

LAB 44.62, 57.13, -47.62

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 64 / 0 / 66 / 27

HEX #43BA3F

RGB 67 186 63

HSL 118.05, 0.49%, 0.49%

LAB 67.03, -56.71, 50.9

 

CMYK 66 / 51 / 0 / 27

HEX #3F5CBA

RGB 63 92 186

HSL 225.85, 0.49%, 0.49%

LAB 41.62, 20.27, -52.91

 

CMYK 2 / 66 / 0 / 27

HEX #B63FBA

RGB 182 63 186

HSL 298.05, 0.49%, 0.49%

LAB 48.32, 62.95, -41.5

 

CMYK 0 / 14 / 66 / 27

HEX #BBA040

RGB 187 160 64

HSL 46.83, 0.49%, 0.49%

LAB 66.58, -1.04, 52.07

 

CMYK 66 / 0 / 48 / 27

HEX #3FBA60

RGB 63 186 96

HSL 136.1, 0.49%, 0.49%

LAB 67.29, -53.33, 35.77

 

CMYK 66 / 51 / 0 / 27

HEX #3F5CBA

RGB 63 92 186

HSL 225.85, 0.49%, 0.49%

LAB 41.62, 20.27, -52.91

 

CMYK 0 / 66 / 18 / 27

HEX #BA3F99

RGB 186 63 153

HSL 316.1, 0.49%, 0.49%

LAB 47.36, 58.71, -23.48

 

Description

Color code: RGB 187 160 64 | qconv.com Color code: RGB 187 160 64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 160 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 160 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 66 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 66% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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