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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 119 35 it is the complementary color RGB 52 136 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 119 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 203 119 35: RGB 208 119 30, RGB 225 137 49, RGB 242 155 68, RGB 255 173 87 and RGB 255 191 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 119 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 203 119 35: RGB 203 119 35, RGB 186 101 16, RGB 169 83 0, RGB 152 65 0 and RGB 135 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

Complementary color

CMYK 76 / 38 / 0 / 14

HEX #3488DC

RGB 52 136 220

HSL 210, 0.71%, 0.53%

LAB 55.59, 3.63, -50.02

 

CMYK 0 / 43 / 86 / 18

HEX #D0771E

RGB 208 119 30

HSL 30, 0.75%, 0.47%

LAB 58.69, 28.91, 58.87

 

CMYK 0 / 39 / 78 / 12

HEX #E18931

RGB 225 137 49

HSL 30, 0.75%, 0.54%

LAB 65.06, 27.02, 58.31

 

CMYK 0 / 36 / 72 / 5

HEX #F29B44

RGB 242 155 68

HSL 30, 0.87%, 0.61%

LAB 71.38, 25.34, 57.18

 

CMYK 0 / 32 / 66 / 0

HEX #FFAD57

RGB 255 173 87

HSL 30.71, 1%, 0.67%

LAB 77.18, 22.22, 55.18

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6A

RGB 255 191 106

HSL 34.23, 1%, 0.71%

LAB 81.6, 14.04, 51.2

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 0 / 46 / 91 / 27

HEX #BA6510

RGB 186 101 16

HSL 30, 0.84%, 0.4%

LAB 51.59, 29, 56.19

 

CMYK 0 / 51 / 100 / 34

HEX #A95300

RGB 169 83 0

HSL 29.47, 1%, 0.33%

LAB 45.11, 31.26, 54.45

 

CMYK 0 / 57 / 100 / 40

HEX #984100

RGB 152 65 0

HSL 25.66, 1%, 0.3%

LAB 38.65, 33.68, 49.27

 

CMYK 0 / 65 / 100 / 47

HEX #872F00

RGB 135 47 0

HSL 20.89, 1%, 0.26%

LAB 32.22, 35.87, 44.02

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 0 / 27 / 83 / 20

HEX #CC9422

RGB 204 148 34

HSL 40.24, 0.71%, 0.47%

LAB 65.07, 11.6, 62.76

 

CMYK 0 / 14 / 83 / 20

HEX #CCB022

RGB 204 176 34

HSL 50.12, 0.71%, 0.47%

LAB 72.23, -3.39, 68.84

 

CMYK 0 / 0 / 83 / 20

HEX #CCCC22

RGB 204 204 34

HSL 60, 0.71%, 0.47%

LAB 79.69, -17.69, 75.1

 

CMYK 14 / 0 / 83 / 20

HEX #B0CC22

RGB 176 204 34

HSL 69.88, 0.71%, 0.47%

LAB 77.6, -29.41, 72.5

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 0 / 41 / 83 / 0

HEX #FE952C

RGB 254 149 44

HSL 30, 0.99%, 0.58%

LAB 71.38, 32.48, 67.28

 

CMYK 0 / 42 / 82 / 80

HEX #321D09

RGB 50 29 9

HSL 29.27, 0.69%, 0.12%

LAB 13.09, 8, 15.87

 

CMYK 0 / 42 / 83 / 60

HEX #653B11

RGB 101 59 17

HSL 30, 0.71%, 0.23%

LAB 29.25, 14.87, 32.24

 

CMYK 0 / 41 / 83 / 40

HEX #98591A

RGB 152 89 26

HSL 30, 0.71%, 0.35%

LAB 44.08, 21.12, 44.71

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 58 / 0 / 83 / 20

HEX #55CC22

RGB 85 204 34

HSL 102, 0.71%, 0.47%

LAB 73.04, -60.79, 66.75

 

CMYK 75 / 83 / 0 / 20

HEX #3322CC

RGB 51 34 204

HSL 246, 0.71%, 0.47%

LAB 29.93, 58.56, -82.61

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 83 / 0 / 42 / 20

HEX #22CC77

RGB 34 204 119

HSL 150, 0.71%, 0.47%

LAB 72.8, -59.92, 31.02

 

CMYK 42 / 83 / 0 / 20

HEX #7722CC

RGB 119 34 204

HSL 270, 0.71%, 0.47%

LAB 36.79, 65.21, -71.05

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 58 / 0 / 83 / 20

HEX #55CC22

RGB 85 204 34

HSL 102, 0.71%, 0.47%

LAB 73.04, -60.79, 66.75

 

CMYK 83 / 42 / 0 / 20

HEX #2277CC

RGB 34 119 204

HSL 210, 0.71%, 0.47%

LAB 49.37, 6.2, -50.92

 

CMYK 25 / 83 / 0 / 20

HEX #9922CC

RGB 153 34 204

HSL 282, 0.71%, 0.47%

LAB 41.65, 70.18, -62.91

 

CMYK 0 / 41 / 83 / 20

HEX #CB7723

RGB 203 119 35

HSL 30, 0.71%, 0.47%

LAB 58.05, 26.95, 56.29

 

CMYK 83 / 0 / 83 / 20

HEX #22CC22

RGB 34 204 34

HSL 120, 0.71%, 0.47%

LAB 71.99, -69.77, 65.4

 

CMYK 83 / 42 / 0 / 20

HEX #2277CC

RGB 34 119 204

HSL 210, 0.71%, 0.47%

LAB 49.37, 6.2, -50.92

 

CMYK 0 / 83 / 0 / 20

HEX #CC22CC

RGB 204 34 204

HSL 300, 0.71%, 0.47%

LAB 49.91, 78.93, -49.19

 

Description

Color code: RGB 203 119 35 | qconv.com Color code: RGB 203 119 35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 119 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 119 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 83 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 83% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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