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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 58 / 0 it is the complementary color CMYK 100 / 57 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 58 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 58 / 0: CMYK 0 / 25 / 60 / 0, CMYK 0 / 18 / 53 / 0, CMYK 0 / 11 / 45 / 0, CMYK 0 / 4 / 38 / 0 and CMYK 0 / 0 / 30 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 58 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 58 / 0: CMYK 0 / 25 / 58 / 0, CMYK 0 / 27 / 63 / 7, CMYK 0 / 30 / 69 / 13, CMYK 0 / 33 / 75 / 20 and CMYK 0 / 36 / 83 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

Complementary color

CMYK 100 / 57 / 0 / 42

HEX #004094

RGB 0 64 148

HSL 214.05, 1%, 0.29%

LAB 28.91, 17.75, -50.88

 

CMYK 0 / 25 / 60 / 0

HEX #FFBF66

RGB 255 191 102

HSL 34.9, 1%, 0.7%

LAB 81.56, 13.76, 53.07

 

CMYK 0 / 18 / 53 / 0

HEX #FFD179

RGB 255 209 121

HSL 39.4, 1%, 0.74%

LAB 86.13, 5.87, 49.35

 

CMYK 0 / 11 / 45 / 0

HEX #FFE38C

RGB 255 227 140

HSL 45.39, 1%, 0.77%

LAB 90.82, -1.62, 45.86

 

CMYK 0 / 4 / 38 / 0

HEX #FFF59F

RGB 255 245 159

HSL 53.75, 1%, 0.81%

LAB 95.61, -8.69, 42.61

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD58

RGB 238 173 88

HSL 34, 0.82%, 0.64%

LAB 75.31, 15.28, 52.09

 

CMYK 0 / 30 / 69 / 13

HEX #DD9B45

RGB 221 155 69

HSL 33.95, 0.69%, 0.57%

LAB 68.93, 16.62, 53.39

 

CMYK 0 / 33 / 75 / 20

HEX #CC8932

RGB 204 137 50

HSL 33.9, 0.61%, 0.5%

LAB 62.47, 18.16, 54.5

 

CMYK 0 / 36 / 83 / 27

HEX #BB771F

RGB 187 119 31

HSL 33.85, 0.72%, 0.43%

LAB 55.94, 19.94, 55.1

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 0 / 16 / 58 / 0

HEX #FFD76B

RGB 255 215 107

HSL 43.78, 1%, 0.71%

LAB 87.45, 1.72, 57.54

 

CMYK 0 / 6 / 58 / 0

HEX #FFF06B

RGB 255 240 107

HSL 53.92, 1%, 0.71%

LAB 93.73, -10.82, 64.65

 

CMYK 4 / 0 / 58 / 0

HEX #F5FF6B

RGB 245 255 107

HSL 64.05, 1%, 0.71%

LAB 96.82, -22.06, 67.85

 

CMYK 14 / 0 / 58 / 0

HEX #DCFF6B

RGB 220 255 107

HSL 74.19, 1%, 0.71%

LAB 95.08, -31.74, 65.43

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 0 / 25 / 59 / 80

HEX #332615

RGB 51 38 21

HSL 34, 0.42%, 0.14%

LAB 16.23, 3.45, 13.57

 

CMYK 0 / 25 / 58 / 60

HEX #664C2B

RGB 102 76 43

HSL 33.56, 0.41%, 0.28%

LAB 34.33, 6.65, 23.71

 

CMYK 0 / 25 / 58 / 40

HEX #997340

RGB 153 115 64

HSL 34.38, 0.41%, 0.43%

LAB 51.16, 8.88, 33.69

 

CMYK 0 / 25 / 58 / 20

HEX #CC9956

RGB 204 153 86

HSL 34.07, 0.54%, 0.57%

LAB 66.74, 11.61, 42.18

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 45 / 0 / 58 / 0

HEX #8DFF6B

RGB 141 255 107

HSL 106.22, 1%, 0.71%

LAB 90.89, -58.74, 59.57

 

CMYK 49 / 58 / 0 / 0

HEX #836BFF

RGB 131 107 255

HSL 249.73, 1%, 0.71%

LAB 54.62, 45.86, -70.85

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 58 / 0 / 25 / 0

HEX #6BFFBE

RGB 107 255 190

HSL 153.65, 1%, 0.71%

LAB 90.95, -54.36, 19.38

 

CMYK 25 / 58 / 0 / 0

HEX #BE6BFF

RGB 190 107 255

HSL 273.65, 1%, 0.71%

LAB 60.5, 58.63, -61.07

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 45 / 0 / 58 / 0

HEX #8DFF6B

RGB 141 255 107

HSL 106.22, 1%, 0.71%

LAB 90.89, -58.74, 59.57

 

CMYK 58 / 33 / 0 / 0

HEX #6BABFF

RGB 107 171 255

HSL 214.05, 1%, 0.71%

LAB 69.09, 3.74, -47.82

 

CMYK 14 / 58 / 0 / 0

HEX #DC6BFF

RGB 220 107 255

HSL 285.81, 1%, 0.71%

LAB 64.12, 65.73, -55.08

 

CMYK 0 / 25 / 58 / 0

HEX #FFBF6B

RGB 255 191 107

HSL 34.05, 1%, 0.71%

LAB 81.61, 14.11, 50.73

 

CMYK 58 / 0 / 55 / 0

HEX #6BFF74

RGB 107 255 116

HSL 123.65, 1%, 0.71%

LAB 89.82, -66.48, 54.05

 

CMYK 58 / 33 / 0 / 0

HEX #6BABFF

RGB 107 171 255

HSL 214.05, 1%, 0.71%

LAB 69.09, 3.74, -47.82

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF5

RGB 255 107 245

HSL 304.05, 1%, 0.71%

LAB 68.29, 72.58, -42.7

 

Description

Color code: CMYK 0 / 25 / 58 / 0 | qconv.com Color code: CMYK 0 / 25 / 58 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 191 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 191 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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