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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 153 115 it is the complementary color RGB 56 102 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 153 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 153 115: RGB 204 153 110, RGB 221 171 129, RGB 238 189 148, RGB 255 207 167 and RGB 255 225 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 153 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 153 115: RGB 199 153 115, RGB 182 135 96, RGB 165 117 77, RGB 148 99 58 and RGB 131 81 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

Complementary color

CMYK 60 / 27 / 0 / 45

HEX #38668C

RGB 56 102 140

HSL 207.14, 0.43%, 0.38%

LAB 41.59, -3.72, -25.71

 

CMYK 0 / 25 / 46 / 20

HEX #CC996E

RGB 204 153 110

HSL 27.45, 0.48%, 0.62%

LAB 67.09, 13.76, 29.97

 

CMYK 0 / 23 / 42 / 13

HEX #DDAB81

RGB 221 171 129

HSL 27.39, 0.58%, 0.69%

LAB 73.6, 12.92, 28.65

 

CMYK 0 / 21 / 38 / 7

HEX #EEBD94

RGB 238 189 148

HSL 27.33, 0.73%, 0.76%

LAB 80.02, 12.18, 27.42

 

CMYK 0 / 19 / 35 / 0

HEX #FFCFA7

RGB 255 207 167

HSL 27.27, 1%, 0.83%

LAB 86.34, 11.53, 26.28

 

CMYK 0 / 12 / 27 / 0

HEX #FFE1BA

RGB 255 225 186

HSL 33.91, 1%, 0.86%

LAB 91.08, 4.62, 22.89

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 0 / 26 / 47 / 29

HEX #B68760

RGB 182 135 96

HSL 27.21, 0.37%, 0.55%

LAB 59.99, 13.12, 27.94

 

CMYK 0 / 29 / 53 / 35

HEX #A5754D

RGB 165 117 77

HSL 27.27, 0.36%, 0.47%

LAB 53.23, 14.15, 29.43

 

CMYK 0 / 33 / 61 / 42

HEX #94633A

RGB 148 99 58

HSL 27.33, 0.44%, 0.4%

LAB 46.35, 15.38, 31.05

 

CMYK 0 / 38 / 70 / 49

HEX #835127

RGB 131 81 39

HSL 27.39, 0.54%, 0.33%

LAB 39.34, 16.88, 32.76

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 0 / 16 / 42 / 22

HEX #C7A774

RGB 199 167 116

HSL 36.87, 0.43%, 0.62%

LAB 70.2, 4.75, 30.72

 

CMYK 0 / 9 / 42 / 22

HEX #C7B574

RGB 199 181 116

HSL 46.99, 0.43%, 0.62%

LAB 73.84, -2.71, 35.42

 

CMYK 0 / 2 / 42 / 22

HEX #C7C374

RGB 199 195 116

HSL 57.11, 0.43%, 0.62%

LAB 77.54, -10, 40.11

 

CMYK 5 / 0 / 42 / 22

HEX #BEC774

RGB 190 199 116

HSL 66.51, 0.43%, 0.62%

LAB 77.91, -15.62, 40.43

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 0 / 23 / 42 / 2

HEX #FAC090

RGB 250 192 144

HSL 27.17, 0.91%, 0.77%

LAB 81.86, 14.86, 32.19

 

CMYK 0 / 24 / 41 / 82

HEX #2E231B

RGB 46 35 27

HSL 25.26, 0.26%, 0.14%

LAB 14.75, 3.78, 7.36

 

CMYK 0 / 23 / 42 / 62

HEX #614B38

RGB 97 75 56

HSL 27.8, 0.27%, 0.3%

LAB 33.69, 6.4, 14.88

 

CMYK 0 / 23 / 42 / 42

HEX #947256

RGB 148 114 86

HSL 27.1, 0.26%, 0.46%

LAB 50.69, 9.49, 20.66

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 27 / 0 / 42 / 22

HEX #91C774

RGB 145 199 116

HSL 99.04, 0.43%, 0.62%

LAB 74.91, -32.59, 36

 

CMYK 40 / 42 / 0 / 22

HEX #7874C7

RGB 120 116 199

HSL 242.89, 0.43%, 0.62%

LAB 52.52, 22.01, -42.8

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 42 / 0 / 23 / 22

HEX #74C799

RGB 116 199 153

HSL 146.75, 0.43%, 0.62%

LAB 74.1, -35.61, 15.25

 

CMYK 23 / 42 / 0 / 22

HEX #9974C7

RGB 153 116 199

HSL 266.75, 0.43%, 0.62%

LAB 55.47, 31.21, -37.95

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 27 / 0 / 42 / 22

HEX #91C774

RGB 145 199 116

HSL 99.04, 0.43%, 0.62%

LAB 74.91, -32.59, 36

 

CMYK 42 / 19 / 0 / 22

HEX #74A2C7

RGB 116 162 199

HSL 206.75, 0.43%, 0.62%

LAB 64.71, -5.81, -23.84

 

CMYK 15 / 42 / 0 / 22

HEX #AA74C7

RGB 170 116 199

HSL 279.04, 0.43%, 0.62%

LAB 57.23, 36.24, -35.06

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 40 / 0 / 42 / 22

HEX #78C774

RGB 120 199 116

HSL 117.11, 0.43%, 0.62%

LAB 73.61, -40.89, 34.07

 

CMYK 42 / 19 / 0 / 22

HEX #74A2C7

RGB 116 162 199

HSL 206.75, 0.43%, 0.62%

LAB 64.71, -5.81, -23.84

 

CMYK 2 / 42 / 0 / 22

HEX #C374C7

RGB 195 116 199

HSL 297.11, 0.43%, 0.62%

LAB 60.08, 43.79, -30.41

 

Description

Color code: RGB 199 153 115 | qconv.com Color code: RGB 199 153 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 153 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 153 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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