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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 42 / 2 it is the complementary color CMYK 95 / 43 / 0 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 42 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 23 / 42 / 2: CMYK 0 / 25 / 45 / 0, CMYK 0 / 18 / 38 / 0, CMYK 0 / 11 / 30 / 0, CMYK 0 / 4 / 23 / 0 and CMYK 0 / 0 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 42 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 23 / 42 / 2: CMYK 0 / 23 / 42 / 2, CMYK 0 / 25 / 46 / 9, CMYK 0 / 28 / 50 / 15, CMYK 0 / 31 / 56 / 22 and CMYK 0 / 34 / 62 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

Complementary color

CMYK 95 / 43 / 0 / 57

HEX #053F6E

RGB 5 63 110

HSL 206.86, 0.91%, 0.23%

LAB 25.9, 2.32, -32

 

CMYK 0 / 25 / 45 / 0

HEX #FFC08C

RGB 255 192 140

HSL 27.13, 1%, 0.77%

LAB 82.3, 16.41, 34.95

 

CMYK 0 / 18 / 38 / 0

HEX #FFD29F

RGB 255 210 159

HSL 31.88, 1%, 0.81%

LAB 86.93, 9.05, 31.22

 

CMYK 0 / 11 / 30 / 0

HEX #FFE4B2

RGB 255 228 178

HSL 38.96, 1%, 0.85%

LAB 91.67, 2.06, 27.82

 

CMYK 0 / 4 / 23 / 0

HEX #FFF6C5

RGB 255 246 197

HSL 50.69, 1%, 0.89%

LAB 96.49, -4.54, 24.71

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 0 / 25 / 46 / 9

HEX #E9AE7E

RGB 233 174 126

HSL 26.92, 0.71%, 0.7%

LAB 75.51, 15.8, 32.99

 

CMYK 0 / 28 / 50 / 15

HEX #D89C6B

RGB 216 156 107

HSL 26.97, 0.58%, 0.63%

LAB 69.07, 16.76, 34.39

 

CMYK 0 / 31 / 56 / 22

HEX #C78A58

RGB 199 138 88

HSL 27.03, 0.5%, 0.56%

LAB 62.53, 17.85, 35.89

 

CMYK 0 / 34 / 62 / 29

HEX #B67845

RGB 182 120 69

HSL 27.08, 0.45%, 0.49%

LAB 55.89, 19.13, 37.49

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 0 / 17 / 43 / 2

HEX #F9CF8E

RGB 249 207 142

HSL 36.45, 0.9%, 0.77%

LAB 85.36, 6.45, 37.79

 

CMYK 0 / 10 / 43 / 2

HEX #F9E08E

RGB 249 224 142

HSL 45.98, 0.9%, 0.77%

LAB 89.58, -2.26, 43.2

 

CMYK 0 / 3 / 43 / 2

HEX #F9F28E

RGB 249 242 142

HSL 56.07, 0.9%, 0.77%

LAB 94.14, -11.27, 48.93

 

CMYK 4 / 0 / 43 / 2

HEX #EFF98E

RGB 239 249 142

HSL 65.61, 0.9%, 0.77%

LAB 95.18, -18.53, 50.06

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 0 / 24 / 41 / 82

HEX #2E231B

RGB 46 35 27

HSL 25.26, 0.26%, 0.14%

LAB 14.75, 3.78, 7.36

 

CMYK 0 / 24 / 42 / 62

HEX #614A38

RGB 97 74 56

HSL 26.34, 0.27%, 0.3%

LAB 33.4, 7.02, 14.5

 

CMYK 0 / 23 / 42 / 42

HEX #947256

RGB 148 114 86

HSL 27.1, 0.26%, 0.46%

LAB 50.69, 9.49, 20.66

 

CMYK 0 / 23 / 42 / 22

HEX #C79973

RGB 199 153 115

HSL 27.14, 0.43%, 0.62%

LAB 66.64, 12.24, 26.58

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 27 / 0 / 43 / 2

HEX #B6F98E

RGB 182 249 142

HSL 97.57, 0.9%, 0.77%

LAB 91.53, -39.26, 44.7

 

CMYK 41 / 43 / 0 / 2

HEX #928EF9

RGB 146 142 249

HSL 242.24, 0.9%, 0.77%

LAB 63.59, 27.31, -53.1

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 43 / 0 / 24 / 2

HEX #8EF9BD

RGB 142 249 189

HSL 146.36, 0.9%, 0.77%

LAB 90.4, -43.96, 19.32

 

CMYK 24 / 43 / 0 / 2

HEX #BD8EF9

RGB 189 142 249

HSL 266.36, 0.9%, 0.77%

LAB 67.28, 38.54, -47.02

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 27 / 0 / 43 / 2

HEX #B6F98E

RGB 182 249 142

HSL 97.57, 0.9%, 0.77%

LAB 91.53, -39.26, 44.7

 

CMYK 43 / 18 / 0 / 2

HEX #8ECBF9

RGB 142 203 249

HSL 205.79, 0.9%, 0.77%

LAB 79.22, -7.83, -28.73

 

CMYK 16 / 43 / 0 / 2

HEX #D28EF9

RGB 210 142 249

HSL 278.13, 0.9%, 0.77%

LAB 69.39, 44.39, -43.56

 

CMYK 0 / 23 / 42 / 2

HEX #FAC091

RGB 250 192 145

HSL 26.86, 0.91%, 0.77%

LAB 81.87, 14.96, 31.69

 

CMYK 40 / 0 / 43 / 2

HEX #96F98E

RGB 150 249 142

HSL 115.51, 0.9%, 0.77%

LAB 89.95, -49.48, 42.36

 

CMYK 43 / 18 / 0 / 2

HEX #8ECBF9

RGB 142 203 249

HSL 205.79, 0.9%, 0.77%

LAB 79.22, -7.83, -28.73

 

CMYK 3 / 43 / 0 / 2

HEX #F28EF9

RGB 242 142 249

HSL 296.07, 0.9%, 0.77%

LAB 72.93, 53.52, -37.76

 

Description

Color code: CMYK 0 / 23 / 42 / 2 | qconv.com Color code: CMYK 0 / 23 / 42 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 192 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 192 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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