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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 148 128 it is the complementary color RGB 56 107 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 148 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 148 128: RGB 204 148 123, RGB 221 166 142, RGB 238 184 161, RGB 255 202 180 and RGB 255 220 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 148 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 148 128: RGB 199 148 128, RGB 182 130 109, RGB 165 112 90, RGB 148 94 71 and RGB 131 76 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

Complementary color

CMYK 56 / 16 / 0 / 50

HEX #386B7F

RGB 56 107 127

HSL 196.9, 0.39%, 0.36%

LAB 42.59, -10.99, -16.34

 

CMYK 0 / 27 / 40 / 20

HEX #CC947B

RGB 204 148 123

HSL 18.52, 0.44%, 0.64%

LAB 66.1, 17.9, 21.54

 

CMYK 0 / 25 / 36 / 13

HEX #DDA68E

RGB 221 166 142

HSL 18.23, 0.54%, 0.71%

LAB 72.63, 17.09, 20.32

 

CMYK 0 / 23 / 32 / 7

HEX #EEB8A1

RGB 238 184 161

HSL 17.92, 0.69%, 0.78%

LAB 79.06, 16.38, 19.19

 

CMYK 0 / 21 / 29 / 0

HEX #FFCAB4

RGB 255 202 180

HSL 17.6, 1%, 0.85%

LAB 85.4, 15.74, 18.15

 

CMYK 0 / 14 / 22 / 0

HEX #FFDCC7

RGB 255 220 199

HSL 22.5, 1%, 0.89%

LAB 90.12, 8.97, 14.79

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 0 / 32 / 45 / 35

HEX #A5705A

RGB 165 112 90

HSL 17.6, 0.29%, 0.5%

LAB 52.2, 18.3, 20.71

 

CMYK 0 / 36 / 52 / 42

HEX #945E47

RGB 148 94 71

HSL 17.92, 0.35%, 0.43%

LAB 45.3, 19.43, 22.29

 

CMYK 0 / 42 / 60 / 49

HEX #834C34

RGB 131 76 52

HSL 18.23, 0.43%, 0.36%

LAB 38.27, 20.77, 24.1

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 0 / 21 / 36 / 22

HEX #C79E7F

RGB 199 158 127

HSL 25.83, 0.39%, 0.64%

LAB 68.11, 10.91, 21.99

 

CMYK 0 / 15 / 36 / 22

HEX #C7AA7F

RGB 199 170 127

HSL 35.83, 0.39%, 0.64%

LAB 71.16, 4.41, 26.09

 

CMYK 0 / 9 / 36 / 22

HEX #C7B67F

RGB 199 182 127

HSL 45.83, 0.39%, 0.64%

LAB 74.27, -1.99, 30.22

 

CMYK 0 / 3 / 36 / 22

HEX #C7C27F

RGB 199 194 127

HSL 55.83, 0.39%, 0.64%

LAB 77.43, -8.26, 34.36

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 0 / 26 / 36 / 2

HEX #FABAA1

RGB 250 186 161

HSL 16.85, 0.9%, 0.81%

LAB 80.75, 19.9, 21.71

 

CMYK 0 / 26 / 35 / 82

HEX #2E221E

RGB 46 34 30

HSL 15, 0.21%, 0.15%

LAB 14.51, 4.99, 4.89

 

CMYK 0 / 26 / 36 / 62

HEX #61483E

RGB 97 72 62

HSL 17.14, 0.22%, 0.31%

LAB 32.97, 9.1, 10.14

 

CMYK 0 / 26 / 36 / 42

HEX #946E5F

RGB 148 110 95

HSL 16.98, 0.22%, 0.48%

LAB 49.83, 12.93, 14.24

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 17 / 0 / 36 / 22

HEX #A5C77F

RGB 165 199 127

HSL 88.33, 0.39%, 0.64%

LAB 76.3, -23.87, 32.4

 

CMYK 36 / 32 / 0 / 22

HEX #7F88C7

RGB 127 136 199

HSL 232.5, 0.39%, 0.64%

LAB 58.27, 12.04, -33.73

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 36 / 0 / 27 / 22

HEX #7FC792

RGB 127 199 146

HSL 135.83, 0.39%, 0.64%

LAB 74.47, -33.74, 19.58

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 17 / 0 / 36 / 22

HEX #A5C77F

RGB 165 199 127

HSL 88.33, 0.39%, 0.64%

LAB 76.3, -23.87, 32.4

 

CMYK 36 / 10 / 0 / 22

HEX #7FB3C7

RGB 127 179 199

HSL 196.67, 0.39%, 0.64%

LAB 70.09, -12.07, -15.6

 

CMYK 20 / 36 / 0 / 22

HEX #A07FC7

RGB 160 127 199

HSL 267.5, 0.39%, 0.64%

LAB 58.77, 26.99, -32.75

 

CMYK 0 / 26 / 36 / 22

HEX #C79480

RGB 199 148 128

HSL 16.9, 0.39%, 0.64%

LAB 65.66, 16.51, 18.07

 

CMYK 28 / 0 / 36 / 22

HEX #90C77F

RGB 144 199 127

HSL 105.83, 0.39%, 0.64%

LAB 75.02, -31.38, 30.48

 

CMYK 36 / 10 / 0 / 22

HEX #7FB3C7

RGB 127 179 199

HSL 196.67, 0.39%, 0.64%

LAB 70.09, -12.07, -15.6

 

CMYK 9 / 36 / 0 / 22

HEX #B67FC7

RGB 182 127 199

HSL 285.83, 0.39%, 0.64%

LAB 61, 33.81, -29.11

 

Description

Color code: RGB 199 148 128 | qconv.com Color code: RGB 199 148 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 148 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 148 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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