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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6826D it is the complementary color #497D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6826D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B6826D: #BB8268, #CC947B, #DDA68E, #EEB8A1 and #FFCAB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6826D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B6826D: #B6826D, #A5705A, #945E47, #834C34 and #723A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

Complementary color

CMYK 50 / 14 / 0 / 43

HEX #497D92

RGB 73 125 146

HSL 197.26, 0.33%, 0.43%

LAB 49.69, -11.33, -16.73

 

CMYK 0 / 30 / 44 / 27

HEX #BB8268

RGB 187 130 104

HSL 18.8, 0.38%, 0.57%

LAB 59.46, 18.82, 22.88

 

CMYK 0 / 27 / 40 / 20

HEX #CC947B

RGB 204 148 123

HSL 18.52, 0.44%, 0.64%

LAB 66.1, 17.9, 21.54

 

CMYK 0 / 25 / 36 / 13

HEX #DDA68E

RGB 221 166 142

HSL 18.23, 0.54%, 0.71%

LAB 72.63, 17.09, 20.32

 

CMYK 0 / 23 / 32 / 7

HEX #EEB8A1

RGB 238 184 161

HSL 17.92, 0.69%, 0.78%

LAB 79.06, 16.38, 19.19

 

CMYK 0 / 21 / 29 / 0

HEX #FFCAB4

RGB 255 202 180

HSL 17.6, 1%, 0.85%

LAB 85.4, 15.74, 18.15

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 0 / 32 / 45 / 35

HEX #A5705A

RGB 165 112 90

HSL 17.6, 0.29%, 0.5%

LAB 52.2, 18.3, 20.71

 

CMYK 0 / 36 / 52 / 42

HEX #945E47

RGB 148 94 71

HSL 17.92, 0.35%, 0.43%

LAB 45.3, 19.43, 22.29

 

CMYK 0 / 42 / 60 / 49

HEX #834C34

RGB 131 76 52

HSL 18.23, 0.43%, 0.36%

LAB 38.27, 20.77, 24.1

 

CMYK 0 / 49 / 71 / 55

HEX #723A21

RGB 114 58 33

HSL 18.52, 0.55%, 0.29%

LAB 31.15, 22.36, 26.2

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 0 / 22 / 40 / 29

HEX #B58D6D

RGB 181 141 109

HSL 26.67, 0.33%, 0.57%

LAB 61.63, 10.8, 22.88

 

CMYK 0 / 15 / 40 / 29

HEX #B5996D

RGB 181 153 109

HSL 36.67, 0.33%, 0.57%

LAB 64.73, 4.17, 26.99

 

CMYK 0 / 9 / 40 / 29

HEX #B5A56D

RGB 181 165 109

HSL 46.67, 0.33%, 0.57%

LAB 67.9, -2.34, 31.13

 

CMYK 0 / 2 / 40 / 29

HEX #B5B16D

RGB 181 177 109

HSL 56.67, 0.33%, 0.57%

LAB 71.13, -8.7, 35.28

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 0 / 29 / 40 / 9

HEX #E9A68C

RGB 233 166 140

HSL 16.77, 0.68%, 0.73%

LAB 73.86, 21.53, 23.3

 

CMYK 0 / 28 / 41 / 89

HEX #1D1511

RGB 29 21 17

HSL 20, 0.26%, 0.09%

LAB 7.57, 3.24, 3.81

 

CMYK 0 / 29 / 40 / 69

HEX #503930

RGB 80 57 48

HSL 16.88, 0.25%, 0.25%

LAB 26.29, 8.8, 9.61

 

CMYK 0 / 28 / 40 / 49

HEX #835E4E

RGB 131 94 78

HSL 18.11, 0.25%, 0.41%

LAB 43.33, 12.88, 15.13

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 19 / 0 / 40 / 29

HEX #92B56D

RGB 146 181 109

HSL 89.17, 0.33%, 0.57%

LAB 69.66, -24.52, 32.87

 

CMYK 40 / 35 / 0 / 29

HEX #6D75B5

RGB 109 117 181

HSL 233.33, 0.33%, 0.57%

LAB 51.05, 13.31, -34.84

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 40 / 0 / 29 / 29

HEX #6DB581

RGB 109 181 129

HSL 136.67, 0.33%, 0.57%

LAB 67.93, -33.95, 19.58

 

CMYK 29 / 40 / 0 / 29

HEX #816DB5

RGB 129 109 181

HSL 256.67, 0.33%, 0.57%

LAB 50.62, 23.81, -35.39

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 19 / 0 / 40 / 29

HEX #92B56D

RGB 146 181 109

HSL 89.17, 0.33%, 0.57%

LAB 69.66, -24.52, 32.87

 

CMYK 40 / 11 / 0 / 29

HEX #6DA1B5

RGB 109 161 181

HSL 196.67, 0.33%, 0.57%

LAB 63.41, -12, -15.8

 

CMYK 20 / 40 / 0 / 29

HEX #906DB5

RGB 144 109 181

HSL 269.17, 0.33%, 0.57%

LAB 52.07, 28.29, -33.02

 

CMYK 0 / 29 / 40 / 29

HEX #B6826D

RGB 182 130 109

HSL 17.26, 0.33%, 0.57%

LAB 58.99, 17.34, 19.32

 

CMYK 31 / 0 / 40 / 29

HEX #7CB56D

RGB 124 181 109

HSL 107.5, 0.33%, 0.57%

LAB 68.34, -32.45, 30.91

 

CMYK 40 / 11 / 0 / 29

HEX #6DA1B5

RGB 109 161 181

HSL 196.67, 0.33%, 0.57%

LAB 63.41, -12, -15.8

 

CMYK 9 / 40 / 0 / 29

HEX #A56DB5

RGB 165 109 181

HSL 286.67, 0.33%, 0.57%

LAB 54.32, 34.78, -29.35

 

Description

Color code: HEX #B6826D | qconv.com Color code: HEX #B6826D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 130 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 130 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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