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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 61 120 it is the complementary color RGB 58 194 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 61 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 61 120: RGB 202 61 115, RGB 219 79 134, RGB 236 97 153, RGB 253 115 172 and RGB 255 133 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 61 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 61 120: RGB 197 61 120, RGB 180 43 101, RGB 163 25 82, RGB 146 7 63 and RGB 129 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

Complementary color

CMYK 70 / 0 / 30 / 24

HEX #3AC287

RGB 58 194 135

HSL 153.97, 0.54%, 0.49%

LAB 70.34, -50.05, 19.38

 

CMYK 0 / 70 / 43 / 21

HEX #CA3D73

RGB 202 61 115

HSL 337.02, 0.57%, 0.52%

LAB 48.43, 59.37, 1.33

 

CMYK 0 / 64 / 39 / 14

HEX #DB4F86

RGB 219 79 134

HSL 336.43, 0.66%, 0.58%

LAB 54.42, 59.27, -0.99

 

CMYK 0 / 59 / 35 / 7

HEX #EC6199

RGB 236 97 153

HSL 335.83, 0.79%, 0.65%

LAB 60.5, 58.85, -2.88

 

CMYK 0 / 55 / 32 / 1

HEX #FD73AC

RGB 253 115 172

HSL 335.22, 0.97%, 0.72%

LAB 66.61, 58.24, -4.47

 

CMYK 0 / 48 / 25 / 0

HEX #FF85BF

RGB 255 133 191

HSL 331.48, 1%, 0.76%

LAB 70.73, 52.76, -9.01

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 0 / 76 / 44 / 29

HEX #B42B65

RGB 180 43 101

HSL 334.6, 0.61%, 0.44%

LAB 41.8, 58.02, -0.17

 

CMYK 0 / 85 / 50 / 36

HEX #A31952

RGB 163 25 82

HSL 335.22, 0.73%, 0.37%

LAB 36.16, 56.75, 3.32

 

CMYK 0 / 95 / 57 / 43

HEX #92073F

RGB 146 7 63

HSL 335.83, 0.91%, 0.3%

LAB 30.93, 54.18, 7.87

 

CMYK 0 / 100 / 66 / 49

HEX #81002C

RGB 129 0 44

HSL 339.53, 1%, 0.25%

LAB 26.3, 49.78, 13.77

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 0 / 69 / 49 / 23

HEX #C53E64

RGB 197 62 100

HSL 343.11, 0.54%, 0.51%

LAB 47.28, 56.11, 8.73

 

CMYK 0 / 69 / 60 / 23

HEX #C53E4E

RGB 197 62 78

HSL 352.89, 0.54%, 0.51%

LAB 46.8, 54.41, 21.5

 

CMYK 0 / 65 / 69 / 23

HEX #C5453E

RGB 197 69 62

HSL 3.11, 0.54%, 0.51%

LAB 47.59, 50.57, 32.02

 

CMYK 0 / 54 / 69 / 23

HEX #C55B3E

RGB 197 91 62

HSL 12.89, 0.54%, 0.51%

LAB 51.5, 40.31, 36.62

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 0 / 69 / 39 / 3

HEX #F84D97

RGB 248 77 151

HSL 334.04, 0.92%, 0.64%

LAB 59.43, 70.11, -3.07

 

CMYK 0 / 68 / 39 / 83

HEX #2C0E1B

RGB 44 14 27

HSL 334, 0.52%, 0.11%

LAB 8.38, 17.28, -1.75

 

CMYK 0 / 69 / 39 / 63

HEX #5F1D3A

RGB 95 29 58

HSL 333.64, 0.53%, 0.24%

LAB 22.36, 32.87, -2.43

 

CMYK 0 / 69 / 39 / 43

HEX #922D59

RGB 146 45 89

HSL 333.86, 0.53%, 0.37%

LAB 35.42, 46.12, -2.66

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 0 / 17 / 69 / 23

HEX #C5A33E

RGB 197 163 62

HSL 44.89, 0.54%, 0.51%

LAB 68.32, 1.59, 55.08

 

CMYK 69 / 10 / 0 / 23

HEX #3EB1C5

RGB 62 177 197

HSL 188.89, 0.54%, 0.51%

LAB 66.9, -25.48, -19.57

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 38 / 0 / 69 / 23

HEX #7BC53E

RGB 123 197 62

HSL 92.89, 0.54%, 0.51%

LAB 72.56, -45.08, 57.83

 

CMYK 69 / 38 / 0 / 23

HEX #3E7BC5

RGB 62 123 197

HSL 212.89, 0.54%, 0.51%

LAB 50.95, 4.55, -44.36

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 0 / 17 / 69 / 23

HEX #C5A33E

RGB 197 163 62

HSL 44.89, 0.54%, 0.51%

LAB 68.32, 1.59, 55.08

 

CMYK 69 / 0 / 31 / 23

HEX #3EC588

RGB 62 197 136

HSL 152.89, 0.54%, 0.51%

LAB 71.37, -50.4, 20.29

 

CMYK 69 / 51 / 0 / 23

HEX #3E60C5

RGB 62 96 197

HSL 224.89, 0.54%, 0.51%

LAB 43.39, 21.5, -56.45

 

CMYK 0 / 69 / 39 / 23

HEX #C53D78

RGB 197 61 120

HSL 333.97, 0.54%, 0.51%

LAB 47.71, 58.43, -2.87

 

CMYK 4 / 0 / 69 / 23

HEX #BEC53E

RGB 190 197 62

HSL 63.11, 0.54%, 0.51%

LAB 76.82, -19.02, 63.54

 

CMYK 69 / 0 / 31 / 23

HEX #3EC588

RGB 62 197 136

HSL 152.89, 0.54%, 0.51%

LAB 71.37, -50.4, 20.29

 

CMYK 65 / 69 / 0 / 23

HEX #453EC5

RGB 69 62 197

HSL 243.11, 0.54%, 0.51%

LAB 35.48, 43.75, -69.31

 

Description

Color code: RGB 197 61 120 | qconv.com Color code: RGB 197 61 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 61 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 61 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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