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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 58 211 it is the complementary color RGB 62 197 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 58 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 58 211: RGB 198 58 206, RGB 215 76 225, RGB 232 94 244, RGB 249 112 255 and RGB 255 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 58 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 58 211: RGB 193 58 211, RGB 176 40 192, RGB 159 22 173, RGB 142 4 154 and RGB 125 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

Complementary color

CMYK 69 / 0 / 78 / 23

HEX #3EC52C

RGB 62 197 44

HSL 112.94, 0.63%, 0.47%

LAB 70.27, -62.99, 61.17

 

CMYK 4 / 72 / 0 / 19

HEX #C63ACE

RGB 198 58 206

HSL 296.76, 0.6%, 0.52%

LAB 51.25, 71.68, -48.25

 

CMYK 4 / 66 / 0 / 12

HEX #D74CE1

RGB 215 76 225

HSL 295.97, 0.71%, 0.59%

LAB 57.13, 72.17, -49.56

 

CMYK 5 / 61 / 0 / 4

HEX #E85EF4

RGB 232 94 244

HSL 295.2, 0.87%, 0.66%

LAB 63.09, 72.22, -50.56

 

CMYK 2 / 56 / 0 / 0

HEX #F970FF

RGB 249 112 255

HSL 297.48, 1%, 0.72%

LAB 68.71, 70.6, -47.57

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 8 / 79 / 0 / 25

HEX #B028C0

RGB 176 40 192

HSL 293.68, 0.66%, 0.45%

LAB 45.02, 70.39, -50.32

 

CMYK 8 / 87 / 0 / 32

HEX #9F16AD

RGB 159 22 173

HSL 294.44, 0.77%, 0.38%

LAB 39.52, 68.29, -48.1

 

CMYK 8 / 97 / 0 / 40

HEX #8E049A

RGB 142 4 154

HSL 295.2, 0.95%, 0.31%

LAB 34.34, 64.92, -45.14

 

CMYK 7 / 100 / 0 / 47

HEX #7D0087

RGB 125 0 135

HSL 295.56, 1%, 0.26%

LAB 29.69, 59.57, -41.07

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 0 / 72 / 2 / 18

HEX #D23BCD

RGB 210 59 205

HSL 301.99, 0.63%, 0.53%

LAB 53.21, 73.75, -44.45

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 72 / 26 / 18

HEX #D23B9B

RGB 210 59 155

HSL 321.85, 0.63%, 0.53%

LAB 50.92, 66.71, -18.86

 

CMYK 0 / 72 / 38 / 18

HEX #D23B82

RGB 210 59 130

HSL 331.79, 0.63%, 0.53%

LAB 50.03, 63.86, -5.24

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 14 / 71 / 0 / 97

HEX #060207

RGB 6 2 7

HSL 288, 0.56%, 0.02%

LAB 0.88, 1.74, -1.52

 

CMYK 9 / 72 / 0 / 77

HEX #35103A

RGB 53 16 58

HSL 292.86, 0.57%, 0.15%

LAB 12.18, 25.59, -18.74

 

CMYK 8 / 72 / 0 / 57

HEX #641E6D

RGB 100 30 109

HSL 293.16, 0.57%, 0.27%

LAB 25.99, 42.44, -30.76

 

CMYK 9 / 73 / 0 / 37

HEX #922CA0

RGB 146 44 160

HSL 292.76, 0.57%, 0.4%

LAB 38.64, 57.35, -41.84

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 0 / 67 / 72 / 18

HEX #D2453B

RGB 210 69 59

HSL 3.97, 0.63%, 0.53%

LAB 49.83, 54.78, 36.92

 

CMYK 72 / 0 / 38 / 18

HEX #3BD282

RGB 59 210 130

HSL 148.21, 0.63%, 0.53%

LAB 75.22, -57.06, 28.63

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 0 / 10 / 72 / 18

HEX #D2BE3B

RGB 210 190 59

HSL 52.05, 0.63%, 0.53%

LAB 76.58, -7.13, 64.98

 

CMYK 72 / 0 / 10 / 18

HEX #3BD2BE

RGB 59 210 190

HSL 172.05, 0.63%, 0.53%

LAB 76.52, -43.36, -1.39

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 0 / 67 / 72 / 18

HEX #D2453B

RGB 210 69 59

HSL 3.97, 0.63%, 0.53%

LAB 49.83, 54.78, 36.92

 

CMYK 62 / 0 / 72 / 18

HEX #4FD23B

RGB 79 210 59

HSL 112.05, 0.63%, 0.53%

LAB 74.87, -62.75, 60.81

 

CMYK 72 / 5 / 0 / 18

HEX #3BC8D2

RGB 59 200 210

HSL 183.97, 0.63%, 0.53%

LAB 74.12, -33.2, -15.76

 

CMYK 9 / 73 / 0 / 17

HEX #C13AD3

RGB 193 58 211

HSL 292.94, 0.63%, 0.53%

LAB 50.77, 71.5, -51.94

 

CMYK 0 / 45 / 72 / 18

HEX #D2733B

RGB 210 115 59

HSL 22.25, 0.63%, 0.53%

LAB 58.3, 32.92, 46.32

 

CMYK 62 / 0 / 72 / 18

HEX #4FD23B

RGB 79 210 59

HSL 112.05, 0.63%, 0.53%

LAB 74.87, -62.75, 60.81

 

CMYK 72 / 26 / 0 / 18

HEX #3B9BD2

RGB 59 155 210

HSL 201.85, 0.63%, 0.53%

LAB 60.8, -10.02, -36.2

 

Description

Color code: RGB 193 58 211 | qconv.com Color code: RGB 193 58 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 58 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 58 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 73 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 73% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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