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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D23BB4 it is the complementary color #2DC44B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D23BB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D23BB4: #D73BAF, #E84DC2, #F95FD5, #FF71E8 and #FF83FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D23BB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D23BB4: #D23BB4, #C129A1, #B0178E, #9F057B and #8E0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

Complementary color

CMYK 77 / 0 / 62 / 23

HEX #2DC44B

RGB 45 196 75

HSL 131.92, 0.63%, 0.47%

LAB 69.86, -62.65, 48.75

 

CMYK 0 / 73 / 19 / 16

HEX #D73BAF

RGB 215 59 175

HSL 315.38, 0.66%, 0.54%

LAB 52.59, 70.52, -28

 

CMYK 0 / 67 / 16 / 9

HEX #E84DC2

RGB 232 77 194

HSL 314.71, 0.77%, 0.61%

LAB 58.38, 71.04, -29.8

 

CMYK 0 / 62 / 14 / 2

HEX #F95FD5

RGB 249 95 213

HSL 314.03, 0.93%, 0.67%

LAB 64.26, 71.12, -31.25

 

CMYK 0 / 56 / 9 / 0

HEX #FF71E8

RGB 255 113 232

HSL 309.72, 1%, 0.72%

LAB 68.68, 67.97, -34.93

 

CMYK 0 / 49 / 2 / 0

HEX #FF83FB

RGB 255 131 251

HSL 301.94, 1%, 0.76%

LAB 72.53, 62.87, -39.35

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 79 / 17 / 24

HEX #C129A1

RGB 193 41 161

HSL 312.63, 0.65%, 0.46%

LAB 46.31, 68.89, -29.8

 

CMYK 0 / 87 / 19 / 31

HEX #B0178E

RGB 176 23 142

HSL 313.33, 0.77%, 0.39%

LAB 40.89, 66.78, -27.02

 

CMYK 0 / 97 / 23 / 38

HEX #9F057B

RGB 159 5 123

HSL 314.03, 0.94%, 0.32%

LAB 35.81, 63.43, -23.43

 

CMYK 0 / 100 / 27 / 44

HEX #8E0068

RGB 142 0 104

HSL 316.06, 1%, 0.28%

LAB 31.23, 58.28, -18.74

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 72 / 25 / 18

HEX #D23B9D

RGB 210 59 157

HSL 321.06, 0.63%, 0.53%

LAB 50.99, 66.96, -19.93

 

CMYK 0 / 72 / 37 / 18

HEX #D23B84

RGB 210 59 132

HSL 330.99, 0.63%, 0.53%

LAB 50.09, 64.07, -6.35

 

CMYK 0 / 72 / 49 / 18

HEX #D23B6B

RGB 210 59 107

HSL 340.93, 0.63%, 0.53%

LAB 49.36, 61.68, 7.73

 

CMYK 0 / 72 / 61 / 18

HEX #D23B52

RGB 210 59 82

HSL 350.86, 0.63%, 0.53%

LAB 48.81, 59.82, 22.15

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 67 / 17 / 98

HEX #060205

RGB 6 2 5

HSL 315, 0.5%, 0.02%

LAB 0.84, 1.46, -0.77

 

CMYK 0 / 72 / 14 / 78

HEX #391031

RGB 57 16 49

HSL 311.71, 0.56%, 0.14%

LAB 12.37, 24.97, -11.9

 

CMYK 0 / 72 / 14 / 58

HEX #6C1E5D

RGB 108 30 93

HSL 311.54, 0.57%, 0.27%

LAB 26.47, 41.63, -19.5

 

CMYK 0 / 72 / 14 / 38

HEX #9F2D88

RGB 159 45 136

HSL 312.11, 0.56%, 0.4%

LAB 39.62, 56.05, -25.55

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 44 / 72 / 18

HEX #D2753B

RGB 210 117 59

HSL 23.05, 0.63%, 0.53%

LAB 58.73, 31.87, 46.79

 

CMYK 72 / 0 / 16 / 18

HEX #3BD2B1

RGB 59 210 177

HSL 166.89, 0.63%, 0.53%

LAB 76.19, -46.71, 5.11

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 13 / 0 / 72 / 18

HEX #B6D23B

RGB 182 210 59

HSL 71.13, 0.63%, 0.53%

LAB 79.81, -28.78, 67.37

 

CMYK 72 / 13 / 0 / 18

HEX #3BB6D2

RGB 59 182 210

HSL 191.13, 0.63%, 0.53%

LAB 68.78, -24.38, -23.87

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 44 / 72 / 18

HEX #D2753B

RGB 210 117 59

HSL 23.05, 0.63%, 0.53%

LAB 58.73, 31.87, 46.79

 

CMYK 72 / 0 / 59 / 18

HEX #3BD257

RGB 59 210 87

HSL 131.13, 0.63%, 0.53%

LAB 74.64, -63.77, 48.96

 

CMYK 72 / 28 / 0 / 18

HEX #3B98D2

RGB 59 152 210

HSL 203.05, 0.63%, 0.53%

LAB 59.92, -8.34, -37.57

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 23 / 72 / 18

HEX #D2A23B

RGB 210 162 59

HSL 40.93, 0.63%, 0.53%

LAB 69.37, 7.62, 57.84

 

CMYK 72 / 0 / 59 / 18

HEX #3BD257

RGB 59 210 87

HSL 131.13, 0.63%, 0.53%

LAB 74.64, -63.77, 48.96

 

CMYK 72 / 49 / 0 / 18

HEX #3B6BD2

RGB 59 107 210

HSL 220.93, 0.63%, 0.53%

LAB 47.1, 18.78, -57.94

 

Description

Color code: HEX #D23BB4 | qconv.com Color code: HEX #D23BB4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 59 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 59 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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Sherwin Williams® to CMYK

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NCS® to PANTONE®

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