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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 139 159 it is the complementary color RGB 62 116 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 139 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 139 159: RGB 198 139 154, RGB 215 157 173, RGB 232 175 192, RGB 249 193 211 and RGB 255 211 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 139 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 139 159: RGB 193 139 159, RGB 176 121 140, RGB 159 103 121, RGB 142 85 102 and RGB 125 67 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

Complementary color

CMYK 47 / 0 / 17 / 55

HEX #3E7460

RGB 62 116 96

HSL 157.78, 0.3%, 0.35%

LAB 44.74, -23.11, 5.51

 

CMYK 0 / 30 / 22 / 22

HEX #C68B9A

RGB 198 139 154

HSL 344.75, 0.34%, 0.66%

LAB 64, 24.65, 1.08

 

CMYK 0 / 27 / 20 / 16

HEX #D79DAD

RGB 215 157 173

HSL 343.45, 0.42%, 0.73%

LAB 70.58, 23.94, 0.24

 

CMYK 0 / 25 / 17 / 9

HEX #E8AFC0

RGB 232 175 192

HSL 342.11, 0.55%, 0.8%

LAB 77.05, 23.3, -0.53

 

CMYK 0 / 22 / 15 / 2

HEX #F9C1D3

RGB 249 193 211

HSL 340.71, 0.82%, 0.87%

LAB 83.43, 22.72, -1.26

 

CMYK 0 / 17 / 10 / 0

HEX #FFD3E6

RGB 255 211 230

HSL 334.09, 1%, 0.91%

LAB 88.71, 18.39, -3.55

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 0 / 31 / 20 / 31

HEX #B0798C

RGB 176 121 140

HSL 339.27, 0.26%, 0.58%

LAB 56.88, 24.31, -1.6

 

CMYK 0 / 35 / 24 / 38

HEX #9F6779

RGB 159 103 121

HSL 340.71, 0.23%, 0.51%

LAB 50.04, 25.1, -0.69

 

CMYK 0 / 40 / 28 / 44

HEX #8E5566

RGB 142 85 102

HSL 342.11, 0.25%, 0.45%

LAB 43.07, 25.99, 0.35

 

CMYK 0 / 46 / 34 / 51

HEX #7D4353

RGB 125 67 83

HSL 343.45, 0.3%, 0.38%

LAB 35.98, 26.95, 1.59

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 0 / 28 / 22 / 25

HEX #C08A96

RGB 192 138 150

HSL 346.67, 0.3%, 0.65%

LAB 63, 22.36, 1.81

 

CMYK 0 / 28 / 27 / 25

HEX #C08A8D

RGB 192 138 141

HSL 356.67, 0.3%, 0.65%

LAB 62.77, 21.03, 6.59

 

CMYK 0 / 24 / 28 / 25

HEX #C0918A

RGB 192 145 138

HSL 7.78, 0.3%, 0.65%

LAB 64.4, 16.73, 10.61

 

CMYK 0 / 20 / 28 / 25

HEX #C09A8A

RGB 192 154 138

HSL 17.78, 0.3%, 0.65%

LAB 66.64, 11.77, 13.76

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 0 / 28 / 18 / 4

HEX #F4B0C9

RGB 244 176 201

HSL 337.94, 0.76%, 0.82%

LAB 78.75, 28.4, -2.79

 

CMYK 0 / 28 / 18 / 84

HEX #281D21

RGB 40 29 33

HSL 338.18, 0.16%, 0.14%

LAB 12.22, 6.21, -0.67

 

CMYK 0 / 27 / 18 / 64

HEX #5B424B

RGB 91 66 75

HSL 338.4, 0.16%, 0.31%

LAB 30.95, 12.42, -1.18

 

CMYK 0 / 28 / 18 / 44

HEX #8E6675

RGB 142 102 117

HSL 337.5, 0.16%, 0.48%

LAB 47.67, 18.51, -2.01

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 0 / 5 / 28 / 25

HEX #C0B68A

RGB 192 182 138

HSL 48.89, 0.3%, 0.65%

LAB 73.87, -3.36, 23.73

 

CMYK 28 / 6 / 0 / 25

HEX #8AB4C0

RGB 138 180 192

HSL 193.33, 0.3%, 0.65%

LAB 70.77, -11.18, -10.67

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 17 / 0 / 28 / 25

HEX #9FC08A

RGB 159 192 138

HSL 96.67, 0.3%, 0.65%

LAB 74.13, -21, 23.67

 

CMYK 28 / 17 / 0 / 25

HEX #8A9FC0

RGB 138 159 192

HSL 216.67, 0.3%, 0.65%

LAB 64.97, 0.26, -19.42

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 0 / 5 / 28 / 25

HEX #C0B68A

RGB 192 182 138

HSL 48.89, 0.3%, 0.65%

LAB 73.87, -3.36, 23.73

 

CMYK 28 / 0 / 11 / 25

HEX #8AC0AB

RGB 138 192 171

HSL 156.67, 0.3%, 0.65%

LAB 73.57, -22.06, 4.93

 

CMYK 28 / 23 / 0 / 25

HEX #8A94C0

RGB 138 148 192

HSL 228.89, 0.3%, 0.65%

LAB 61.99, 6.48, -23.97

 

CMYK 0 / 28 / 18 / 24

HEX #C18B9F

RGB 193 139 159

HSL 337.78, 0.3%, 0.65%

LAB 63.59, 23.58, -2.41

 

CMYK 3 / 0 / 28 / 25

HEX #BAC08A

RGB 186 192 138

HSL 66.67, 0.3%, 0.65%

LAB 76.05, -10.91, 26.59

 

CMYK 28 / 0 / 11 / 25

HEX #8AC0AB

RGB 138 192 171

HSL 156.67, 0.3%, 0.65%

LAB 73.57, -22.06, 4.93

 

CMYK 24 / 28 / 0 / 25

HEX #918AC0

RGB 145 138 192

HSL 247.78, 0.3%, 0.65%

LAB 59.89, 14.37, -27.15

 

Description

Color code: RGB 193 139 159 | qconv.com Color code: RGB 193 139 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 139 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 139 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 18 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 18% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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