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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 28 / 25 it is the complementary color CMYK 45 / 13 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 28 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 20 / 28 / 25: CMYK 0 / 22 / 32 / 23, CMYK 0 / 20 / 29 / 16, CMYK 0 / 18 / 26 / 10, CMYK 0 / 16 / 23 / 3 and CMYK 0 / 12 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 28 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 20 / 28 / 25: CMYK 0 / 20 / 28 / 25, CMYK 0 / 22 / 32 / 32, CMYK 0 / 25 / 36 / 38, CMYK 0 / 29 / 42 / 45 and CMYK 0 / 34 / 50 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

Complementary color

CMYK 45 / 13 / 0 / 54

HEX #406675

RGB 64 102 117

HSL 196.98, 0.29%, 0.35%

LAB 41.02, -9.13, -12.64

 

CMYK 0 / 22 / 32 / 23

HEX #C49985

RGB 196 153 133

HSL 19.05, 0.35%, 0.65%

LAB 66.68, 13.21, 16.66

 

CMYK 0 / 20 / 29 / 16

HEX #D5AB98

RGB 213 171 152

HSL 18.69, 0.42%, 0.72%

LAB 73.25, 12.58, 15.6

 

CMYK 0 / 18 / 26 / 10

HEX #E6BDAB

RGB 230 189 171

HSL 18.31, 0.54%, 0.79%

LAB 79.7, 12.02, 14.61

 

CMYK 0 / 16 / 23 / 3

HEX #F7CFBE

RGB 247 207 190

HSL 17.89, 0.78%, 0.86%

LAB 86.07, 11.52, 13.68

 

CMYK 0 / 12 / 18 / 0

HEX #FFE1D1

RGB 255 225 209

HSL 20.87, 1%, 0.91%

LAB 91.56, 7.84, 11.6

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 0 / 22 / 32 / 32

HEX #AE8777

RGB 174 135 119

HSL 17.45, 0.25%, 0.57%

LAB 59.58, 12.57, 14.32

 

CMYK 0 / 25 / 36 / 38

HEX #9D7564

RGB 157 117 100

HSL 17.89, 0.23%, 0.5%

LAB 52.74, 13.31, 15.49

 

CMYK 0 / 29 / 42 / 45

HEX #8C6351

RGB 140 99 81

HSL 18.31, 0.27%, 0.43%

LAB 45.76, 14.18, 16.81

 

CMYK 0 / 34 / 50 / 52

HEX #7B513E

RGB 123 81 62

HSL 18.69, 0.33%, 0.36%

LAB 38.63, 15.23, 18.32

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 0 / 15 / 27 / 25

HEX #BFA28B

RGB 191 162 139

HSL 26.54, 0.29%, 0.65%

LAB 68.59, 7.13, 15.92

 

CMYK 0 / 11 / 27 / 25

HEX #BFAA8B

RGB 191 170 139

HSL 35.77, 0.29%, 0.65%

LAB 70.66, 2.79, 18.78

 

CMYK 0 / 6 / 27 / 25

HEX #BFB38B

RGB 191 179 139

HSL 46.15, 0.29%, 0.65%

LAB 73.01, -2.03, 22.01

 

CMYK 0 / 2 / 27 / 25

HEX #BFBC8B

RGB 191 188 139

HSL 56.54, 0.29%, 0.65%

LAB 75.39, -6.77, 25.24

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 0 / 20 / 28 / 5

HEX #F2C2AF

RGB 242 194 175

HSL 17.01, 0.72%, 0.82%

LAB 82.14, 14.42, 16.05

 

CMYK 0 / 21 / 29 / 85

HEX #261E1B

RGB 38 30 27

HSL 16.36, 0.17%, 0.13%

LAB 12.09, 3.26, 3.51

 

CMYK 0 / 20 / 28 / 65

HEX #594740

RGB 89 71 64

HSL 16.8, 0.16%, 0.3%

LAB 31.81, 6.45, 7.1

 

CMYK 0 / 20 / 28 / 45

HEX #8C7065

RGB 140 112 101

HSL 16.92, 0.16%, 0.47%

LAB 49.62, 9.29, 10.29

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 13 / 0 / 27 / 25

HEX #A7BF8B

RGB 167 191 139

HSL 87.69, 0.29%, 0.65%

LAB 74.41, -17.42, 23.6

 

CMYK 27 / 24 / 0 / 25

HEX #8B92BF

RGB 139 146 191

HSL 231.92, 0.29%, 0.65%

LAB 61.49, 7.68, -24.16

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 27 / 0 / 20 / 25

HEX #8BBF99

RGB 139 191 153

HSL 136.15, 0.29%, 0.65%

LAB 72.93, -24.82, 13.77

 

CMYK 20 / 27 / 0 / 25

HEX #998BBF

RGB 153 139 191

HSL 256.15, 0.29%, 0.65%

LAB 60.78, 16.06, -25.16

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 13 / 0 / 27 / 25

HEX #A7BF8B

RGB 167 191 139

HSL 87.69, 0.29%, 0.65%

LAB 74.41, -17.42, 23.6

 

CMYK 27 / 7 / 0 / 25

HEX #8BB1BF

RGB 139 177 191

HSL 196.15, 0.29%, 0.65%

LAB 69.96, -9.52, -11.32

 

CMYK 14 / 27 / 0 / 25

HEX #A48BBF

RGB 164 139 191

HSL 268.85, 0.29%, 0.65%

LAB 61.76, 19.59, -23.57

 

CMYK 0 / 20 / 28 / 25

HEX #BF998A

RGB 191 153 138

HSL 16.98, 0.29%, 0.65%

LAB 66.29, 11.93, 13.25

 

CMYK 21 / 0 / 27 / 25

HEX #97BF8B

RGB 151 191 139

HSL 106.15, 0.29%, 0.65%

LAB 73.35, -23.2, 22

 

CMYK 27 / 7 / 0 / 25

HEX #8BB1BF

RGB 139 177 191

HSL 196.15, 0.29%, 0.65%

LAB 69.96, -9.52, -11.32

 

CMYK 6 / 27 / 0 / 25

HEX #B38BBF

RGB 179 139 191

HSL 286.15, 0.29%, 0.65%

LAB 63.19, 24.51, -21.26

 

Description

Color code: CMYK 0 / 20 / 28 / 25 | qconv.com Color code: CMYK 0 / 20 / 28 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 153 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 153 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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