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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 123 113 it is the complementary color RGB 63 132 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 123 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 123 113: RGB 197 123 108, RGB 214 141 127, RGB 231 159 146, RGB 248 177 165 and RGB 255 195 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 123 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 123 113: RGB 192 123 113, RGB 175 105 94, RGB 158 87 75, RGB 141 69 56 and RGB 124 51 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

Complementary color

CMYK 56 / 7 / 0 / 44

HEX #3F848E

RGB 63 132 142

HSL 187.59, 0.39%, 0.4%

LAB 51.28, -18.71, -12.02

 

CMYK 0 / 38 / 45 / 23

HEX #C57B6C

RGB 197 123 108

HSL 10.11, 0.43%, 0.6%

LAB 59.08, 27.13, 20.32

 

CMYK 0 / 34 / 41 / 16

HEX #D68D7F

RGB 214 141 127

HSL 9.66, 0.51%, 0.67%

LAB 65.65, 26.1, 18.9

 

CMYK 0 / 31 / 37 / 9

HEX #E79F92

RGB 231 159 146

HSL 9.18, 0.64%, 0.74%

LAB 72.14, 25.19, 17.62

 

CMYK 0 / 29 / 33 / 3

HEX #F8B1A5

RGB 248 177 165

HSL 8.67, 0.86%, 0.81%

LAB 78.53, 24.36, 16.46

 

CMYK 0 / 24 / 28 / 0

HEX #FFC3B8

RGB 255 195 184

HSL 9.3, 1%, 0.86%

LAB 83.84, 19.93, 13.83

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 0 / 40 / 46 / 31

HEX #AF695E

RGB 175 105 94

HSL 8.15, 0.34%, 0.53%

LAB 51.87, 26.77, 18.15

 

CMYK 0 / 45 / 53 / 38

HEX #9E574B

RGB 158 87 75

HSL 8.67, 0.36%, 0.46%

LAB 45.07, 27.97, 19.87

 

CMYK 0 / 51 / 60 / 45

HEX #8D4538

RGB 141 69 56

HSL 9.18, 0.43%, 0.39%

LAB 38.21, 29.31, 21.93

 

CMYK 0 / 59 / 70 / 51

HEX #7C3325

RGB 124 51 37

HSL 9.66, 0.54%, 0.32%

LAB 31.32, 30.75, 24.42

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 0 / 30 / 41 / 25

HEX #C08771

RGB 192 135 113

HSL 16.71, 0.39%, 0.6%

LAB 61.42, 19.08, 20.55

 

CMYK 0 / 22 / 41 / 25

HEX #C09571

RGB 192 149 113

HSL 27.34, 0.39%, 0.6%

LAB 64.88, 11.35, 25.2

 

CMYK 0 / 16 / 41 / 25

HEX #C0A271

RGB 192 162 113

HSL 37.22, 0.39%, 0.6%

LAB 68.2, 4.26, 29.58

 

CMYK 0 / 9 / 41 / 25

HEX #C0AF71

RGB 192 175 113

HSL 47.09, 0.39%, 0.6%

LAB 71.59, -2.72, 33.98

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 0 / 36 / 41 / 5

HEX #F39C8F

RGB 243 156 143

HSL 7.8, 0.81%, 0.76%

LAB 72.77, 31, 20.36

 

CMYK 0 / 36 / 41 / 85

HEX #271917

RGB 39 25 23

HSL 7.5, 0.26%, 0.12%

LAB 10.47, 6.65, 4.19

 

CMYK 0 / 36 / 41 / 65

HEX #5A3A35

RGB 90 58 53

HSL 8.11, 0.26%, 0.28%

LAB 28, 13.47, 8.9

 

CMYK 0 / 36 / 41 / 45

HEX #8D5A53

RGB 141 90 83

HSL 7.24, 0.26%, 0.44%

LAB 43.65, 20.11, 12.75

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 13 / 0 / 41 / 25

HEX #A7C071

RGB 167 192 113

HSL 78.99, 0.39%, 0.6%

LAB 74.26, -21.46, 36.98

 

CMYK 41 / 30 / 0 / 25

HEX #7187C0

RGB 113 135 192

HSL 223.29, 0.39%, 0.6%

LAB 56.73, 6.83, -32.24

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 41 / 0 / 36 / 25

HEX #71C07A

RGB 113 192 122

HSL 126.84, 0.39%, 0.6%

LAB 71.29, -38.99, 27.87

 

CMYK 36 / 41 / 0 / 25

HEX #7A71C0

RGB 122 113 192

HSL 246.84, 0.39%, 0.6%

LAB 51.56, 22.38, -40.3

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 13 / 0 / 41 / 25

HEX #A7C071

RGB 167 192 113

HSL 78.99, 0.39%, 0.6%

LAB 74.26, -21.46, 36.98

 

CMYK 41 / 5 / 0 / 25

HEX #71B7C0

RGB 113 183 192

HSL 186.84, 0.39%, 0.6%

LAB 70.3, -19.67, -11.5

 

CMYK 28 / 41 / 0 / 25

HEX #8A71C0

RGB 138 113 192

HSL 258.99, 0.39%, 0.6%

LAB 52.97, 26.87, -37.98

 

CMYK 0 / 36 / 41 / 25

HEX #C07B71

RGB 192 123 113

HSL 7.59, 0.39%, 0.6%

LAB 58.57, 25.7, 16.66

 

CMYK 26 / 0 / 41 / 25

HEX #8FC071

RGB 143 192 113

HSL 97.22, 0.39%, 0.6%

LAB 72.71, -30.41, 34.7

 

CMYK 41 / 5 / 0 / 25

HEX #71B7C0

RGB 113 183 192

HSL 186.84, 0.39%, 0.6%

LAB 70.3, -19.67, -11.5

 

CMYK 16 / 41 / 0 / 25

HEX #A271C0

RGB 162 113 192

HSL 277.22, 0.39%, 0.6%

LAB 55.38, 33.98, -34.03

 

Description

Color code: RGB 192 123 113 | qconv.com Color code: RGB 192 123 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 123 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 123 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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