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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 41 / 25 it is the complementary color CMYK 37 / 55 / 0 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 41 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 0 / 41 / 25: CMYK 10 / 0 / 43 / 25, CMYK 10 / 0 / 39 / 18, CMYK 10 / 0 / 36 / 11, CMYK 9 / 0 / 33 / 4 and CMYK 6 / 0 / 28 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 41 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 0 / 41 / 25: CMYK 13 / 0 / 41 / 25, CMYK 14 / 0 / 46 / 32, CMYK 15 / 0 / 52 / 39, CMYK 16 / 0 / 59 / 46 and CMYK 18 / 0 / 69 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

Complementary color

CMYK 37 / 55 / 0 / 44

HEX #59408E

RGB 89 64 142

HSL 259.23, 0.38%, 0.4%

LAB 33.44, 29.33, -39.65

 

CMYK 10 / 0 / 43 / 25

HEX #ABBF6C

RGB 171 191 108

HSL 74.46, 0.39%, 0.59%

LAB 74.19, -19.99, 39.49

 

CMYK 10 / 0 / 39 / 18

HEX #BCD17F

RGB 188 209 127

HSL 75.37, 0.47%, 0.66%

LAB 80.64, -20.13, 38.32

 

CMYK 10 / 0 / 36 / 11

HEX #CDE392

RGB 205 227 146

HSL 76.3, 0.59%, 0.73%

LAB 86.99, -20.24, 37.19

 

CMYK 9 / 0 / 33 / 4

HEX #DEF5A5

RGB 222 245 165

HSL 77.25, 0.8%, 0.8%

LAB 93.26, -20.32, 36.1

 

CMYK 6 / 0 / 28 / 0

HEX #EFFFB8

RGB 239 255 184

HSL 73.52, 1%, 0.86%

LAB 97.36, -16.53, 32.27

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 14 / 0 / 46 / 32

HEX #95AD5E

RGB 149 173 94

HSL 78.23, 0.33%, 0.52%

LAB 67.34, -21.24, 37.71

 

CMYK 15 / 0 / 52 / 39

HEX #849B4B

RGB 132 155 75

HSL 77.25, 0.35%, 0.45%

LAB 60.65, -21.07, 38.9

 

CMYK 16 / 0 / 59 / 46

HEX #738938

RGB 115 137 56

HSL 76.3, 0.42%, 0.38%

LAB 53.84, -20.81, 40.02

 

CMYK 18 / 0 / 69 / 53

HEX #627725

RGB 98 119 37

HSL 75.37, 0.53%, 0.31%

LAB 46.87, -20.4, 40.87

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 19 / 0 / 40 / 25

HEX #9ABF72

RGB 154 191 114

HSL 88.83, 0.38%, 0.6%

LAB 73.12, -25.77, 34.84

 

CMYK 26 / 0 / 40 / 25

HEX #8DBF72

RGB 141 191 114

HSL 98.96, 0.38%, 0.6%

LAB 72.32, -30.51, 33.66

 

CMYK 33 / 0 / 40 / 25

HEX #80BF72

RGB 128 191 114

HSL 109.09, 0.38%, 0.6%

LAB 71.6, -35.01, 32.58

 

CMYK 40 / 0 / 40 / 25

HEX #73BF72

RGB 115 191 114

HSL 119.22, 0.38%, 0.6%

LAB 70.95, -39.21, 31.62

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 13 / 0 / 41 / 5

HEX #D2F28F

RGB 210 242 143

HSL 79.39, 0.79%, 0.75%

LAB 91.32, -25.97, 44.3

 

CMYK 13 / 0 / 42 / 85

HEX #212616

RGB 33 38 22

HSL 78.75, 0.27%, 0.12%

LAB 14.22, -5.81, 9.9

 

CMYK 13 / 0 / 40 / 65

HEX #4D5935

RGB 77 89 53

HSL 80, 0.25%, 0.28%

LAB 35.94, -11.6, 19.31

 

CMYK 13 / 0 / 41 / 45

HEX #7A8C53

RGB 122 140 83

HSL 78.95, 0.26%, 0.44%

LAB 55.6, -16.45, 28.3

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 40 / 0 / 19 / 25

HEX #72BF9A

RGB 114 191 154

HSL 151.17, 0.38%, 0.6%

LAB 71.67, -32.24, 11.28

 

CMYK 3 / 40 / 0 / 25

HEX #B972BF

RGB 185 114 191

HSL 295.32, 0.38%, 0.6%

LAB 58.14, 40.26, -28.96

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 40 / 13 / 0 / 25

HEX #72A7BF

RGB 114 167 191

HSL 198.7, 0.38%, 0.6%

LAB 65.73, -11.24, -17.84

 

CMYK 0 / 40 / 13 / 25

HEX #BF72A7

RGB 191 114 167

HSL 318.7, 0.38%, 0.6%

LAB 57.94, 37.87, -15.44

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 40 / 0 / 19 / 25

HEX #72BF9A

RGB 114 191 154

HSL 151.17, 0.38%, 0.6%

LAB 71.67, -32.24, 11.28

 

CMYK 28 / 40 / 0 / 25

HEX #8A72BF

RGB 138 114 191

HSL 258.7, 0.38%, 0.6%

LAB 53.17, 26.03, -37.09

 

CMYK 0 / 40 / 21 / 25

HEX #BF7297

RGB 191 114 151

HSL 331.17, 0.38%, 0.6%

LAB 57.41, 35.31, -6.99

 

CMYK 13 / 0 / 41 / 25

HEX #A6BF71

RGB 166 191 113

HSL 79.23, 0.38%, 0.6%

LAB 73.91, -21.35, 36.52

 

CMYK 40 / 0 / 7 / 25

HEX #72BFB1

RGB 114 191 177

HSL 169.09, 0.38%, 0.6%

LAB 72.24, -27.12, -0.42

 

CMYK 28 / 40 / 0 / 25

HEX #8A72BF

RGB 138 114 191

HSL 258.7, 0.38%, 0.6%

LAB 53.17, 26.03, -37.09

 

CMYK 0 / 40 / 33 / 25

HEX #BF7280

RGB 191 114 128

HSL 349.09, 0.38%, 0.6%

LAB 56.75, 32.06, 5.42

 

Description

Color code: CMYK 13 / 0 / 41 / 25 | qconv.com Color code: CMYK 13 / 0 / 41 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 191 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 191 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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