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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 198.4 79.4 it is the complementary color RGB 66 56.6 175.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 198.4 79.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 198.4 79.4 shade: RGB 194 198.4 74.4, RGB 211 216.4 93.4, RGB 228 234.4 112.4, RGB 245 252.4 131.4 and RGB 255 255 150.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 198.4 79.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 198.4 79.4 shade: RGB 189 198.4 79.4, RGB 172 180.4 60.4, RGB 155 162.4 41.4, RGB 138 144.4 22.4 and RGB 121 126.4 3.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 198.4 79.4 shade: RGB 188 198 78, RGB 198 175 78, RGB 198 142 78, RGB 198 110 78 and RGB 198 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 198.4 79.4 shade: RGB 188 198 78, RGB 156 198 78, RGB 124 198 78, RGB 91 198 78 and RGB 78 198 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 198.4 79.4 shade matches the following richer shades: RGB 188 198 78, RGB 204 217 59, RGB 220 235 40 and RGB 236 254 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 198.4 79.4 shade: RGB 188 198 78, RGB 172 179 97, RGB 156 160 116, RGB 140 141 135 and RGB 124 122 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 198.4 79.4 shade: RGB 198 142 78, RGB 198 174 78, RGB 190 198 78, RGB 158 198 78 and RGB 126 198 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 198.4 79.4 shade: RGB 138 146 47, RGB 167 177 57, RGB 188 198 78, RGB 200 208 109 and RGB 212 218 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 198.4 79.4 shade: RGB 189 198.4 79.4, RGB 78 198 110 and RGB 158 78 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 198.4 79.4 shade: RGB 189 198.4 79.4, RGB 78 190 198 and RGB 198 78 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 198.4 79.4 shade: RGB 189 198.4 79.4, RGB 78 198 110, RGB 86 78 198 and RGB 198 78 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 198.4 79.4 shade: RGB 189 198.4 79.4, RGB 78 198 146, RGB 86 78 198 and RGB 198 78 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

Complementary color

CMYK 62 / 68 / 0 / 31

HEX #4238AF

RGB 66 56.6 175.6

HSL 244.74, 0.51%, 0.46%

LAB 32.18, 39.55, -62.11

 

CMYK 2 / 0 / 63 / 22

HEX #C2C64A

RGB 194 198.4 74.4

HSL 62.13, 0.52%, 0.53%

LAB 77.6, -17.31, 59.53

 

CMYK 2 / 0 / 57 / 15

HEX #D3D85D

RGB 211 216.4 93.4

HSL 62.63, 0.61%, 0.61%

LAB 83.95, -17.93, 58.68

 

CMYK 3 / 0 / 52 / 8

HEX #E4EA70

RGB 228 234.4 112.4

HSL 63.15, 0.75%, 0.68%

LAB 90.2, -18.44, 57.68

 

CMYK 3 / 0 / 48 / 1

HEX #F5FC83

RGB 245 252.4 131.4

HSL 63.67, 0.96%, 0.75%

LAB 96.38, -18.87, 56.6

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150.4

HSL 60, 1%, 0.79%

LAB 98.03, -14.49, 49.86

 

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

CMYK 5 / 0 / 67 / 29

HEX #ACB43C

RGB 172 180.4 60.4

HSL 64.2, 0.5%, 0.47%

LAB 70.81, -18.39, 57.62

 

CMYK 5 / 0 / 75 / 36

HEX #9BA229

RGB 155 162.4 41.4

HSL 63.67, 0.59%, 0.4%

LAB 64.25, -17.57, 57.84

 

CMYK 4 / 0 / 84 / 43

HEX #8A9016

RGB 138 144.4 22.4

HSL 63.15, 0.73%, 0.33%

LAB 57.59, -16.54, 57.13

 

CMYK 4 / 0 / 97 / 50

HEX #797E03

RGB 121 126.4 3.4

HSL 62.63, 0.95%, 0.25%

LAB 50.8, -15.26, 54.96

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 28 / 61 / 22

HEX #C68E4E

RGB 198 142 78

HSL 32, 0.51%, 0.54%

LAB 63.26, 14.46, 41.97

 

CMYK 0 / 44 / 61 / 22

HEX #C66E4E

RGB 198 110 78

HSL 16, 0.51%, 0.54%

LAB 55.79, 31.88, 32.98

RGB 198 110 78

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

RGB 198 78 78

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 21 / 0 / 61 / 22

HEX #9CC64E

RGB 156 198 78

HSL 81, 0.51%, 0.54%

LAB 74.83, -32.17, 54.2

 

CMYK 37 / 0 / 61 / 22

HEX #7CC64E

RGB 124 198 78

HSL 97, 0.51%, 0.54%

LAB 73.04, -43.8, 51.71

 

CMYK 54 / 0 / 61 / 22

HEX #5BC64E

RGB 91 198 78

HSL 113.5, 0.51%, 0.54%

LAB 71.67, -53.78, 49.78

 

CMYK 61 / 0 / 51 / 22

HEX #4EC661

RGB 78 198 97

HSL 129.5, 0.51%, 0.54%

LAB 71.47, -54.56, 40.55

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 6 / 0 / 73 / 15

HEX #CCD93B

RGB 204 217 59

HSL 64.94, 0.68%, 0.54%

LAB 83.33, -23.15, 71.29

 

CMYK 6 / 0 / 83 / 8

HEX #DCEB28

RGB 220 235 40

HSL 64.62, 0.83%, 0.54%

LAB 89.29, -25.87, 82.3

 

CMYK 7 / 0 / 92 / 0

HEX #ECFE15

RGB 236 254 21

HSL 64.64, 0.99%, 0.54%

LAB 95.48, -28.64, 90.92

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 4 / 0 / 46 / 30

HEX #ACB361

RGB 172 179 97

HSL 65.12, 0.35%, 0.54%

LAB 70.78, -14.7, 40.82

 

CMYK 2 / 0 / 28 / 37

HEX #9CA074

RGB 156 160 116

HSL 65.45, 0.19%, 0.54%

LAB 64.54, -8.88, 22.52

 

CMYK 1 / 0 / 4 / 45

HEX #8C8D87

RGB 140 141 135

HSL 70, 0.03%, 0.54%

LAB 58.39, -1.52, 3.06

 

CMYK 19 / 21 / 0 / 40

HEX #7C7A9A

RGB 124 122 154

HSL 243.75, 0.14%, 0.54%

LAB 52.44, 7.77, -16.92

 

CMYK 0 / 28 / 61 / 22

HEX #C68E4E

RGB 198 142 78

HSL 32, 0.51%, 0.54%

LAB 63.26, 14.46, 41.97

 

CMYK 0 / 12 / 61 / 22

HEX #C6AE4E

RGB 198 174 78

HSL 48, 0.51%, 0.54%

LAB 71.44, -2.82, 51.33

 

CMYK 4 / 0 / 61 / 22

HEX #BEC64E

RGB 190 198 78

HSL 64, 0.51%, 0.54%

LAB 77.21, -18.52, 57.49

 

CMYK 20 / 0 / 61 / 22

HEX #9EC64E

RGB 158 198 78

HSL 80, 0.51%, 0.54%

LAB 74.96, -31.4, 54.38

 

CMYK 36 / 0 / 61 / 22

HEX #7EC64E

RGB 126 198 78

HSL 96, 0.51%, 0.54%

LAB 73.14, -43.13, 51.85

 

CMYK 5 / 0 / 68 / 43

HEX #8A922F

RGB 138 146 47

HSL 64.85, 0.51%, 0.38%

LAB 58.19, -16.23, 49.28

 

CMYK 6 / 0 / 68 / 31

HEX #A7B139

RGB 167 177 57

HSL 65, 0.51%, 0.46%

LAB 69.44, -19, 57.45

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 4 / 0 / 48 / 18

HEX #C8D06D

RGB 200 208 109

HSL 64.85, 0.51%, 0.62%

LAB 81.01, -16.87, 47.86

 

CMYK 3 / 0 / 36 / 15

HEX #D4DA8C

RGB 212 218 140

HSL 64.62, 0.51%, 0.7%

LAB 85.01, -13.86, 37.74

 

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

CMYK 61 / 0 / 44 / 22

HEX #4EC66E

RGB 78 198 110

HSL 136, 0.51%, 0.54%

LAB 71.65, -52.58, 34.29

 

CMYK 20 / 61 / 0 / 22

HEX #9E4EC6

RGB 158 78 198

HSL 280, 0.51%, 0.54%

LAB 48, 52.89, -49.17

 

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

CMYK 61 / 4 / 0 / 22

HEX #4EBEC6

RGB 78 190 198

HSL 184, 0.51%, 0.54%

LAB 71.23, -29.07, -13.54

 

CMYK 0 / 61 / 4 / 22

HEX #C64EBE

RGB 198 78 190

HSL 304, 0.51%, 0.54%

LAB 53.14, 61.42, -36.06

 

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

CMYK 61 / 0 / 44 / 22

HEX #4EC66E

RGB 78 198 110

HSL 136, 0.51%, 0.54%

LAB 71.65, -52.58, 34.29

 

CMYK 57 / 61 / 0 / 22

HEX #564EC6

RGB 86 78 198

HSL 244, 0.51%, 0.54%

LAB 40.42, 37.18, -61.78

 

CMYK 0 / 61 / 16 / 22

HEX #C64EA6

RGB 198 78 166

HSL 316, 0.51%, 0.54%

LAB 52.07, 57.64, -23.75

 

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198.4 79.4

HSL 64.74, 0.51%, 0.54%

LAB 77.26, -19.04, 56.92

 

CMYK 61 / 0 / 26 / 22

HEX #4EC692

RGB 78 198 146

HSL 154, 0.51%, 0.54%

LAB 72.28, -45.78, 16.26

 

CMYK 57 / 61 / 0 / 22

HEX #564EC6

RGB 86 78 198

HSL 244, 0.51%, 0.54%

LAB 40.42, 37.18, -61.78

 

CMYK 0 / 61 / 34 / 22

HEX #C64E82

RGB 198 78 130

HSL 334, 0.51%, 0.54%

LAB 50.76, 52.81, -4.37

 

Description

Color code: RGB 189 198.4 79.4 | qconv.com Color code: RGB 189 198.4 79.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 198.4 green and 79.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 198.4 79.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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