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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6AF4E it is the complementary color #3950B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6AF4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6AF4E shade: #CBAF49, #DCC15C, #EDD36F, #FEE582 and #FFF795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6AF4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6AF4E shade: #C6AF4E, #B59D3B, #A48B28, #937915 and #826702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6AF4E shade: #C6AF4E, #C68E4E, #C66E4E and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6AF4E shade: #C6AF4E, #BCC64E, #9CC64E, #7CC64E and #5BC64E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6AF4E shade matches the following richer shades: #C6AF4E, #D9BA3B, #EBC628 and #FED215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6AF4E shade: #C6AF4E, #B3A361, #A09774, #8D8B87 and #7A809A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6AF4E shade: #C66E4E, #C68E4E, #C6AE4E, #BEC64E and #9EC64E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6AF4E shade: #927F2F, #B19A39, #C6AF4E, #D0BD6D and #DACB8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6AF4E shade: #C6AF4E, #4EC64E and #7E4EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6AF4E shade: #C6AF4E, #4EC6AE and #AE4EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6AF4E shade: #C6AF4E, #4EC64E, #4E66C6 and #C64EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6AF4E shade: #C6AF4E, #4EC672, #4E66C6 and #C64EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

Complementary color

CMYK 68 / 55 / 0 / 31

HEX #3950B1

RGB 57 80 177

HSL 228.5, 0.51%, 0.46%

LAB 37.45, 23.84, -54.38

 

CMYK 0 / 14 / 64 / 20

HEX #CBAF49

RGB 203 175 73

HSL 47.08, 0.56%, 0.54%

LAB 72.12, -1.54, 54.48

 

CMYK 0 / 12 / 58 / 14

HEX #DCC15C

RGB 220 193 92

HSL 47.34, 0.65%, 0.61%

LAB 78.54, -2.47, 53.41

 

CMYK 0 / 11 / 53 / 7

HEX #EDD36F

RGB 237 211 111

HSL 47.62, 0.78%, 0.68%

LAB 84.86, -3.26, 52.24

 

CMYK 0 / 10 / 49 / 0

HEX #FEE582

RGB 254 229 130

HSL 47.9, 0.98%, 0.75%

LAB 91.11, -3.94, 51.05

 

CMYK 0 / 3 / 42 / 0

HEX #FFF795

RGB 255 247 149

HSL 55.47, 1%, 0.79%

LAB 95.98, -10.72, 47.96

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 13 / 67 / 29

HEX #B59D3B

RGB 181 157 59

HSL 48.2, 0.51%, 0.47%

LAB 65.16, -2.36, 52.6

 

CMYK 0 / 15 / 76 / 36

HEX #A48B28

RGB 164 139 40

HSL 47.9, 0.61%, 0.4%

LAB 58.52, -1.16, 53.18

 

CMYK 0 / 18 / 86 / 42

HEX #937915

RGB 147 121 21

HSL 47.62, 0.75%, 0.33%

LAB 51.76, 0.31, 52.9

 

CMYK 0 / 21 / 98 / 49

HEX #826702

RGB 130 103 2

HSL 47.34, 0.97%, 0.26%

LAB 44.87, 2.1, 51.27

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 28 / 61 / 22

HEX #C68E4E

RGB 198 142 78

HSL 32, 0.51%, 0.54%

LAB 63.26, 14.46, 41.97

 

CMYK 0 / 44 / 61 / 22

HEX #C66E4E

RGB 198 110 78

HSL 16, 0.51%, 0.54%

LAB 55.79, 31.88, 32.98

HEX #C66E4E

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

HEX #C64E4E

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 21 / 0 / 61 / 22

HEX #9CC64E

RGB 156 198 78

HSL 81, 0.51%, 0.54%

LAB 74.83, -32.17, 54.2

 

CMYK 37 / 0 / 61 / 22

HEX #7CC64E

RGB 124 198 78

HSL 97, 0.51%, 0.54%

LAB 73.04, -43.8, 51.71

 

CMYK 54 / 0 / 61 / 22

HEX #5BC64E

RGB 91 198 78

HSL 113.5, 0.51%, 0.54%

LAB 71.67, -53.78, 49.78

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 14 / 73 / 15

HEX #D9BA3B

RGB 217 186 59

HSL 48.23, 0.68%, 0.54%

LAB 76.18, -2.05, 64.81

 

CMYK 0 / 16 / 83 / 8

HEX #EBC628

RGB 235 198 40

HSL 48.62, 0.83%, 0.54%

LAB 80.85, -1.22, 75.71

 

CMYK 0 / 17 / 92 / 0

HEX #FED215

RGB 254 210 21

HSL 48.67, 0.99%, 0.54%

LAB 85.61, 0.38, 84.04

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 9 / 46 / 30

HEX #B3A361

RGB 179 163 97

HSL 48.29, 0.35%, 0.54%

LAB 67.01, -3.39, 36.28

 

CMYK 0 / 6 / 28 / 37

HEX #A09774

RGB 160 151 116

HSL 47.73, 0.19%, 0.54%

LAB 62.4, -2.41, 19.67

 

CMYK 0 / 1 / 4 / 45

HEX #8D8B87

RGB 141 139 135

HSL 40, 0.03%, 0.54%

LAB 57.92, -0.02, 2.39

 

CMYK 21 / 17 / 0 / 40

HEX #7A809A

RGB 122 128 154

HSL 228.75, 0.14%, 0.54%

LAB 53.93, 3.6, -14.67

 

CMYK 0 / 44 / 61 / 22

HEX #C66E4E

RGB 198 110 78

HSL 16, 0.51%, 0.54%

LAB 55.79, 31.88, 32.98

HEX #C66E4E

CMYK 0 / 28 / 61 / 22

HEX #C68E4E

RGB 198 142 78

HSL 32, 0.51%, 0.54%

LAB 63.26, 14.46, 41.97

HEX #C68E4E

CMYK 0 / 12 / 61 / 22

HEX #C6AE4E

RGB 198 174 78

HSL 48, 0.51%, 0.54%

LAB 71.44, -2.82, 51.33

HEX #C6AE4E

CMYK 4 / 0 / 61 / 22

HEX #BEC64E

RGB 190 198 78

HSL 64, 0.51%, 0.54%

LAB 77.21, -18.52, 57.49

HEX #BEC64E

CMYK 20 / 0 / 61 / 22

HEX #9EC64E

RGB 158 198 78

HSL 80, 0.51%, 0.54%

LAB 74.96, -31.4, 54.38

HEX #9EC64E

CMYK 0 / 13 / 68 / 43

HEX #927F2F

RGB 146 127 47

HSL 48.48, 0.51%, 0.38%

LAB 53.49, -2.33, 44.61

 

CMYK 0 / 13 / 68 / 31

HEX #B19A39

RGB 177 154 57

HSL 48.5, 0.51%, 0.46%

LAB 63.96, -2.62, 52.09

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 9 / 48 / 18

HEX #D0BD6D

RGB 208 189 109

HSL 48.48, 0.51%, 0.62%

LAB 76.62, -3.94, 42.66

 

CMYK 0 / 7 / 36 / 15

HEX #DACB8C

RGB 218 203 140

HSL 48.46, 0.51%, 0.7%

LAB 81.57, -3.9, 33.35

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 61 / 0 / 61 / 22

HEX #4EC64E

RGB 78 198 78

HSL 120, 0.51%, 0.54%

LAB 71.25, -56.97, 49.21

 

CMYK 36 / 61 / 0 / 22

HEX #7E4EC6

RGB 126 78 198

HSL 264, 0.51%, 0.54%

LAB 44.18, 45.37, -55.51

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 61 / 0 / 12 / 22

HEX #4EC6AE

RGB 78 198 174

HSL 168, 0.51%, 0.54%

LAB 72.93, -39.25, 2.07

 

CMYK 12 / 61 / 0 / 22

HEX #AE4EC6

RGB 174 78 198

HSL 288, 0.51%, 0.54%

LAB 50.13, 56.81, -45.66

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 61 / 0 / 61 / 22

HEX #4EC64E

RGB 78 198 78

HSL 120, 0.51%, 0.54%

LAB 71.25, -56.97, 49.21

 

CMYK 61 / 48 / 0 / 22

HEX #4E66C6

RGB 78 102 198

HSL 228, 0.51%, 0.54%

LAB 45.91, 20.75, -52.94

 

CMYK 0 / 61 / 0 / 22

HEX #C64EC6

RGB 198 78 198

HSL 300, 0.51%, 0.54%

LAB 53.53, 62.77, -40.06

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 61 / 0 / 42 / 22

HEX #4EC672

RGB 78 198 114

HSL 138, 0.51%, 0.54%

LAB 71.71, -51.92, 32.33

 

CMYK 61 / 48 / 0 / 22

HEX #4E66C6

RGB 78 102 198

HSL 228, 0.51%, 0.54%

LAB 45.91, 20.75, -52.94

 

CMYK 0 / 61 / 18 / 22

HEX #C64EA2

RGB 198 78 162

HSL 318, 0.51%, 0.54%

LAB 51.91, 57.05, -21.65

 

Description

Color code: HEX #C6AF4E | qconv.com Color code: HEX #C6AF4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 175 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 175 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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