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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC64E it is the complementary color #4339B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC64E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC64E shade: #C1C649, #D2D85C, #E3EA6F, #F4FC82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC64E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC64E shade: #BCC64E, #ABB43B, #9AA228, #899015 and #787E02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC64E shade: #BCC64E, #C6AF4E, #C68F4E, #C66F4E and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC64E shade: #BCC64E, #9BC64E, #7BC64E, #5BC64E and #4EC661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC64E shade matches the following richer shades: #BCC64E, #CBD93B, #DBEB28 and #EBFE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC64E shade: #BCC64E, #ACB361, #9CA074, #8C8D87 and #7C7A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC64E shade: #C6904E, #C6B04E, #BCC64E, #9CC64E and #7CC64E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC64E shade: #89922F, #A7B139, #BCC64E, #C7D06D and #D3DA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC64E shade: #BCC64E, #4EC670 and #A04EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC64E shade: #BCC64E, #4EBCC6 and #C64EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC64E shade: #BCC64E, #4EC670, #584EC6 and #C64EA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC64E shade: #BCC64E, #4EC694, #584EC6 and #C64E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

Complementary color

CMYK 62 / 68 / 0 / 31

HEX #4339B1

RGB 67 57 177

HSL 245, 0.51%, 0.46%

LAB 32.47, 39.91, -62.47

 

CMYK 3 / 0 / 63 / 22

HEX #C1C649

RGB 193 198 73

HSL 62.4, 0.52%, 0.53%

LAB 77.4, -17.61, 59.87

 

CMYK 3 / 0 / 57 / 15

HEX #D2D85C

RGB 210 216 92

HSL 62.9, 0.61%, 0.6%

LAB 83.75, -18.24, 59.05

 

CMYK 3 / 0 / 53 / 8

HEX #E3EA6F

RGB 227 234 111

HSL 63.41, 0.75%, 0.68%

LAB 90.01, -18.76, 58.06

 

CMYK 3 / 0 / 48 / 1

HEX #F4FC82

RGB 244 252 130

HSL 63.93, 0.95%, 0.75%

LAB 96.19, -19.19, 56.99

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 5 / 0 / 67 / 29

HEX #ABB43B

RGB 171 180 59

HSL 64.46, 0.51%, 0.47%

LAB 70.61, -18.69, 57.95

 

CMYK 5 / 0 / 75 / 36

HEX #9AA228

RGB 154 162 40

HSL 63.93, 0.6%, 0.4%

LAB 64.05, -17.87, 58.1

 

CMYK 5 / 0 / 85 / 44

HEX #899015

RGB 137 144 21

HSL 63.41, 0.75%, 0.32%

LAB 57.38, -16.83, 57.28

 

CMYK 5 / 0 / 98 / 51

HEX #787E02

RGB 120 126 2

HSL 62.9, 0.97%, 0.25%

LAB 50.59, -15.54, 55.04

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 0 / 12 / 61 / 22

HEX #C6AF4E

RGB 198 175 78

HSL 48.5, 0.51%, 0.54%

LAB 71.7, -3.35, 51.62

 

CMYK 0 / 28 / 61 / 22

HEX #C68F4E

RGB 198 143 78

HSL 32.5, 0.51%, 0.54%

LAB 63.51, 13.91, 42.26

 

CMYK 0 / 44 / 61 / 22

HEX #C66F4E

RGB 198 111 78

HSL 16.5, 0.51%, 0.54%

LAB 56.01, 31.35, 33.25

 

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 22 / 0 / 61 / 22

HEX #9BC64E

RGB 155 198 78

HSL 81.5, 0.51%, 0.54%

LAB 74.77, -32.55, 54.11

 

CMYK 38 / 0 / 61 / 22

HEX #7BC64E

RGB 123 198 78

HSL 97.5, 0.51%, 0.54%

LAB 72.99, -44.14, 51.64

 

CMYK 54 / 0 / 61 / 22

HEX #5BC64E

RGB 91 198 78

HSL 113.5, 0.51%, 0.54%

LAB 71.67, -53.78, 49.78

 

CMYK 61 / 0 / 51 / 22

HEX #4EC661

RGB 78 198 97

HSL 129.5, 0.51%, 0.54%

LAB 71.47, -54.56, 40.55

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 6 / 0 / 73 / 15

HEX #CBD93B

RGB 203 217 59

HSL 65.32, 0.68%, 0.54%

LAB 83.25, -23.56, 71.2

 

CMYK 7 / 0 / 83 / 8

HEX #DBEB28

RGB 219 235 40

HSL 64.92, 0.83%, 0.54%

LAB 89.22, -26.28, 82.21

 

CMYK 7 / 0 / 92 / 0

HEX #EBFE15

RGB 235 254 21

HSL 64.89, 0.99%, 0.54%

LAB 95.41, -29.04, 90.83

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 4 / 0 / 46 / 30

HEX #ACB361

RGB 172 179 97

HSL 65.12, 0.35%, 0.54%

LAB 70.78, -14.7, 40.82

 

CMYK 2 / 0 / 28 / 37

HEX #9CA074

RGB 156 160 116

HSL 65.45, 0.19%, 0.54%

LAB 64.54, -8.88, 22.52

 

CMYK 1 / 0 / 4 / 45

HEX #8C8D87

RGB 140 141 135

HSL 70, 0.03%, 0.54%

LAB 58.39, -1.52, 3.06

 

CMYK 19 / 21 / 0 / 40

HEX #7C7A9A

RGB 124 122 154

HSL 243.75, 0.14%, 0.54%

LAB 52.44, 7.77, -16.92

 

CMYK 0 / 27 / 61 / 22

HEX #C6904E

RGB 198 144 78

HSL 33, 0.51%, 0.54%

LAB 63.76, 13.36, 42.55

 

CMYK 0 / 11 / 61 / 22

HEX #C6B04E

RGB 198 176 78

HSL 49, 0.51%, 0.54%

LAB 71.96, -3.87, 51.92

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 21 / 0 / 61 / 22

HEX #9CC64E

RGB 156 198 78

HSL 81, 0.51%, 0.54%

LAB 74.83, -32.17, 54.2

 

CMYK 37 / 0 / 61 / 22

HEX #7CC64E

RGB 124 198 78

HSL 97, 0.51%, 0.54%

LAB 73.04, -43.8, 51.71

 

CMYK 6 / 0 / 68 / 43

HEX #89922F

RGB 137 146 47

HSL 65.45, 0.51%, 0.38%

LAB 58.11, -16.67, 49.18

 

CMYK 6 / 0 / 68 / 31

HEX #A7B139

RGB 167 177 57

HSL 65, 0.51%, 0.46%

LAB 69.44, -19, 57.45

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 4 / 0 / 48 / 18

HEX #C7D06D

RGB 199 208 109

HSL 65.45, 0.51%, 0.62%

LAB 80.94, -17.27, 47.75

 

CMYK 3 / 0 / 36 / 15

HEX #D3DA8C

RGB 211 218 140

HSL 65.38, 0.51%, 0.7%

LAB 84.94, -14.25, 37.63

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 61 / 0 / 43 / 22

HEX #4EC670

RGB 78 198 112

HSL 137, 0.51%, 0.54%

LAB 71.68, -52.26, 33.31

 

CMYK 19 / 61 / 0 / 22

HEX #A04EC6

RGB 160 78 198

HSL 281, 0.51%, 0.54%

LAB 48.26, 53.38, -48.74

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 61 / 5 / 0 / 22

HEX #4EBCC6

RGB 78 188 198

HSL 185, 0.51%, 0.54%

LAB 70.64, -28.09, -14.43

 

CMYK 0 / 61 / 5 / 22

HEX #C64EBC

RGB 198 78 188

HSL 305, 0.51%, 0.54%

LAB 53.04, 61.09, -35.05

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 61 / 0 / 43 / 22

HEX #4EC670

RGB 78 198 112

HSL 137, 0.51%, 0.54%

LAB 71.68, -52.26, 33.31

 

CMYK 56 / 61 / 0 / 22

HEX #584EC6

RGB 88 78 198

HSL 245, 0.51%, 0.54%

LAB 40.57, 37.54, -61.52

 

CMYK 0 / 61 / 17 / 22

HEX #C64EA4

RGB 198 78 164

HSL 317, 0.51%, 0.54%

LAB 51.99, 57.35, -22.7

 

CMYK 5 / 0 / 61 / 22

HEX #BCC64E

RGB 188 198 78

HSL 65, 0.51%, 0.54%

LAB 77.06, -19.35, 57.28

 

CMYK 61 / 0 / 25 / 22

HEX #4EC694

RGB 78 198 148

HSL 155, 0.51%, 0.54%

LAB 72.33, -45.35, 15.25

 

CMYK 56 / 61 / 0 / 22

HEX #584EC6

RGB 88 78 198

HSL 245, 0.51%, 0.54%

LAB 40.57, 37.54, -61.52

 

CMYK 0 / 61 / 35 / 22

HEX #C64E80

RGB 198 78 128

HSL 335, 0.51%, 0.54%

LAB 50.7, 52.58, -3.26

 

Description

Color code: HEX #BCC64E | qconv.com Color code: HEX #BCC64E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 198 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 198 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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