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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 100 42 it is the complementary color RGB 66 155 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 100 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 100 42: RGB 194 100 37, RGB 211 118 56, RGB 228 136 75, RGB 245 154 94 and RGB 255 172 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 100 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 100 42: RGB 189 100 42, RGB 172 82 23, RGB 155 64 4, RGB 138 46 0 and RGB 121 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

Complementary color

CMYK 69 / 27 / 0 / 16

HEX #429BD5

RGB 66 155 213

HSL 203.67, 0.64%, 0.55%

LAB 61.14, -8, -37.33

 

CMYK 0 / 48 / 81 / 24

HEX #C26425

RGB 194 100 37

HSL 24.08, 0.68%, 0.45%

LAB 52.64, 33.39, 50.14

 

CMYK 0 / 44 / 73 / 17

HEX #D37638

RGB 211 118 56

HSL 24, 0.64%, 0.52%

LAB 59.06, 31.6, 48.63

 

CMYK 0 / 40 / 67 / 11

HEX #E4884B

RGB 228 136 75

HSL 23.92, 0.74%, 0.59%

LAB 65.44, 29.99, 46.94

 

CMYK 0 / 37 / 62 / 4

HEX #F59A5E

RGB 245 154 94

HSL 23.84, 0.88%, 0.66%

LAB 71.78, 28.56, 45.25

 

CMYK 0 / 33 / 56 / 0

HEX #FFAC71

RGB 255 172 113

HSL 24.93, 1%, 0.72%

LAB 77.26, 24.49, 42.47

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 0 / 52 / 87 / 33

HEX #AC5217

RGB 172 82 23

HSL 23.76, 0.76%, 0.38%

LAB 45.45, 33.43, 48.24

 

CMYK 0 / 59 / 97 / 39

HEX #9B4004

RGB 155 64 4

HSL 23.84, 0.95%, 0.31%

LAB 38.97, 35.46, 48.39

 

CMYK 0 / 67 / 100 / 46

HEX #8A2E00

RGB 138 46 0

HSL 20, 1%, 0.27%

LAB 32.61, 37.49, 44.54

 

CMYK 0 / 77 / 100 / 53

HEX #791C00

RGB 121 28 0

HSL 13.88, 1%, 0.24%

LAB 26.43, 38.92, 38.32

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A29

RGB 188 122 41

HSL 33.06, 0.64%, 0.45%

LAB 56.85, 19.07, 52.13

 

CMYK 0 / 22 / 78 / 26

HEX #BC9229

RGB 188 146 41

HSL 42.86, 0.64%, 0.45%

LAB 62.85, 5.84, 57.77

 

CMYK 0 / 9 / 78 / 26

HEX #BCAB29

RGB 188 171 41

HSL 53.06, 0.64%, 0.45%

LAB 69.45, -7.57, 63.8

 

CMYK 4 / 0 / 78 / 26

HEX #B4BC29

RGB 180 188 41

HSL 63.27, 0.64%, 0.45%

LAB 73.43, -19.74, 67.13

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 0 / 47 / 78 / 86

HEX #241308

RGB 36 19 8

HSL 23.57, 0.64%, 0.09%

LAB 7.75, 7.33, 8.47

 

CMYK 0 / 47 / 78 / 66

HEX #572E13

RGB 87 46 19

HSL 23.82, 0.64%, 0.21%

LAB 23.76, 16.27, 24.95

 

CMYK 0 / 47 / 78 / 46

HEX #8A491F

RGB 138 73 31

HSL 23.55, 0.63%, 0.33%

LAB 38.32, 24.22, 36.15

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 46 / 0 / 78 / 26

HEX #66BC29

RGB 102 188 41

HSL 95.1, 0.64%, 0.45%

LAB 68.72, -49.73, 61.06

 

CMYK 78 / 77 / 0 / 26

HEX #292BBC

RGB 41 43 188

HSL 239.18, 0.64%, 0.45%

LAB 28.98, 48.71, -74.8

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 78 / 0 / 48 / 26

HEX #29BC61

RGB 41 188 97

HSL 142.86, 0.64%, 0.45%

LAB 67.5, -57.39, 35.44

 

CMYK 48 / 78 / 0 / 26

HEX #6129BC

RGB 97 41 188

HSL 262.86, 0.64%, 0.45%

LAB 33.47, 55.74, -67.23

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 46 / 0 / 78 / 26

HEX #66BC29

RGB 102 188 41

HSL 95.1, 0.64%, 0.45%

LAB 68.72, -49.73, 61.06

 

CMYK 78 / 30 / 0 / 26

HEX #2983BC

RGB 41 131 188

HSL 203.27, 0.64%, 0.45%

LAB 52.21, -6.32, -37.25

 

CMYK 33 / 78 / 0 / 26

HEX #7E29BC

RGB 126 41 188

HSL 274.69, 0.64%, 0.45%

LAB 37.21, 60.27, -60.96

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 69 / 0 / 78 / 26

HEX #3ABC29

RGB 58 188 41

HSL 113.06, 0.64%, 0.45%

LAB 67.3, -61.01, 59.21

 

CMYK 78 / 30 / 0 / 26

HEX #2983BC

RGB 41 131 188

HSL 203.27, 0.64%, 0.45%

LAB 52.21, -6.32, -37.25

 

CMYK 9 / 78 / 0 / 26

HEX #AB29BC

RGB 171 41 188

HSL 293.06, 0.64%, 0.45%

LAB 44.05, 68.47, -49.57

 

Description

Color code: RGB 189 100 42 | qconv.com Color code: RGB 189 100 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 100 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 100 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 78 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 78% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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