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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 47 / 78 / 6 it is the complementary color CMYK 93 / 37 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 47 / 78 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 47 / 78 / 6: CMYK 0 / 48 / 80 / 4, CMYK 0 / 43 / 74 / 0, CMYK 0 / 36 / 66 / 0, CMYK 0 / 29 / 59 / 0 and CMYK 0 / 22 / 51 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 47 / 78 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 47 / 78 / 6: CMYK 0 / 47 / 78 / 6, CMYK 0 / 51 / 85 / 13, CMYK 0 / 56 / 93 / 19, CMYK 0 / 61 / 100 / 26 and CMYK 0 / 68 / 100 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

Complementary color

CMYK 93 / 37 / 0 / 21

HEX #0F80CA

RGB 15 128 202

HSL 203.74, 0.86%, 0.43%

LAB 51.62, -1.28, -46.22

 

CMYK 0 / 48 / 80 / 4

HEX #F57F30

RGB 245 127 48

HSL 24.06, 0.91%, 0.57%

LAB 65.6, 40.23, 60.18

 

CMYK 0 / 43 / 74 / 0

HEX #FF9143

RGB 255 145 67

HSL 24.89, 1%, 0.63%

LAB 70.81, 35.73, 57.56

 

CMYK 0 / 36 / 66 / 0

HEX #FFA356

RGB 255 163 86

HSL 27.34, 1%, 0.67%

LAB 74.9, 27.38, 53.12

 

CMYK 0 / 29 / 59 / 0

HEX #FFB569

RGB 255 181 105

HSL 30.4, 1%, 0.71%

LAB 79.23, 19.19, 48.88

 

CMYK 0 / 22 / 51 / 0

HEX #FFC77C

RGB 255 199 124

HSL 34.35, 1%, 0.74%

LAB 83.74, 11.29, 44.94

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 0 / 51 / 85 / 13

HEX #DF6D22

RGB 223 109 34

HSL 23.81, 0.75%, 0.5%

LAB 58.73, 40.27, 58.36

 

CMYK 0 / 56 / 93 / 19

HEX #CE5B0F

RGB 206 91 15

HSL 23.87, 0.86%, 0.43%

LAB 52.55, 42.21, 58.52

 

CMYK 0 / 61 / 100 / 26

HEX #BD4900

RGB 189 73 0

HSL 23.17, 1%, 0.37%

LAB 46.42, 44.17, 56.9

 

CMYK 0 / 68 / 100 / 33

HEX #AC3700

RGB 172 55 0

HSL 19.19, 1%, 0.34%

LAB 40.42, 45.97, 52.13

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 0 / 36 / 79 / 6

HEX #EF9A33

RGB 239 154 51

HSL 32.87, 0.85%, 0.57%

LAB 70.66, 23.93, 63.4

 

CMYK 0 / 22 / 79 / 6

HEX #EFBA33

RGB 239 186 51

HSL 43.09, 0.85%, 0.57%

LAB 78.29, 7.06, 70.38

 

CMYK 0 / 9 / 79 / 6

HEX #EFD933

RGB 239 217 51

HSL 52.98, 0.85%, 0.57%

LAB 86.11, -8.84, 77.37

 

CMYK 4 / 0 / 79 / 6

HEX #E6EF33

RGB 230 239 51

HSL 62.87, 0.85%, 0.57%

LAB 91.14, -23.35, 81.52

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 0 / 47 / 78 / 86

HEX #241308

RGB 36 19 8

HSL 23.57, 0.64%, 0.09%

LAB 7.75, 7.33, 8.47

 

CMYK 0 / 47 / 78 / 66

HEX #572E13

RGB 87 46 19

HSL 23.82, 0.64%, 0.21%

LAB 23.76, 16.27, 24.95

 

CMYK 0 / 47 / 78 / 46

HEX #8A491E

RGB 138 73 30

HSL 23.89, 0.64%, 0.33%

LAB 38.31, 24.17, 36.65

 

CMYK 0 / 47 / 78 / 26

HEX #BD642A

RGB 189 100 42

HSL 23.67, 0.64%, 0.45%

LAB 51.95, 31.52, 46.99

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 46 / 0 / 79 / 6

HEX #81EF33

RGB 129 239 51

HSL 95.11, 0.85%, 0.57%

LAB 85.32, -60.43, 74.09

 

CMYK 79 / 77 / 0 / 6

HEX #3336EF

RGB 51 54 239

HSL 239.04, 0.85%, 0.57%

LAB 37.07, 59.79, -90.87

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 79 / 0 / 49 / 6

HEX #33EF7B

RGB 51 239 123

HSL 142.98, 0.85%, 0.57%

LAB 83.9, -69.47, 43.29

 

CMYK 49 / 79 / 0 / 6

HEX #7B33EF

RGB 123 51 239

HSL 262.98, 0.85%, 0.57%

LAB 42.48, 68.02, -81.75

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 46 / 0 / 79 / 6

HEX #81EF33

RGB 129 239 51

HSL 95.11, 0.85%, 0.57%

LAB 85.32, -60.43, 74.09

 

CMYK 79 / 30 / 0 / 6

HEX #33A7EF

RGB 51 167 239

HSL 202.98, 0.85%, 0.57%

LAB 65.42, -7.63, -45.01

 

CMYK 33 / 79 / 0 / 6

HEX #A133EF

RGB 161 51 239

HSL 275.11, 0.85%, 0.57%

LAB 47.21, 73.44, -73.82

 

CMYK 0 / 47 / 78 / 6

HEX #F07F35

RGB 240 127 53

HSL 23.74, 0.86%, 0.57%

LAB 64.93, 38.44, 57.21

 

CMYK 69 / 0 / 79 / 6

HEX #49EF33

RGB 73 239 51

HSL 112.98, 0.85%, 0.57%

LAB 83.65, -73.84, 71.92

 

CMYK 79 / 30 / 0 / 6

HEX #33A7EF

RGB 51 167 239

HSL 202.98, 0.85%, 0.57%

LAB 65.42, -7.63, -45.01

 

CMYK 9 / 79 / 0 / 6

HEX #D933EF

RGB 217 51 239

HSL 292.98, 0.85%, 0.57%

LAB 55.43, 82.89, -60.11

 

Description

Color code: CMYK 0 / 47 / 78 / 6 | qconv.com Color code: CMYK 0 / 47 / 78 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 127 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 127 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 78 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 78% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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